Utah – Salt Flats & Sky

Canon Camera, Canon Live View, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Shuttertime with Sid and Mac, Summer, Sunset, Vehicle, Weather
Utah Skies - Knolls, Utah 1

Utah Skies – Knolls, Utah 1

Utah Skies - Knolls, Utah 2

Utah Skies – Knolls, Utah 2

For perhaps five years, each time my wife and I took our son and daughter out to enjoy a meal at High Level’s Boston Pizza with friends or on our own we would gaze upon what has become a familiar painting on the wall above the cash register and waiting area – Jack Vettriano’s Bonneville; the painting celebrates the work, the interest and the observation of what it is to break and set different land speed records in various vehicles. Beyond this, there was that movie … Anthony Hopkins, as actor, played the role of Burt Munro in a 2005 movie, ‘The World’s Fastest Indian’ (Indian, here, referring to the Indian motorcycle). Burt Munro was a mechanic/inventor/racer from New Zealand who raced motorcycles. He set a world record at Utah’s Bonneville Salt Flats. My wife encouraged me to go. She and our daughter would remain at the hotel and lounge at the pool cooling themselves in Utah’s summer heat (close to 100 F most days). They would remain cool, rest and read their newly purchased Barnes and Noble treasures. I would investigate Utah’s salt flats.

From Midvale, I steered our rented 2012 Toyota Rav 4 toward Salt Lake City and then follow directions from our Tom Tom GPS to Utah’s salt flats, then to the Bonneville speedway and to Wendover, Utah and the B-29 Bomber Base where the crew of Enola Gay were trained in World War II. By day’s end, I would have photographed the salt flats, Bonneville and Wendover; I would have had a flat tire and need to double back to Wendover to have the tire repaired; and, I would almost run out of gasoline on the return drive home. Doubling back would allow me to investigate more fully the B-29 Bomber Base and discover a goldmine of remarkably maintained American-built cars from the sixties and seventies – both at Wendover, Utah.

Here, one of the final rewards of the day was the evening cloud-work after the sun had crossed the horizon.

Shout Out – a big thank you to Maciek Sokulski (‘Shuttertime with Sid and Mac’ podcast) for articulating good best practices for working with Adobe Lightroom.

Quote to Consider/Inspire – “This freezing of time – the insolent, poignant stasis of each photograph – has produced new and more inclusive canons of beauty.” – Susan Sontag, ‘On Photography’

Listening to – Bruce Springsteen’s ‘Highway Patrolman.’

Walking Within

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Lonely Photographers Podcast, Photoblog Intention, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Season
Kananaskis Country - Kananaskis, Alberta 1

Kananaskis Country – Kananaskis, Alberta 1

Kananaskis Country - Kananaskis, Alberta 2

Kananaskis Country – Kananaskis, Alberta 2

Kananaskis Country - Kananaskis, Alberta 3

Kananaskis Country – Kananaskis, Alberta 3

Kananaskis Country - Kananaskis, Alberta 4

Kananaskis Country – Kananaskis, Alberta 4

Kananaskis Country - Kananaskis, Alberta 5

Kananaskis Country – Kananaskis, Alberta 5

Kananaskis Country - Kananaskis, Alberta 6

Kananaskis Country – Kananaskis, Alberta 6

Kananaskis Country - Kananaskis, Alberta 7

Kananaskis Country – Kananaskis, Alberta 7

Kananaskis Country - Kananaskis, Alberta 8

Kananaskis Country – Kananaskis, Alberta 8

Gardner Hamilton was interviewed by Edmonton photographers Carey Nash and Kelly Redinger, who have created the ‘Lonely Photographers’ podcast. While talking essentially about street photography, Gardner provided distillation about what photography is and about the key attribute making one a photographer – a [photographer] is someone who does not necessarily go out with a mission, but someone who is [or becomes] mentally aware of when they have walked into a photograph. Gardner goes on to articulate the process of framing the shot, composition, about the need to be stealthy, about timing and moment – all skills needed for taking and making the shot. You make yourself vulnerable to a shot. You stop yourself and with your camera move into the shot and work the shot. The photograph becomes a gift of ‘seeing something’ for the first time.

In a drive to Kananaskis two weeks ago, there were many points of ‘recognizing a shot,’ those shots that could be taken, those points of becoming mentally aware of photographs that were available – frost covered, harvested farm fields at sunrise south from Peace River as shadows stretched across land, something not usually accessed by me in my usual travel times; bright yellows of hay bales and patterned swaths on farm fields west of Calgary; cattle ranches along rolling foothills in autumn colour moving into the Rocky mountains; shadows cutting into forested Kananaskis mountains along snowy ski trails high above in the last hour before sunset. These images were available in that drive – the choice really became about whether or not to pursue photography along the way versus waiting for the photography that could occur at destination. The images that follow are Kananaskis images, photography at destination – the three final ones are shot at night during full moon.

Listening to – ‘Crash’ and ‘Way Behind Me’ by the Primitives; then it’s on to the Kingsmen’s ‘Louie Louie’ and Bruce Springsteen’s ‘Pink Cadillac’ and ‘Radio Nowhere.’

Quote to Inspire – “The Pictures are there, and you just take them” – Robert Capa

Manning, Dixonville & Blue Sky HDR

Canon 60D, Canon Camera, Canon Live View, Farm, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, The Candid Frame, Vehicle
Grain Bins - Dixonville, Alberta 1

Grain Bins – Dixonville, Alberta 1

Grain Bins - Dixonville, Alberta 2

Grain Bins – Dixonville, Alberta 2

Grain Truck Box - Manning, Alberta 1

Grain Truck Box – Manning, Alberta 1

Grain Truck Box - Manning, Alberta 2

Grain Truck Box – Manning, Alberta 2

Grain Truck Box - Manning, Alberta 3

Grain Truck Box – Manning, Alberta 3

Grain Truck Cab - Manning, Alberta 1

Grain Truck Cab – Manning, Alberta 1

Grain Truck Cab - Manning, Alberta 2

Grain Truck Cab – Manning, Alberta 2

Mercury Grain Truck - Manning, Alberta 1

Mercury Grain Truck – Manning, Alberta 1

Mercury Grain Truck - Manning, Alberta 2

Mercury Grain Truck – Manning, Alberta 2

Mercury Grain Truck - Manning, Alberta 3

Mercury Grain Truck – Manning, Alberta 3

Mercury Grain Truck Badge - Manning, Alberta 1

Mercury Grain Truck Badge – Manning, Alberta 1

Mercury Grain Truck Badge - Manning, Alberta 2

Mercury Grain Truck Badge – Manning, Alberta 2

Mercury Grain Truck Badge - Manning, Alberta 3

Mercury Grain Truck Badge – Manning, Alberta 3

Mercury Grain Truck Badge - Manning, Alberta 4

Mercury Grain Truck Badge – Manning, Alberta 4

Images this morning are from a farming community in the region that lies between Manning, Dixonville and Blue Sky, Alberta. Grain bins done in HDR with swirling, heavy clouds above and a set of HDR photos of an early fifties grain truck at the pioneer museum minutes north of Manning.

Listening to the Candid Frame – an interview of Niel and Susan Silverman, a husband and wife photographer duo who provide photography workshops around the world; also, Sheryl Crow’s ‘Riverwide,’ U2’s ‘Wire’ and ‘Promenade,’ Roxy Music’s ‘India’ and Christine by Siouxsie & the Banshees.

Quote to Inspire – “On the odd days Auto Tone gets it right I assume it’s using some kind of voodoo.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

That Thought, Complete

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, High Dynamic Range (HDR), Home, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life, Sunset, The Candid Frame, Vehicle, Vehicle Restoration
Alberta Reflection - Grande Prairie 1

Alberta Reflection – Grande Prairie 1

Alberta Reflection - Grande Prairie 2

Alberta Reflection – Grande Prairie 2

Alberta Reflection - Grande Prairie 3

Alberta Reflection – Grande Prairie 3

Alberta's Big Sky - 1

Alberta’s Big Sky – 1

Alberta's Big Sky - 2

Alberta’s Big Sky – 2

Along Northern Roads - Grande Cache, Alberta

Along Northern Roads – Grande Cache, Alberta

HDR - Subject Revisited 1

HDR – Subject Revisited 1

HDR - Subject Revisited 2

HDR – Subject Revisited 2

Trestle Bridge - Grande Cache, Alberta

Trestle Bridge – Grande Cache, Alberta

Wet Rock - Banff, Alberta

Wet Rock – Banff, Alberta

Wooded Reflection - Jasper, Alberta 1

Wooded Reflection – Jasper, Alberta 1

Wooded Reflection - Jasper, Alberta 2

Wooded Reflection – Jasper, Alberta 2

Wooded Reflection - Jasper, Alberta 3

Wooded Reflection – Jasper, Alberta 3

The following text is excerpt, core invitation to a cousin to interact with me through my photo blog and exposes intentions for the blog and posting.

“My photoblog’s URL is http://www.lumensborealis.com , written from the point of pseudonym, also most often written at day’s end … a mind saturated, releasing the day; sometimes this can seem very close to the poignant remark made by an Auschwitz inmate in Schindler’s List … ‘I had a complete thought, today.’ Sometimes my posts are good and flow and cohere. But, I’m also editing what I write to limit consequence along parameters suggested by William Stafford in his book, ‘Crossing Unmarked Snow:’

1. The things you do not have to say make you rich.
2. Saying the things you do not have to say weakens your talk.
3. Hearing the things you do not need to hear dulls your hearing.
4. The things you know before you hear them, those are you and this is the reason you’re in the world.

A compelling set of assertions, for any of us, that aims at honourable and integrated Life … a good thing – it’s how I’m aiming to write the blog. Still, in my reading of it there often is opportunity to add more Art within my writing.

The Photoblog – Photography is what the photoblog is about – a photo-a-day kind of thing as intention and as means to grapple with photography and enhance skills; but, at almost two years in I’m only on post 271 and not beyond a year’s 365 posts. The blog is also about responding to each photo or set of photos as starting point to engage the rabbit trail of memory associating to family and times.” And, it often leads my thought to a set of Rimbey farms and my cousins, there.

Listening to – the Candid Frame with Ibarionex Perello in an interview with Will Jax about his Juke Joint photography in the French Quarter of New Orleans; part of the discussion that intrigued was the matter of consent, of giving back, contributing – all parts of what grants access within the exchange that is photography.

Quote to Inspire – “You yourself are unique–you have ways of seeing your world that are unlike those of anyone else–so find ways to more faithfully express that, and your style will emerge.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

HDR – Details, Paint & Upholstery

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Shuttertime with Sid and Mac, Still Life, Summer, Vehicle, Vehicle Restoration, Weather
Chevrolet Grain Truck - Edmonton, Alberta

Chevrolet Grain Truck – Edmonton, Alberta

The late forties-early fifties Chevrolet half-tonne grain truck is subject for this image and with Automatic Exposure Bracketing moving toward a final image becomes an exercise in creating a high dynamic range (HDR) shot. For me, unless shooting people within an event, my practice in creating most photos is to work with a tripod in manual (M) mode and to set the camera for the three settings of Automatic Exposure Bracketing (AEB) – the regular or average exposure, an exposure a stop down (a darker, low key exposure) and an exposure a stop above average (a lighter, high key exposure).

Focus counts – the manual focus on my Canon EOS 60D allows me to focus upon that part of the image needing clarity, but it does so allowing me to focus upon that portion of the subject in three magnifications using the display on the back of the camera: first, what I would see through the viewfinder – normal magnification, next at 10 x optical zoom and then at 15 x optical zoom. Each level of displayed magnification allows me to adjust focus with greater and greater and greater precision. Stability also counts in focusing on the subject; the camera fixed to a tripod ensures that the camera does not move and that resulting images are tack sharp, free from blur.

Creating the exposure, creates not one, but, the three AEB exposures in succession ( – , 0 , + ) when the shutter button is pressed. After the exposures are brought into Adobe Lightroom, I am able to use HDR Efex to combine the three exposures into one image that allows the combined exposure to become an image accommodating greater range of light – more similar to what the human eye can see. I like the way Photomatix does HDR; but, NiK Software’s HDR Efex is a more stable and flexible program.

So, today’s image is an HDR shot. In the next few days my intention will be to try an HDR image that combines a larger number of exposures and to see what happens along the way. I’m reminded that the Shutter Time with Sid and Mac podcast has a couple of excellent pointers for HDR shots (somewhere between episodes 15 and 23). Mac and his wife Kasia would most likely have me using HDR for shots combining landscape, cloud-work and sunsets/sunrises. As well, Trey Ratcliff is the photographer who seems to have done most with HDR or at least has written most substantially (perhaps most helpfully) about HDR; two weeks ago he was in Vancouver and aiming to take on someone as protégé for an evening photographing the city, the water, the landscape and the sky from the top of a well-situated, tall skyscraper. It would definitely have been fun to hang out together for an evening creating HDR images – watch out for him on Twitter at @TreyRatcliff .

Listening to – Peter Himmelmann’s ‘Mission of My Soul.’

Quotes to Inspire – (1) “[…] That’s what HDR does. It adds details, paint, and upholstery to the Photograph. It’s still a photograph, but now enhanced [….] — GusDoeMatik (2) “To me, it is better to “guess” at how something works, experiment, fail, guess again, fail, and keep repeating that process over and over again until you either figure it out or you discover a multiplicity of other cool tricks along the way.” ― Trey Ratcliff

Metal Geometry

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Spring, Still Life, The Candid Frame
Train Trestle - Lac St. Anne, Alberta 1

Train Trestle – Lac St. Anne, Alberta 1

Train Trestle - Lac St. Anne, Alberta 2

Train Trestle – Lac St. Anne, Alberta 2

Train Trestle - Lac St. Anne, Alberta 3

Train Trestle – Lac St. Anne, Alberta 3

High above a creek running in spring’s thaw, a train trestle’s metal geometry, angles bolted and welded together, contrasts against water’s fluid state and creek bank flora … colourful, yet still to come alive.

Listening to – Ibarionex Perello interview Walter Plotnick on ‘The Candid Frame,’ a discussion of wet photography and digital process – check out episode #189 http://thecandidframe.blogspot.ca/ (you’ll find this as a podcast through iTunes).

Quote to Inspire – “Everything shifts as you move, and different things come into focus at different points of your life, and you try to articulate that.” Chris Steele – Perkins

Blake’s Bison

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Christmas, Fauna, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Shuttertime with Sid and Mac, Sunset, Weather, Winter
Bison - Elk Island 1

Bison – Elk Island 1

Bison - Elk Island 4

Bison – Elk Island 4

Bison - Elk Island 3

Bison – Elk Island 3

Bison - Elk Island 2

Bison – Elk Island 2

In a day that’s been bright, yet overcast, the sun shines through broken cloud as it moves towards the horizon in late afternoon, shining directly on two Bison grazing at Astotin Lake in Elk Island National Park, images inspired by Sidney Blake’s discussion of animal/nature photography and by her extraordinary black and white images of Bison in winter.

Listening to – The Von Bondies with ‘C’mon C’mon’.

Quote to Inspire – “When people ask me what equipment I use – I tell them my eyes.” – Anonymous

To the Orthopod, Jeeves …

Best Practices - Photography, Canon 30D, Canon Camera, Fall, Journaling, Light Intensity, Lookback Photos - One Year Ago, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Weather, Winter

Travel is my day’s task. The orthopedic surgeon who will review my arm’s recovery and next step’s in rehabilitation is some five hours away. Instead of piloting my own vehicle with one good arm, I’m electing to travel on the Northern Express, a passenger van that will take me from High Level to Grande Prairie. Running off the road at -25C and having one weakened limb might produce an unwanted and perhaps conclusive result. So, a better idea is to leave the driving to another, today. So, with podcast-crammed iPod and point-and-shoot Canon at the ready this day will roll on.

The photos presented here convey some of what Alberta’s weather can be like; there’s also a fifties Ford from a show and shine … yes, driving is more fun that being a passenger.

Listening to – The Police, Live in Buenos Aires … Message in a Bottle, Don’t Stand So Close to Me and Every Little Thing She Does Is Magic.

Quote to Inspire – “Still images can be moving and moving images can be still. Both meet within soundscapes.” Chien-Chi Chang

Moose, Moleskin & Bison

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fauna, Flora, Light Intensity, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Season, Shuttertime with Sid and Mac, Summer, Sunset

Are you someone who does this? Do you keep an idea file for photographs you’d like to try?  I’ve found myself doing this at times when travel cannot afford the time to stop and snap a few photos.  At other times, I will realize that the subject of a shot works but that the conditions may not work ideally.  And, if I’m lucky I’ll be able to ask my daughter to write down a note in a moleskin notebook while we drive about location and subject and particulars;  the moleskin stays in the vehicle and I can refer back to it. Wildlife photographer, Moose Peterson in an interview on Shutter Time with Sid and Mac (Sidney Blake and Maciek Sokulski) spoke of being encouraged to keep an idea file for photographs and to revisit the file and plan for opportunities to make the shot or shots happen. The bison at Elk Island National Park (east of Edmonton, Alberta) are subject for one set of photographs found here.   The bison have been a part of my idea file since I’ve been listening to Sid and Mac’s exploits in repeated and regular photo sessions at the park.  For me, in terms of the camera work the learning is about shutter speed.  Within the golden hour of sunlight and with the continual movement of the bison in their grazing there is a need for a faster shutter speed in terms of capturing crisp images.

The issue I am grappling with when traveling is that I will often be days or weeks from my photos before I can edit and see images.  I am still considering the value of a laptop from the perspective of allowing greater immediacy of editing while traveling.  There is learning to be derived from the editing process and it may be that working with a laptop with different subjects will foster good results in second or third visits/photo sessions.

The remaining pictures are catch-all – images that have been kicking around, interesting to look at;  the vintage late 30’s sedan, the T-bird and the late sixties Dodge Dart were parked outside Ricky’s All Day Grill and are the work of one person.  Imagine being able to say to two of your best buddies, “Hey let’s take a few of my cars for a spin,” and then take them out to breakfast.  Cool!  Beyond these, there are other renderings of the fifties one-ton truck, a rusting relic.

Listening to – John Mayer’s Queen of California, a song reminding of the Doobie Brothers back in the seventies.

Quote to Inspire – “All photographs are memento mori.  To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability.  Precisely be slicing out this moment and freezing it, all photographs testify to time relentless melt.” – Susan Sontag

Perseverance Required

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Fall, Light Intensity, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Season, Shuttertime with Sid and Mac, Still Life, Summer, Vehicle, Vehicle Restoration
Muddied Mudder

Muddied Mudder

This morning’s wee hours saw the completion of two day’s detailing our 2006 Nissan Altima, a task completed without anchored schedule and with all that time off. The task first involved trekking around the Altima with Autoglym Super Resin Polish with orbital buffer and polishing bonnet or buffer and buffing bonnet. The task next involved applying by hand Autoglym HD Wax, a paste wax, in sections and letting those sections cure for fifteen minutes at a stretch. In applying the HD paste wax I caught myself up on several podcasts.

Storing digital images was the subject of one podcast of Shuttertime with Sid and Mac;  I’m in need of a new external hard drive and need to investigate back-up solutions.  The podcast introduced me to Drobo and to Carbon Copy Cloning and much more. In another Shuttertime with Sid and Mac podcast the ‘why’ of the photographer – her or his motivation for shooting – was considered. A truth that surfaced is that good photography is something that serves the photographer first before her or his audience. It was noted that photographer burnout (meaning their interest or desire in photography is extinguished) occurs when the images created tend to be ‘for’ others. Ideally a photographer needs to manage the balance of work for others with work for themselves.

Two days detailing allowed for breaks when they were needed. Tuesday evening presented the opportunity of summer’s quietude along our street.  Near midnight I was able to sit outdoors in the sun’s dusk, in the absence of activity and mosquitos to enjoy an evening breeze – a time to be, a time to sit still and enjoy. Within these two days I’ve been able to watch at various times most of the 2010 film of Charlotte Bronte’s Jane Eyre with Mia Wasikowska and Michael Fassbender, an allegory of spiritual development and of finding soul mates. Wax on, wax off – words from the Karate Kid, words akin to meditation, an activity slowing you down, a means to gather thoughts and loose-ends; the activity involves sight and seeing and perspective; section by section the activity moves toward the whole of an outcome completed. Perseverance is required – you and the car are better for it.

The photograph presented here is the first rendering of an image using the Snapseed app with my iPad – a truck that’s been used for mud-bogging.

Listening to – Over the Rhine’s Spark, Dar Williams’ Mercy of the Fallen and Radiohead’s High and Dry; the other song that’s been in my thoughts and hearing is Robbie Robertson’s Sweet Fire of Love.

Quotes to Inspire – (1) “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus; and, (2) “To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things.” – Ansel Adams