Stopping the Clock

Backlight, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Sunrise, Weather
Arches Nat'l Park - Moab, Utah 1

Arches Nat’l Park – Moab, Utah 1

Arches Nat'l Park - Moab, Utah 2

Arches Nat’l Park – Moab, Utah 2

Arches Nat'l Park - Moab, Utah 3

Arches Nat’l Park – Moab, Utah 3

Arches Nat'l Park - Moab, Utah 4

Arches Nat’l Park – Moab, Utah 4

Arches Nat'l Park - Moab, Utah 5

Arches Nat’l Park – Moab, Utah 5

As a newly heard phrase, the words ‘when the clock stops’ intrigue as a conceptualization of abundant time that can be personally directed. In these words you are no longer ‘on the clock’ and answerable to someone else for your use of time (in work hours). The phrase describes the inverse of having too little quality time or personal time, of being ‘time-starved.’ The ‘on the clock’ world tends to describe our work situation in which work becomes a way of Life and survival more than it is a Life chosen through free will. What is more, among Stephen Covey’s seven habits of highly effectively people there is the habit of sharpening the saw – the regular withdrawal from endeavor that renews you allowing your return to endeavor fresh, invigorated and with greater clarity of perspective (vision). The phrase ‘off the clock’ does intrigue.

Tonight, sleep eludes me and I’m stopping the clock.

The past seven weeks have been heavy with tasks and within the last two weeks demands on my time beyond my school day have been substantial, yet the rewards for others and me have also been substantial. Editing images remains my means of stopping the clock and sharpening the saw. In the last few nights I’ve settled in editing Utah photos from July. I’ve left these images for now, when I would make time for them rather than rush through their edits. And, I’ve made time to deal with a monitor issue before editing. I have calibrated both monitors so the differential between them in hue, luminance and contrast is minimal – what I see on one monitor is what I see on the other. One monitor has tended toward warmer colours, while the other has been cooler. The calibration should go a long way toward presenting images as my eye sees them right on the monitor.

The images presented here are Arches National Park Buttes during a summer sunrise.

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing: both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’

Listening to – U2’s ‘Live from Paris’ album; ‘Trip through Your Wires,’ ‘I Still Haven’t Found What I’m Looking For,’ and ‘Running to Stand Still’ are songs standing out. Also have found Jen Chapin & Rosetta Trio’s version of Bruce Springsteen’s ‘American Skin (41 Shots);’ reminds of Jackson Browne doing this song in a tribute to Bruce Springsteen – the story behind the song is worth the investigation. I’m also enjoying Bruce Springsteen’s ‘Live in Dublin’ concert – just now the banjo bringing in ‘Jesse James.’ The same album contains ‘If I Should Fall Behind,’ something for couples and married to hear. The night is being rounded out by Bruce Hornsby & the Range, ‘The Show Goes On’ from the Backdraft soundtrack.

Post Script – Luka Bloom also aims at stopping the clock with his tune, ‘Blackberry Time.’

Half-light Highlights

Backlight, Canon Camera, Canon Live View, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunrise
Arches National Park - Moab, Utah

Arches National Park – Moab, Utah

5:30 a.m., Arches National Park near Moab, in Utah, before sunrise this image looks across the landscape to sand stone buttes. The edit is true to the exposure as observed; still, it seems quite dark in my first look at it and then, as my eyes adjust to the image I am able to find my way through the landscape the same way I would cycling in dusk’s half-light. What has also been extraordinary, lately, is viewing an image on the computer screen from a distance (from the hallway or across the room); the perception of the image is different – it’s either a better sense entirety or encapsulation as well as being able to see more clearly highlights in the image.

Listening to – Colbie Caillat’s ‘I Won’t’ and Ben’s Brother’s ‘Beauty Queen.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.” – Susan Sontag, ‘On Photography’

Russet Rain

Backlight, Canon Camera, Canon Lens, Canon Live View, Farm, Flora, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunset, Weather
Russet Rain - Valleyview, Alberta 1

Russet Rain – Valleyview, Alberta 1

Russet Rain - Valleyview, Alberta 2

Russet Rain – Valleyview, Alberta 2

Labour Day weekend, that point in the year when parents of college- and university-aged children make the drive taking students to cities far away, returning them to another year of campus Life. Travel toward school held anticipation for my son. For me, there was the chance meeting of a teaching friend while refueling our vehicles in Valleyview; both of us were taking our kids to University. We chatted, exchanged e-mails and committed to staying in touch via e-mail. In Edmonton, my son and I shopped and got him squared away in terms of his belongings and his first set of groceries. We said our good-byes and I left him to connect with his friends and settle into his University term. Five hours away on my return journey, a rain shower, off in the distance near Valleyview became a focal point to explore with my camera – an immense set of clouds beginning to release rain at sunset. I’m liking the endpoint of this expressive, moody edit.

Listening to – U2’s ‘Raised by Wolves’ intrigues with different possible trajectories – the feral child (raised by wolves), trial-by-fire and being taken advantage of steering towards better, wiser paths and the duality of wolf and lamb that needs to be discerned in terms of people you encounter and deal with.

Quote to Consider – “Nothing is more acceptable today than the photographic recycling of reality, acceptable as an everyday activity and as a branch of high art.” – Susan Sontag, ‘On Photography’

Opportunities, Extraordinary

Backlight, Canon Camera, Canon Lens, Flora, Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Shuttertime with Sid and Mac, Summer, Sunrise
Vermillion Lakes, Banff, Alberta 1

Vermillion Lakes, Banff, Alberta 1

Vermillion Lakes, Banff, Alberta 2

Vermillion Lakes, Banff, Alberta 2

Vermillion Lakes, Banff, Alberta 3

Vermillion Lakes, Banff, Alberta 3

Vermillion Lakes, Banff, Alberta 4

Vermillion Lakes, Banff, Alberta 4

Vermillion Lakes, Banff, Alberta 5

Vermillion Lakes, Banff, Alberta 5

Vermillion Lakes, Banff, Alberta 6

Vermillion Lakes, Banff, Alberta 6

Vermillion Lakes, Banff, Alberta 7

Vermillion Lakes, Banff, Alberta 7

Vermillion Lakes, Banff, Alberta 8

Vermillion Lakes, Banff, Alberta 8

One aspect of photography that has grown into practice is the matter of recognizing the opportunity presented by the derelict car in a field along the highway, the abandoned farmhouse and former granaries, that thing that you come upon in your travels that you may not ever see again. The challenge is to make time for it, to engage fully in seeing it, to name it, to grasp what it is and what has been its narrative, to share time with it. The choice becomes that of photographing it (… or not) and there are choices in editing that honour the subject and the image, to find its best way(s) of being seen. The image, in its being shared creates opportunity; what has been witnessed and what has been created, not only allows others to see something more of the world, but serves to encourage (or perhaps compel) exploration of that thing witnessed through your camera and lens.

Some of this is about that key teaching from Robin Williams, as professor Keating, in the ‘Dead Poets Society’ in the first poetry lesson – ‘Gather ye rose buds while ye may,’ the import of which was his solemn admonition to his students – ‘seize the day’ and ‘make your lives extraordinary.’ Carpe Diem is about seizing the day as much with any of life’s opportunities as with the opportunities for images that can be created with a camera.

http://www.tcm.com/mediaroom/video/579285/Dead-Poets-Society-Movie-Clip-Seize-The-Day.html

In Banff last week, perhaps owing to summer heat or day/night air pressure differential in the mountains I found myself not always sleeping through the entire night and chose to get out with my camera for landscape photos in pre-dawn dusk. Before leaving for Banff, I had reviewed Maciek Solkulski’s Google+ page for winter sunrise shots he had taken at the Vermillion Lakes in Canada’s Banff National Park. Maciek, an Edmonton photographer, is one half of the podcasting duo of the Shutter Time with Sid and Mac podcast. From Mac’s Google+ page I was able to review maps of where the Vermillion Lakes were in relation to Banff. And, so, before dawn, two days in a row, I got out to the Vermillion Lakes for morning images; these are presented here.

Listening to – Elliott Smith’s ‘Between Bars,’ ‘No Name #3’ and ‘Angeles,’ Gerry Rafferty’s ‘Baker Street’ and The Waterboys’ ‘Fisherman’s Blues’ – all songs from Good Will Hunting.

Quotes to Inspire – (1) “The photographer both loots and preserves, denounces and consecrates;” and, “Life is not about significant details, illuminated (in) a flash, fixed forever. Photographs are.” – Susan Sontag, ‘On Photography’

Amid Blackened Pick Up Stix

Backlight, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Sunset
Muskeg Flowers - Lesser Slave Lake, Alberta 1

Muskeg Flowers – Lesser Slave Lake, Alberta 1

Muskeg Flowers - Lesser Slave Lake, Alberta 2

Muskeg Flowers – Lesser Slave Lake, Alberta 2

I hadn’t driven the back road from Fort Vermilion to Slave Lake for perhaps ten or more years. While intention had been to cut hours from drive time, my curiosity pulled me toward what had become of Slave Lake after the town had been overcome by forest fire in May, 2011, losing a third to two thirds of its homes and businesses. I remember being five hours north and listening to radio reports of the fire moving rapidly, of the fire jumping highways, of the immediate need for evacuation of residents from Slave Lake to Athabasca and of those residents being given emergency shelter in school gymnasiums. Adele’s ‘Set Fire to the Rain’ was played by local radio stations to highlight the firefighters and water bomber pilots battling the fire and the evacuation of residents – some of the song’s lyrics associate well to the experience endured; the paradox of setting fire to rain was the attracting lyric.

For me, three years on, travelling to Edmonton, along highway 88 toward Slave Lake, I found other areas of forest that had been touched in the same fire. I stopped my car for the second interruption to my drive, where the silhouette of remaining blackened, yet dead trees continue to stand somewhat vertical, in the up-and-down of pick-up-stix, against a northern Alberta sunset – their silhouette catching my eye and drawing out my camera. The first growth of flowers, cotton-like intrigued me. I walked in twenty metres on muskeg – watery, peaty, muddy, gelatinous earth that overlays earth beneath that remains frozen. These flower images were gathered.

Listening to – Supertramp’s ‘Live in Paris ’79’ Concert; I’d first seen the ‘Crisis, What Crisis?’ concert in 1978; currently captivating songs include ‘Bloody Well Right,’ ‘Another Man’s Woman,’ ‘Dreamer’ and ‘Crime of the Century.’

Quote to Inspire – “Photographs cannot create a moral position, but they can reinforce one – and can help build a nascent one.”

Iximche – Colour, Architecture and Cloudwork

Backlight, Canon Camera, Canon Lens, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Weather
Iximche, Guatemala 1

Iximche, Guatemala 1

Iximche, Guatemala 14

Iximche, Guatemala 14

Iximche, Guatemala 13

Iximche, Guatemala 13

Iximche, Guatemala 12

Iximche, Guatemala 12

Iximche, Guatemala 11

Iximche, Guatemala 11

Iximche, Guatemala 10

Iximche, Guatemala 10

Iximche, Guatemala 9

Iximche, Guatemala 9

Iximche, Guatemala 8

Iximche, Guatemala 8

Iximche, Guatemala 7

Iximche, Guatemala 7

Iximche, Guatemala 6

Iximche, Guatemala 6

Iximche, Guatemala 4

Iximche, Guatemala 4

Iximche, Guatemala 3

Iximche, Guatemala 3

Iximche, Guatemala 2

Iximche, Guatemala 2

I have been working through images associated with Guatemala in the past few days. The ruins at Iximche have caught my eye both in terms of the architecture and in terms of the cloud work.

Quote to Inspire – “To photograph is to confer importance …. No moment is more important than any other moment; no person more interesting than any other person.” Susan Sontag, ‘On Photography’

Listening to – Need to Breathe and ‘Garden,’ Maroon 5’s ‘Lucky Strike’ and Ozark Mountain Daredevils’ ‘If You Wanna Get To Heaven.’

Sun Streams, Mist & Pure Seeing

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Flora, Fog, Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Smoke, Spring, Weather
Mists - El Tizate, Guatemala 1

Mists – El Tizate, Guatemala 1

Mists - El Tizate, Guatemala 2

Mists – El Tizate, Guatemala 2

Sun streams down over a mountain through morning’s mist – condensation and wood smoke – into the community of El Tizate. It is morning, perhaps the last day of our time in El Tizate – we wait for our tour bus; I look out at the world through my camera and lens – rewarded with this extraordinary scene to my foreigner’s eye.

Listening to – three songs from Casting Crowns: ‘Just Be Held,’ ‘Broken Together’ and ‘Follow Me.’

Quote to Inspire – “Poetry’s commitment to concreteness … parallels photography’s commitment to pure seeing. Both imply discontinuity, disarticulated forms and compensatory unity – wrenching things from their context …, bringing things together elliptically….” – Susan Sontag, ‘On Photography’

Sunlight & Mountain Cloud Work

Backlight, Canon Camera, Canon Lens, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Summer, Sunset, Weather
Volcano Weather - Guatemala City 2

Volcano Weather – Guatemala City 2

Volcano Weather - Guatemala City 3

Volcano Weather – Guatemala City 3

Volcano Weather - Guatemala City 4

Volcano Weather – Guatemala City 4

Volcano Weather - Guatemala City 5

Volcano Weather – Guatemala City 5

Two weeks ago, students, parents and staff travelled to Guatemala to engage in a service learning project with another school. Leaving Canada’s frigid boreal temperatures we made our way south into ever warmer temperatures. The endeavor saw our students working with local students and their community on a variety of projects. And, we had the opportunity to learn Spanish, understand some culture, travel and see the locale with our Canadian eyes. On our third day out, on horseback or by foot, we had the opportunity to climb high above Guatemala City to the summit of a volcano, a volcano that had last been active in 2011. The images here are looking out from the volcano and our catching glimpses of sunlight within/among mountain cloud work.

Listening to – Martyn Joseph’s ‘Kiss the World Beautiful’ and ‘Sing to My Soul.’

Quote to Consider/Inspire – “… Photographs are as much an interpretation of the world as paintings and drawings are.” – Susan Sontag

Blessing – For the Traveler

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day
Along the Meikle River - Manning, Alberta 1

Along the Meikle River – Manning, Alberta 1

Along the Meikle River - Manning, Alberta 2

Along the Meikle River – Manning, Alberta 2

Along the Meikle River - Manning, Alberta 3

Along the Meikle River – Manning, Alberta 3

Every time you leave home,
Another road takes you
Into a world you were never in.

New strangers on other paths await.
New places that have never seen you
Will startle a little a your entry.
Old places that know you well
Will pretend nothing
Changed since your last visit.

When you travel, you find yourself
Alone in a different way,
More attentive now
To the self you bring along.
Your more subtle eye watching
You abroad; and how what meets you
Touches that part of your heart
That lies low at home:

How you unexpectedly attune
To the timbre in some voice,
Opening a conversation
You want to take in
To where your longing
Has pressed hard enough
Inward, on some unsaid dark,
To create a crystal of insight
You could not have known
You needed
To illuminate
Your way.

When you travel,
A new silence
Goes with you,
And if you listen,
You will hear
What your heart would
Love to say

A journey can become a sacred thing:
Make sure, before you go,
To take the time
To bless your going forth,
To free your heart of ballast
So that the compass of your soul
Might direct you toward
The territories of spirit
Where you will discover
More of your hidden life,
And the urgencies
That deserve to claim you.

May you travel in an awakened way,
Gathered wisely into your inner ground;
That you may not waste the invitations
Which wait along the way to transform you.

May you travel safely, arrive refreshed,
And live your time away to its fullest;
Return home more enriched, and free
To balance the gift of days which call you.

A Threshold Blessing, ‘To Bless the Space Between,’ John O’Donohue

Today, this blessing/prayer for a friend and friends who begin extraordinary travel – that they remain safe throughout the journey and that they are open to what will enrich them.

Images – along the Meikle river, just north of Manning, Alberta.

Listening to: Wayne Watson’s ‘Everything Can Change So Fast’ and Bob Bennett’s ‘Hand of Kindness.’

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Waikiki – Dawn

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Flora, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer, Sunrise
Morning's Walk - Honolulu, Oahu, HI 1

Morning’s Walk – Honolulu, Oahu, HI 1

Morning's Walk - Honolulu, Oahu, HI 2

Morning’s Walk – Honolulu, Oahu, HI 2

Morning's Walk - Honolulu, Oahu, HI 3

Morning’s Walk – Honolulu, Oahu, HI 3

Summer, summer break – vacation … settling into a new time zone five hours different from that of my year’s norm finds me out of our hotel with camera and tripod early in the morning, walking, gathering photos of Honolulu’s Waikiki – the day of the surfer and vacationer (from all parts of the world) prior to that day beginning. Surprisingly, even before 6:00 a.m., surfing instructors are out on the beach, with early morning animation, drumming up the day’s business, ready to take out the novice surfer. Looking from the beach to the ocean, before 6:00 a.m., finds surfers already surfing on moving and curling waves and along trails of the Waikiki strip joggers are already jogging. People conclude their sleep in city parks where they’ve been sleeping through a tropically warm summer night on the grass. Looking towards the buildings, Waikiki hotels are being restocked in daily essentials prior to the day’s formal start, Coca Cola products included. All this occurs before the sun crosses the horizon bringing us into day – fodder for photos.

Listening to – Glenn Miller’s band perform ‘Tuxedo Junction’ and Satchmo sing Happy Birthday to ‘Poppa’ Bing Crosby.

Quote to Inspire – “Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.” – Ansel Adams