Stretching the Hour

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
Sangudo Duo - Sangudo, Alberta

Sangudo Duo – Sangudo, Alberta

Sidelined at day’s end, looking in to the vehicles of Sangudo’s Alaska Highway Construction Museum, creating an exposure through chain-link fence using smallest depth of field during the stretch of evening’s Golden hour and liking the colour, shape and shadow-work associated with these two trucks from that former time.

Listening to – Ed Sheeran’s ‘The A Team,’ Ben E. King’s ‘Stand By Me,’ Bruce Springsteen’s ‘One Step Up’ and Bill Mallonee & The Vigilantes of Love’s ‘Resplendent’ and ‘Nothing Like a Train.’

Quote to Inspire – “The idea of photography seemed to come together with the idea that this is how I could be – someone who could have one step in the world while at the same time being one step removed from it.” – Donovan Wylie

Roadscape West

Canon 50mm, Canon Camera, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Vehicle, Weather
Westward Haul - Valleyview, Alberta 1

Westward Haul – Valleyview, Alberta 1

A horse trailer being hauled westward crests a hill on a quiet and sunny, Sunday morning, descending into a huge valley between Valleyview and Grande Prairie, Alberta. Notable among this landscape’s relief and early spring colour is the full absence of snow.

Listening to – Stan Tracey’s ‘Bewitched, Bothered and Bewildered,’ mellow jazz to begin this Wednesday morning; then, it’s on to John Hicks’ and ‘Fatha’s Bedtime Story.’

Quote to Inspire – “A good photograph is knowing where to stand.” – Ansel Adams

Sitting, Waiting, Wishing …

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Home, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, School, Spring, Still Life
Seats - Valleyview, Alberta 1

Seats – Valleyview, Alberta 1

Seats - Valleyview, Alberta 2

Seats – Valleyview, Alberta 2

Around Alberta, perhaps especially in the north with its longer distances travelled to school, along the highway you’ll discover structures parents have created for their children in which to wait for the school bus. The structure might be a five by five, closed-in shack with windows on the sides to watch for buses; the shack allows students respite from wind and weather while waiting. Here, two bench seats have been pulled from a car or truck to create a place to sit and wait for the school bus; the seats may be also departure point for people waiting for a ride … perhaps when thumbing a ride. I found the pair of seats on the road between Valleyview and Grande Prairie, on my drive home with my son’s effects. He’ll be home from University today, after touring British Columbia with the University of Alberta Mixed Chorus. The colour-work of tinting images reminds of Dan Kameka and his work with farm machinery and farm structures – the Sexsmith grain elevator comes to mind, an eight foot image in Grande Prairie’s Trumpeter Hotel … the first place I encountered Dan’s work.

Listening to – Chris Whitley … ‘Dust Radio’ still captivates my hearing lyrically and in terms of its sound structure; I’ve heard two versions, one unplugged and one from the ‘Living with the Law’ album – liking both … unplugged is what drew my attention.

Quote to Inspire – “Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.” – Morley Baer

Necessary Prop

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Vehicle Restoration
47 Ford Among Trucks - Sangudo, Alberta

47 Ford Among Trucks – Sangudo, Alberta

Chevrolet - Sangudo, Alberta

Chevrolet – Sangudo, Alberta

Fargo - Sangudo, Alberta 2

Fargo – Sangudo, Alberta 2

Fargo - Sangudo, Alberta

Fargo – Sangudo, Alberta

Waiting - Looking On, Sangudo, Alberta

Waiting – Looking On, Sangudo, Alberta

MacKenzie Highway trucks recall the scheming of Mack and the boys read about in John Steinbeck’s novel, ‘Cannery Row.’ A Ford truck is borrowed from Lee Chong. With some effort one of the boys with a talent for ‘fixin’ gets the truck going and everyone departs to retrieve frogs for Doc, somewhere up the California coast. In the midst of their travels a carburetor gives out …. Within hours one of the boys with the talent for ‘fixin’ and another for theft has thieved a carburetor from another Ford. Once attached the boys continue on in their adventure heading to an ideal frog gathering spot, a pond of a congress woman and her husband, the husband protects the property as guard. Their conversation, shifts from protector and trespasser to pet owner and vet as Mack doctors the man’s dog, a sickly bitch suffering with a tick embedded in its fur. The bond of friendship grows and the man invites all in for a drink … during prohibition … the happy hour becomes a middle-of-the-night, rollicking, drunken, frog gathering party that leaves the pond owner, congress woman’s husband sleeping on his floor as Mack and the boys get back in the Ford truck and return home. A Ford truck is necessary prop within the narrative (revised after yesterday’s writing in haste …) 😉

Listening to Chris Whitley – ‘Living with the Law,’ ‘Big Sky Country,’ ‘Kick the Stones,’ ‘Make the Dirt Stick’ and ‘Poison Girl.’

Quote to Inspire – “A photograph has picked up a fact of life, and that fact will live forever.” Raghu Rai

Sangudo Ford

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Vehicle Restoration
1938 Ford Two Ton Cab and Chassis - Sangudo, Alberta

1938 Ford Two Ton Cab and Chassis – Sangudo, Alberta

A chain-link fence surrounds Sangudo, Alberta’s MacKenzie Highway Construction Truck Museum, a tribute to people and equipment that built the highway. The museum, its vehicles and equipment sit idle. You can look from the fence in; but, you cannot physically interact with the vehicles within the museum compound. The vehicles that are sixty-years or more old are in good shape; they have been kept well. Last spring I searched for the owner of the museum to see if he’d permit access to the compound and allow me to photograph the vehicles; I will need to do my homework if I am to find his contact information and try again for better images of those trucks. It’s a shame only to see them from the sidelines.

A black and red 1938 two ton cab and chassis sits waiting for further use.

Listening to – The Congregation’s ‘Don’t Pay No Mind,’ Chris Whitley’s ‘Dust Radio’ and the Eagles’ ‘Seven Bridges Road.’ Coldplay’s ‘Yellow’ has been in my hearing this weekend at my daughter’s dance festival; the story behind ‘Yellow’ is a heart-warming, mother-son, story … something to be understood and not to be missed.

Quote to Inspire – “Photography is the only language that can be understood anywhere in the world.” – Bruno Barbey

Sideline Shot

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
CN Caboose - Edmonton, Alberta

CN Caboose – Edmonton, Alberta

City of Edmonton Skyline

City of Edmonton Skyline

Cab & Chassis - Sangudo, Alberta

Cab & Chassis – Sangudo, Alberta

Barn - Fort Saskatchewan, Alberta

Barn – Fort Saskatchewan, Alberta

Sometimes a fence, sometimes physical distance, sometimes a line to be respected and not crossed – in each case a barrier stands between the subject and your camera. When you cannot interact directly with your photo’s subject, you shoot from the sidelines … and can still get the shot. You see the situation for what it is and work with what ‘is’. Each of these photos were shot from the sidelines – the CN caboose, the Fort Saskatchewan barn, the city of Edmonton Skyline and the windshields of the truck cabs.

Listening to – Ben E. King’s ‘Stand by Me’ and Toby Keith’s ‘Red Solo Cup.’

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Winter Constant

Backlight, Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Rail Yard, Sigma Lens - Wide Angle 10-20mm, Spring, Weather
Farm - Rimbey, Alberta 2

Farm – Rimbey, Alberta 2

Farm - Rimbey, Alberta

Farm – Rimbey, Alberta

Field Entrance - Woking, Alberta

Field Entrance – Woking, Alberta

Former Farm - Notikewan, Alberta

Former Farm – Notikewan, Alberta

Peace River - Dunvegan, Alberta 1

Peace River – Dunvegan, Alberta 1

Peace River - Dunvegan, Alberta 2

Peace River – Dunvegan, Alberta 2

Peace River - Dunvegan, Alberta 3

Peace River – Dunvegan, Alberta 3

Peace River - Dunvegan, Alberta 4

Peace River – Dunvegan, Alberta 4

Grain Elevator - Sexsmith, Alberta 1

Grain Elevator – Sexsmith, Alberta 1

Grain Elevator - Sexsmith, Alberta 2

Grain Elevator – Sexsmith, Alberta 2

In a spring that needs to take hold more firmly, winter drags on, a guest overstaying its welcome. Winter continues as constant in and around Alberta and features in photos – farms dusted with snow, grain elevators and Harvestor Silos providing colour against the snow, the Peace River melting through ice … covered with snow. Each are presented here.

Listening to – Francesca Battistelli’s ‘This is the Stuff’ and JJ Heller’s ‘What Love Really Means.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

“Treasure, Jim … Treasure”

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life
Rusting Relics - Manning, Alberta

Rusting Relics – Manning, Alberta

Treasure is a term coined twice this week – in one instance within a John Le Carre novel it is taken to mean the secret that if possessed would turn the tables on your enemy (as in Control’s discussion with Jim Prideaux regarding ‘treasure’ before embarking to Budapest, ‘Tinker, Tailor, Soldier, Spy’); in a second instance within Robert Louis Stevenson’s novel, ‘Treasure Island,’ it refers to the ill-gotten gains that in the getting you seem to have a right to – but irony can play disasterously with you, here. Beyond this, treasure, if possessed, puts you to advantage and gives you power. It is taken to mean something that guarantees a future free from want. A second, perhaps more poignant irony is that treasure once in one’s possession requires care so that no one takes it away … work is involved. Here, within this image, the term treasure can be taken to mean the opportunity of possibility, the rusting relic that has potential in its restoration, in its possession and use. As a photographer, the treasure is perhaps in the image and the narrative that surrounds the image. Point of connection – I learned to drive in a 1969 GMC half-ton pick-up (transmission – three-the-tree-standard), similar to the white GMC cab three vehicles from the right of the image and the GMC on the left.

Listening to – Johnny Cash’s ‘Gods Gonna Cut You Down,’ a song first heard on Steve Stockman’s Rhythm and Soul broadcast, as rendered by the Five Blind Boys of Alabama.

Quote to Inspire – “… the most grandiose result of the photographic enterprise is to give us the sense that we hold the whole world in our heads – as an anthology of images.” – Susan Sontag, ‘On Photography’

Solitary Return

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Home, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Vehicle, Weather
Aways Down the Twin Lakes Hill - Twin Lakes, Alberta

Aways Down the Twin Lakes Hill – Twin Lakes, Alberta

Solitary, a Sunday afternoon motorist returns home northward along northern Alberta roads, descending down the five kilometres that comprise the Twin Lakes hill.

Listening to – Sigur Ros’ ‘Glosoli,’ the Lumineers’ ‘Stubborn Love’ and Ed Sheeran’s ‘Firefly.’

Quote to Inspire – “There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”

Edge & Sphere

Backlight, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Still Life, Weather
Edge & Sphere - Sexsmith, Alberta 1

Edge & Sphere – Sexsmith, Alberta 1

Edge & Sphere - Sexsmith, Alberta 2

Edge & Sphere – Sexsmith, Alberta 2

Edge & Sphere - Sexsmith, Alberta 3

Edge & Sphere – Sexsmith, Alberta 3

Edge & Sphere - Sexsmith, Alberta 4

Edge & Sphere – Sexsmith, Alberta 4

Edge & Sphere - Sexsmith, Alberta 5

Edge & Sphere – Sexsmith, Alberta 5

Early morning image editing tackles water droplets on top of a creosote covered railroad tie. A stone, one among thousands stabilizing railroad rails, surprises in its jade green colour and its irregular edge provides contrast to droplet spheres. Colour, depth, line and shape result.

Listening to – (and watching the video of) Snow Patrol’s ‘This Isn’t Everything You Are,’ U2’s ‘Vertigo’ and The Killers’ ‘When You Were Young.’

Quote to Inspire – “Photography does not create eternity, as art does; it embalms time, rescuing it simply from its proper corruption.” – Andre Bazin (1918-1958), French Film critic.