Soul Searchers

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Christmas, Christmas Lights, Farmhouse, High Dynamic Range (HDR), Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter
Christmas Heart - High Level, Alberta

Christmas Heart – High Level, Alberta

Homestead -  Rycroft, Alberta

Homestead – Rycroft, Alberta

Wagon Wheels - Beaverlodge, Alberta

Wagon Wheels – Beaverlodge, Alberta

Crosses - Bezanson, Alberta

Crosses – Bezanson, Alberta

At Christmas, Love amplifies, powerful and lifting, scrabbling through the dark mess of tangle. Care and pardon affirm, anchoring you, there, in other Hearts – disgrace yields, grace overcomes. Love finds its way. At Christmas, the first steps within the incarnation are taken; a betrothed groom and fiancée making the best of things, travel within a colonized Israel to add their names within a census, a decision perhaps that may have to do with the practicality in it being safer to identify as a family with what will follow from the census; the fiancée is pregnant, a surprise to the groom and his betrothed. Are the two young? Is Joseph older and knowing something of how to live a Life within this colonized world? Is he prepared for this night? A makeshift moment allows the two to shelter among animals in a barn or cave. Mary moves into labour, a baby is born, a new Life that becomes central to a grand narrative we all are participating in. The name Joseph is first used with Jacob’s wife Rachel, when she conceives and bears a son after many years barren; Joseph literally means ‘he who takes my shame away.’

All this and more become the Christmas story. A few songs tell the story well; but, the one that might best fit today’s times and needs could be that provided by Dave Matthews & Tim Reynolds in ‘Christmas Song.’ I like the conceptualization of any of us as ‘soul-searchers.’ The blood of the children reference is, while scary, accurate within this song – blood covers sins; Christ’s blood was shed for all to overcome their/our sin-state and thereby becomes the blood of the children referred to within the song.

The incarnation is an inconceivable event, something that needs more acceptance than figuring. You need to involve your imagination in such reckoning as precursor to such an event in preparation to be able to recognize when and if such an event does happen, has happened or will happen. You’d have to consider how involving God here on earth might play out.

The song that brought this kind of precursor imagining about best was a Joan Osborne, grunge-rock tune, that I heard most helpfully sung by Martyn Joseph on Radio Ulster’s ‘Rhythm and Soul’; thank you to Presbyterian Pastor, Steve Stockman for bringing all of that about. Here’s Martyn’s version.

Here’s the Joan Osborne version of ‘One of Us.’

Quote to Consider – “The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to SEE.” – Ernest Haas

Listening to – Martyn Joseph’s ‘Beyond Us, ‘Not a Good Time for God’ and Martyn’s take on Bruce Springsteen’s ‘If I Should Fall Behind’ and ‘One Step Up.’ Also, taking a listen to Bruce Springsteen’s ‘Highway Patrolman.’

There’s a lot of grace encountered in ‘Highway Patrolman;’ Springsteen goes on to tell that it deals with family, responsibility and duty when those things conflict. The lyrics are good dealing with brothers sharing good times as much as the morality involved in dealing with a brother who is straying – lyrics catching my attention follow ….

“Well if it was any other man, I’d put him straight away
But when it’s your brother sometimes you look the other way.”

“Me and Frankie laughin’ and drinkin’
Nothin’ feels better than blood on blood
Takin’ turns dancin’ with Maria
As the band played “Night of the Johnstown Flood”
I catch him when he’s strayin’, teach him how to walk that line
Man turns his back on his family he ain’t no friend of mine.”

May you find Grace this Christmas – my gratitude goes out to each of you who have been part of each step and evolution of this photoblog. Thank you – take good care of your good selves.

Autumn Gold

Best Practices - Photography, Canon Camera, Canon Live View, Fall, Farm, Flora, High Dynamic Range (HDR), Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sunset, Weather
Autumn Gold - Donnelly, Alberta

Autumn Gold – Donnelly, Alberta

An autumn memory, a gift to view as we move into snow and extreme sub-zero temperature – nature’s architecture providing visual articulation of golds on black at harvest.

Quote to Inspire – “Photographs are a way of imprisoning reality …. One can’t possess reality, one can possess images – one can’t possess the present but one can possess the past.” – Susan Sontag, ‘On Photography’

Listening to – U2’s ‘In a Little While,’ Linkin Park’s ‘Roads Untraveled,’ Jessica Sanchez’ ‘Lead Me Home’ and Bob Dylan’s ‘Shelter from the Storm.’

Superstructure – Red

Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Winter
Elevator Silo - High Level, Alberta

Elevator Silo – High Level, Alberta

The reds of the silo structure frame and the perspective created looking through it attracted my eye to the silo and elevator structure last Sunday. Then it’s been about the textures within the image and those applied to the image.

Listening to – ‘Songs for the Philippines,’ a collection of many songs for a mere $10.00 on iTunes – a small, small donation to the Typhoon victims of the Philippines. It’s been One Direction’s ‘Best Song Ever,’ Pink’s ‘Sober,’ Paolo Nutini’s ‘Simple Things,’ Josh Groban’s ‘Brave,’ James Blunt’s ‘Carry You Home’ and Pitbull’s ‘Feel This Moment.’

Quote to Inspire – “The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flaneur finds the world ‘picturesque.’” – Susan Sontag, On Photography

Meditative Original

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Sunset, Winter
Winter Rails at Sunset - Rycroft, Alberta

Winter Rails at Sunset – Rycroft, Alberta

Winter Crossroads - Rycroft, Alberta

Winter Crossroads – Rycroft, Alberta

Yield Sign - Rycroft, Alberta

Yield Sign – Rycroft, Alberta

That day – I enjoyed it. Days away that my wife encouraged when the draw back to work and home was the safer, more familiar choice; listening to her I got a hotel room, stayed put, slept and the next morning, looked anew at the world with my camera. Any camera work is about venturing beyond one’s Life script, that next thing needing done, the next thing needing to be said or listened through, that next place to be. You discover your original self as you come against the touchstone of encountering what is new through the lens of your camera and creating an image – you become more of you in the encounter of learning through seeing once again. Something similar is surely meant when photography is considered meditation.

These images are on a backroad near Rycroft, Alberta returning home.

Listening to – The Lumineers’ ‘Stubborn Love,’ Our Lady Peace’s ‘Wipe that Smile Off Your Face’ and Bruce Springsteen’s ‘One Step Up.’

Quote to Inspire – “The camera is an excuse to be someplace you otherwise don’t belong. It gives me both a point of connection and a point of separation.” Susan Meiselas

Pillowed, Pocketed – Undulation

Barn, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Sunset, Winter
Golden Hour Hay Bales - Sexsmith, Alberta 1

Golden Hour Hay Bales – Sexsmith, Alberta 1

Golden Hour Hay Bales - Sexsmith, Alberta 2

Golden Hour Hay Bales – Sexsmith, Alberta 2

Golden Hour Hay Bales - Sexsmith, Alberta 3

Golden Hour Hay Bales – Sexsmith, Alberta 3

In the golden hour, when the sun nears the horizon to sunset, I was travelling, leaving Grande Prairie and had driven past Clairmont and Sexsmith just where the divided highway shrinks down to two lanes. To my right was the patterning of snow covered round bales of hay, a regular undulation resembling a pillowed or pocketed quilt. I stopped, got into my winter gear and with camera claimed these shots.

Listening to – Martyn Joseph’s cover of ‘The Ghost of Tom Joad.’

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Time’s Relentless Melt

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Homestead, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Vehicle, Winter
Plymouth Savoy - McNaught Homestead, Beaverlodge, Alberta 1

Plymouth Savoy – McNaught Homestead, Beaverlodge, Alberta 1

Plymouth Savoy - McNaught Homestead, Beaverlodge, Alberta 2

Plymouth Savoy – McNaught Homestead, Beaverlodge, Alberta 2

Plymouth Savoy - McNaught Homestead, Beaverlodge, Alberta 3

Plymouth Savoy – McNaught Homestead, Beaverlodge, Alberta 3

Wagon Wheels - McNaught Homestead, Beaverlodge, Alberta 1

Wagon Wheels – McNaught Homestead, Beaverlodge, Alberta 1

Wagon Wheels - McNaught Homestead, Beaverlodge, Alberta 2

Wagon Wheels – McNaught Homestead, Beaverlodge, Alberta 2

Wagon Wheel - McNaught Homestead, Beaverlodge, Alberta 3

Wagon Wheel – McNaught Homestead, Beaverlodge, Alberta 3

Wagon Wheel - McNaught Homestead, Beaverlodge, Alberta 4

Wagon Wheel – McNaught Homestead, Beaverlodge, Alberta 4

Wagon Wheel - McNaught Homestead, Beaverlodge, Alberta 5

Wagon Wheel – McNaught Homestead, Beaverlodge, Alberta 5

Last weekend, on walkabout with my camera, I stopped in at the McNaught Homestead, near Beaverlodge, Alberta, an anchor in my growth as a photographer, a place where I had taken one of two photoplayshops with two instructors calling themselves the Ditch Divas, likely in reference to their stopping for photos alongside roadways. The homestead, as with any farm, is an extraordinarily good place to look at how light, colour, shape and background work together as you consider and make a photograph. On my iPod, I was listening to Susan Sontag’s collection of essays entitled ‘On Photography,’ a good text to listening to at different points in your photographic growth. The photos that follow are taken at the McNaught Homestead. I enjoyed the time with camera and subjects.

Listening to – Krista Tippett’s interview with Eve Ensler of ‘Vagina Monologues’ fame; the interview focused somewhat on sexual violence toward women and later focused on moving on or through cancer treatment. Also, listening to Jack Johnson’s & G. Loves’ song ‘Jungle Gym,’ Tyler Bates’ ‘Ventura’ and ‘Mad World’ by Michael Andrews and Gary Jules.

Quote to Inspire / Consider – “To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability … [all] photographs testify to time’s relentless melt.” – Susan Sontag, On Photography.

Half-light & Snow

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Fog, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Weather, Winter
Buttertown Trail & Homestead - North Vermilion Settlement, Fort Vermilion, Alberta

Buttertown Trail & Homestead – North Vermilion Settlement, Fort Vermilion, Alberta

Returning to High Level from La Crete I chose to investigate briefly the photographic opportunities available at Buttertown, a community just across the river from Fort Vermilion, Alberta. I followed the track through Buttertown finally stopping near this homestead home that may be a century old; it resides only a stone’s throw away from the St. Louis Roman Catholic mission. The moment was quiet, one in which I could hear the wind in the forest, the scrunch of my boots on snow and the occasional drone of vehicles passing miles away. Snow was being loosened from clouds on an overcast, yet moonlit night. What is more, the photograph is shot following sunset and the time is only 6:00 p.m..

Within this image, the track, house, snow and trees recall winter nights walking along less defined paths in what continues to be Alberta’s frontier, its north-central region in and surrounding Wood Buffalo National Park. In those walks, moonlit snow would glow along trails and paths. Most nights would see me cross the kilometre span of Ice Bridge covering the Peace River between December and March. In severely cold temperature, I have walked and encountered northern lights brightening my path with the intensity of vehicle headlights. I have come upon wild horses on trails, not daring to move, shivering, their coats glazed with frost. Two hours hiking would have me out and about looking at the world and move me through ten to twelve kilometres. It was good to move, think and explore.

The tones within the image recall scenes from short stories and novels in which an evening moonlit walk takes a character beyond the safety of home in her or his travel to a neighbor’s home or to town on evening business. Jane Eyre meets the man she’ll later marry, Mr. Rochester by first startling his horse and causing him to fall and sprain his ankle; unwittingly, this is her first encounter with her employer who’s brought her to Thornfield Hall as governess to his child born out of wedlock. Dickens’ story, ‘The Signal Man,’ occurs primarily at night in a cleft of land surrounding a railway switch in conditions similar to those found in this image, conditions ripe for mishap. Many, but not all ‘Ghost Stories’ of M.R. James occur at night in light that obscures perceptions. And, it is perception within half-light scenes that becomes the stage for most occurrences or happenings within Henry James’ novel, ‘Turn of the Screw,’ an excellent ghost story that has the reader consider whether or not the governess actually senses the preternatural existence of others; the alternative is that half-light is playing tricks on her perceptions and that’s she subject to the workings of an overactive, imaginative mind.

In looking into Buttertown, it is actually a name for the North Vermilion settlement associated with Fort Vermilion. The nickname Buttertown came about in the early nineteen hundreds after an incident when some rancid butter had been sold (Place Names of Alberta, Volume IV, Northern Alberta – Merrily K. Aubrey).

Listening to – ‘On Photography’ by Susan Sontag, a selection of essays written about all facets and dynamics of photography, a good listen. Music-wise – I’ve been listening to Dave Matthew & Tim Reynolds concert, ‘Live in Lost Vegas’ – ‘Lying in the Hands of God,’ ‘Some Devil’ and ‘Alligator Pie.’

Quotes to Consider – (1) “To photograph is to appropriate the thing photographed.” (2) “[Photographs] … still want, first of all, to show something ‘out there.’” (3) “[The camera] makes real what one is experiencing … a way of certifying experience … converting experience into an image, a souvenir.” – Susan Sontag, from ‘On Photography’.

Blessing – For the Traveler

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day
Along the Meikle River - Manning, Alberta 1

Along the Meikle River – Manning, Alberta 1

Along the Meikle River - Manning, Alberta 2

Along the Meikle River – Manning, Alberta 2

Along the Meikle River - Manning, Alberta 3

Along the Meikle River – Manning, Alberta 3

Every time you leave home,
Another road takes you
Into a world you were never in.

New strangers on other paths await.
New places that have never seen you
Will startle a little a your entry.
Old places that know you well
Will pretend nothing
Changed since your last visit.

When you travel, you find yourself
Alone in a different way,
More attentive now
To the self you bring along.
Your more subtle eye watching
You abroad; and how what meets you
Touches that part of your heart
That lies low at home:

How you unexpectedly attune
To the timbre in some voice,
Opening a conversation
You want to take in
To where your longing
Has pressed hard enough
Inward, on some unsaid dark,
To create a crystal of insight
You could not have known
You needed
To illuminate
Your way.

When you travel,
A new silence
Goes with you,
And if you listen,
You will hear
What your heart would
Love to say

A journey can become a sacred thing:
Make sure, before you go,
To take the time
To bless your going forth,
To free your heart of ballast
So that the compass of your soul
Might direct you toward
The territories of spirit
Where you will discover
More of your hidden life,
And the urgencies
That deserve to claim you.

May you travel in an awakened way,
Gathered wisely into your inner ground;
That you may not waste the invitations
Which wait along the way to transform you.

May you travel safely, arrive refreshed,
And live your time away to its fullest;
Return home more enriched, and free
To balance the gift of days which call you.

A Threshold Blessing, ‘To Bless the Space Between,’ John O’Donohue

Today, this blessing/prayer for a friend and friends who begin extraordinary travel – that they remain safe throughout the journey and that they are open to what will enrich them.

Images – along the Meikle river, just north of Manning, Alberta.

Listening to: Wayne Watson’s ‘Everything Can Change So Fast’ and Bob Bennett’s ‘Hand of Kindness.’

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Antlers – Autumn Illumination

Project 365 - Photo-a-day
Antlers - High Level, Alberta 1

Antlers – High Level, Alberta 1

Antlers - High Level, Alberta 2

Antlers – High Level, Alberta 2

Antlers - High Level, Alberta 3

Antlers – High Level, Alberta 3

Sunday, morning sun illuminates an autumn backdrop for antlers of moose and deer, trophies located on the roof of the neighbor’s shed next door, a collection of shape, colour and texture.

Listening to – The Candid Frame and an interview with Dan Steinhardt, an Epson printer marketer as amateur photographer; key ideas ‘in-between meeting shots’ and Malcolm Gladwell’s conception of 10,000 hours working one toward becoming an expert in something. Jay Maisel’s assertion of doing the one-eighty because that is where you might find the better shot – the idea is look around from your vantage point for what else is going on.

Quote to Inspire – “I love the people I photograph. I mean, they’re my friends. I’ve never met most of them or I don’t know them at all, yet through my images I live with them.” – Bruce Gilden

Walking Within

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Lonely Photographers Podcast, Photoblog Intention, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Season
Kananaskis Country - Kananaskis, Alberta 1

Kananaskis Country – Kananaskis, Alberta 1

Kananaskis Country - Kananaskis, Alberta 2

Kananaskis Country – Kananaskis, Alberta 2

Kananaskis Country - Kananaskis, Alberta 3

Kananaskis Country – Kananaskis, Alberta 3

Kananaskis Country - Kananaskis, Alberta 4

Kananaskis Country – Kananaskis, Alberta 4

Kananaskis Country - Kananaskis, Alberta 5

Kananaskis Country – Kananaskis, Alberta 5

Kananaskis Country - Kananaskis, Alberta 6

Kananaskis Country – Kananaskis, Alberta 6

Kananaskis Country - Kananaskis, Alberta 7

Kananaskis Country – Kananaskis, Alberta 7

Kananaskis Country - Kananaskis, Alberta 8

Kananaskis Country – Kananaskis, Alberta 8

Gardner Hamilton was interviewed by Edmonton photographers Carey Nash and Kelly Redinger, who have created the ‘Lonely Photographers’ podcast. While talking essentially about street photography, Gardner provided distillation about what photography is and about the key attribute making one a photographer – a [photographer] is someone who does not necessarily go out with a mission, but someone who is [or becomes] mentally aware of when they have walked into a photograph. Gardner goes on to articulate the process of framing the shot, composition, about the need to be stealthy, about timing and moment – all skills needed for taking and making the shot. You make yourself vulnerable to a shot. You stop yourself and with your camera move into the shot and work the shot. The photograph becomes a gift of ‘seeing something’ for the first time.

In a drive to Kananaskis two weeks ago, there were many points of ‘recognizing a shot,’ those shots that could be taken, those points of becoming mentally aware of photographs that were available – frost covered, harvested farm fields at sunrise south from Peace River as shadows stretched across land, something not usually accessed by me in my usual travel times; bright yellows of hay bales and patterned swaths on farm fields west of Calgary; cattle ranches along rolling foothills in autumn colour moving into the Rocky mountains; shadows cutting into forested Kananaskis mountains along snowy ski trails high above in the last hour before sunset. These images were available in that drive – the choice really became about whether or not to pursue photography along the way versus waiting for the photography that could occur at destination. The images that follow are Kananaskis images, photography at destination – the three final ones are shot at night during full moon.

Listening to – ‘Crash’ and ‘Way Behind Me’ by the Primitives; then it’s on to the Kingsmen’s ‘Louie Louie’ and Bruce Springsteen’s ‘Pink Cadillac’ and ‘Radio Nowhere.’

Quote to Inspire – “The Pictures are there, and you just take them” – Robert Capa