Predecessor Pontiac

Best Practices - Photography, Canon 50mm, Canon 60D, Canon Camera, Canon Lens, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Vehicle Restoration, Weather

1928 Pontiac – High Level, Alberta

Saturday, a day for Northstar Dodge Chrysler to host High Level and region’s local show and shine, a day overcast with rain drizzling over each car, beading upon protected finishes of silicon and carnauba. With such weather it fits that this Northstar Dodge Chrysler dealership is situated on Rainbow Boulevard.

At 11:00 a.m., vintage car owners/collectors gather, cars being organized according to timeline – oldest to newest. These car buffs have had time to wake, wash and chamois their prized vehicles. The day becomes one of chatter, car-owner to car-owner, driver to driver, enthusiast to enthusiast. Within all the coffee, talk and bluster, an engine’s patter catches my ear, the sound sharp like a newly built V8, but the sound has a lighter, tubular aspect that is higher pitched – a 1928 Pontiac sedan arrives, its owner guiding it carefully into the spot allocated for the oldest vehicle at this show and shine.

I’m impressed by its colour, shape and current integrity. The radiator cap is the head of an Indian (Pontiac) and the top curve of the radiator has something that looks like two pennies, something I’ll have to research. I walk over to listen and watch as the owner demonstrates what he refers to as the vehicle’s air conditioning – he moves a crank high above the steering wheel, to the driver’s right; the crank moves the windscreen up and down to let air rush into the car, a mechanical innovation that makes sense … something that begins this day’s education about cars. I get a kick out of what this car represents – this Pontiac sedan precedes my father’s birth by four years, it precedes the second world war by eleven.

This 1928 Pontiac sedan is one of three Pontiacs at the show and shine – there’s a brown 1970 Firebird and an orange 1970 Lemans with decals (something that would have had a specialized appellation, ‘The Judge’). These latter vehicles are a year newer than the two door, green, Canadian-made, 1969 Pontiac Parisienne, the family car that my brothers and I grew up in and the car we shared in high school; the lines on each are recognizably Pontiac.

Listening to – The Verve’s ‘Lucky Man,’ Coldplay’s ‘Up in Flames,’ Snow Patrol’s ‘This Isn’t Everything You Are,’ and John Mayer’s ‘The Queen of California.’

Quote to Inspire – “The camera is an excuse to be someplace you otherwise don’t belong. It gives me both a point of connection and a point of separation.” Susan Meiselas

Edit – To Understand

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life

Metal Geometry – Lac St. Anne, Alberta

A look back edit this morning, time looking to understand the appeal of this image. Again, more metal geometry attracts in the patterned strength of linear lines, the shadow play in degrees of light and shape and the trestle’s placement within context – linearity, water and foliage.

Listening to – Maroon 5’s ‘Lucky Strike,’ Roisin Murphy’s ‘Night of the Dancing Flame’ and Wang Chung’s ‘To Live and Die in L.A..’ Then it’s one of those intriguing songs of observation from all those years ago with Stocki’s ‘Rhythm and Soul’ broadcast on BBC Radio Ulster, a song to recommend – Peter Himmelman’s ‘Impermanent Things.’ Next, it’s Jane Siberry and K.D. Lang with ‘Calling All Angels.’ Finally, it’s a song from Ray Lamontagne & the Pariah Dogs that fits any of us at the end of our teaching year – ‘For the Summer.’

Quote to Inspire – “Twelve significant photographs in any one year is a good crop.” – Ansel Adams

Furthering Edit

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Sangudo Truck – Sangudo, Alberta

With each edit of a photo, not always, but often the editing takes you further in visually understanding the image narrative. In this photo, desaturation and tinting has drawn highlight to the curve of metal shrouding the engine where the shroud meets the black curve of the fender flare on each side (behind each headlamp). On the left the shroud retains perpendicularity where the right shroud has been opened more frequently, perhaps hastily leaving a bend. Use is indicated and the truck’s driver within situation did that – the image has narrative.

Listening to – Tyler Bates’ ‘Pamplona,’ Michael Andrews & Gary Jules’ ‘Mad World,’ and Samuel L. Jackson’s ‘Alice Mae’.

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Metal Geometry

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Spring, Still Life, The Candid Frame

Train Trestle – Lac St. Anne, Alberta 1

Train Trestle – Lac St. Anne, Alberta 2

Train Trestle – Lac St. Anne, Alberta 3

High above a creek running in spring’s thaw, a train trestle’s metal geometry, angles bolted and welded together, contrasts against water’s fluid state and creek bank flora … colourful, yet still to come alive.

Listening to – Ibarionex Perello interview Walter Plotnick on ‘The Candid Frame,’ a discussion of wet photography and digital process – check out episode #189 http://thecandidframe.blogspot.ca/ (you’ll find this as a podcast through iTunes).

Quote to Inspire – “Everything shifts as you move, and different things come into focus at different points of your life, and you try to articulate that.” Chris Steele – Perkins

Witness Early

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Home, Homestead, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunrise

Cattails – Near Fort Vermilion Turnoff

Homestead – Fort Vermilion, Alberta 1

Homestead – Fort Vermilion, Alberta 2

Homestead – Fort Vermilion, Alberta 3

Peace River – Fort Vermilion, Alberta

Peace River Beaver – Fort Vermilion, Alberta 1

Peace River Beaver – Fort Vermilion, Alberta 2

Peace River Beaver – Fort Vermilion, Alberta 3

Peace River Sunrise – Fort Vermilion, Alberta

Up, earlier than sunrise, traveling, from High Level to Fort Vermilion … early, early morning to witness all that comprises sunrise – the Peace River looking east from Fort Vermilion at the newly risen sun, a beaver marking territory, a Buttertown homestead and cattails coloured in spring splendor.

Listening to – Robbie Robertson’s ‘Sweet Fire of Love,’ Lucinda William’s ‘Concrete and Barbed Wire,’ Melissa McClelland’s ‘Brake,’ Bryan Ferry’s ‘Just Like Tom Thumb’s Blues’ and Ryan Adams’ ‘Hotel Chelsea Nights.’

Quote to Inspire – “Taking an image, freezing a moment, reveals how rich reality truly is.” – Anonymous

Photos’ Manipulation

Best Practices - Photography, Canon 50mm, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Home, Homestead, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset, Vehicle, Weather

Buttertown Homestead – Fort Vermilion, Alberta

Sunset Above the Peace River – Fort Vermilion, Alberta

Store Shed – St. Louis Catholic Church – Fort Vermilion, Alberta

Derelict Vehicle – A Former Time – Buttertown, Fort Vermilion, Alberta

A weeklong endeavor involving our junior high students saw Alberta’s Trickster Theater group work with them to create and perform a handful of short dramas dealing with human rights around the world. Students engaged in this learning by doing, many came out from shells they’d been cloistered into through our long, long winter; all enjoyed the fun of team performance. My role was to collect images for presentation within an Animoto slideshow. In pre-screening the slideshow the phrase photo manipulation was used favourably to refer to presenting an image in new and interesting ways to draw the viewer to the action or happening within the image or to draw the viewer into the image’s feeling, mood or atmosphere. Saturation and desaturation, focus, detail and blur, tinting, vignette and cropping – all are manipulations of the photograph allowing amplification of image narrative or feeling, mood and atmosphere. The images presented here have each received photo manipulation, the editing that follows image capture and moves them to rendering.

Listening to – Tyler Bates’ ‘Pamplona’ and ‘Ventura,’ Tyrone Wells’ ‘Time of Our Lives,’ and Rascal Flatts’ ‘My Wish.’

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Russet World

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset

Russet Buds – Buttertown, Alberta

Day’s end reveals a world of colour within a longer, spring sunset. Russet orange dominates the backdrop for new spring buds and their companion, a century old homestead home in Buttertown across the river from Fort Vermilion, Alberta. Out-of doors movement occurs easily and remains novelty following a seemingly never-ending winter that saw so much darkness and snow – so good to be outside and in the world.

Listening to – Chris Whitley’s ‘Big Sky Country.’ The playlist has also held the Ozark Mountain Daredevils and ‘If You Wanna Get to Heaven,’ and the Rolling Stones with ‘Can’t You Hear Me Knocking.’

Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that it is just a trick.” – Christopher Anderson

Entity Realized

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Vehicle Restoration

Bull Dozer and GMC Cab and Chassis

Cab and Chassis and Panel Van 1

Cab and Chassis and Panel Van 2

Cab and Chassis and Panel Van 3

Cab and Chassis and Panel Van 4

Fargo and Other – Sangudo, Alberta

Fargo Dump Truck 1

Fargo Dump Truck 2

Fargo Dump Truck 3

Fargo Dump Truck 4

“It will grow on you,” describes the growing appreciation for something that comes about through regular interaction with that entity over time. Books and music ‘grow on us.’ Styles come and go, and, they grow upon us – we acclimate to them. Friendships, perhaps even relationships subtly grow on us without our knowing it – we realize their entity at a certain point, perhaps in their first absence. Gathering museum machinery images associated with the Alaska Highway construction has had several images grow on me, me seeing and appreciating more of what they are about over time. This equipment has been kept up, maintained in working order over two or perhaps three generations. Function, style, colour and form have each been preserved. That’s something that someone has had a hand in doing, perhaps many hands have shared in doing.

Listening to – Nick Drake’s ‘Pink Moon’ and Tyler Bates’ rendering of ‘Ventura.’

Quote to Inspire – “I think good dreaming is what leads to good photographs.” – Wayne Miller

The River at Dusk

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset

Peace River Sunset – Fort Vermilion, Alberta 1

Peace River Sunset – Fort Vermilion, Alberta 2

Sunday evening, on my own, at Fort Vermilion’s boat launch I witnessed the sun drop below the horizon and the dusky, rich colours and lengthening shadows produced – day’s end in the land of the Midnight Sun. The event recalls (and was perhaps inspired by) redjim99’s poem, his 200th, on his ‘notyethere’ wordpress blog, ‘The Road at Sunset’ and his discussion of the illusion of horizon; accurate and cleanly worked – it is worth checking out.

http://notyethere.wordpress.com/2013/05/15/200-posts-on-notyethere-the-road-at-sunset/

Listening to – ‘Thank U’ by Alanis Morissette and David Gray’s ‘My Oh My.’

Quote to Inspire – “I am not an artist. I am an image maker.” – Thomas Hoepker

Pilgrimage Church

Best Practices - Photography, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring

Roman Catholic Church – Buttertown, Alberta

Woking Church – Woking, Alberta

Church, a place and time of whole-hearted, meaning-crammed communion, is something each of us encounters in different venues that captivate us – the camaraderie found in others’ company, the transcendence found in the out-of-doors, the intersection of our Life with lyrics and melody in song. That place to encounter (perhaps share or confess) truth safely, in safety, that place to come to terms with tough times and the good, Church is both a social and familial entity, a place in which you can grow and mature. Not movement forward, independent of others, not alone in thought, not only within our own priority, Church is that sacred entity of relationship carried forward by two or more people in Life’s pilgrimage connecting each to something bigger than self (selves), that thing that drives ethics in action and purpose in Life, that thing realized when we realize we are here for more than ourselves, having something to contribute to the Lives of others.

Church as pilgrimage has been on my mind as I’ve watched a film by Emilio Estevez – ‘The Way.’ Martin Sheen, as father makes pilgrimage from France to the Church of Santiago de Compostela in Galicia, Spain, a trek following ‘The Way of St. James.’ Tom (Sheen) takes up this eight-hundred kilometre trek, a trek his son had begun and makes it on behalf of his son who, recently deceased, is ever-present throughout the trek task. The pilgrimage becomes Church as three ‘peregrinnos,’ pilgrims, cluster with and around Tom; each carrying forward a Life task that’s brought them to a cross-road in their Lives. It’s not so much that disclosure of Life’s challenge needs to occur among the peregrinnos, but that each comes to understand that their shared company and good understanding of what’s at play in each other’s lives makes the road easier – something that Church is about, an entity of relationship carried forward that associates to Life’s pilgrimage, direction and purposes.

Images – The Roman Catholic Church of St. Louis in Buttertown (across the Peace River from Fort Vermilion, Alberta) and the Woking Ukrainian Orthodox Church (Woking, Alberta).

Listening to – much of the soundtrack to ‘The Way,’ containing two songs that intrigue, David Gray’s ‘My Oh My’ (from Rhythm and Soul broadcasts) and Alanis Morissettes’ ‘Thank U’. James Taylor’s ‘Country Road’ also features in the film.

Quote to Inspire – “Imagine a world without photography, one could only imagine.” – Berenice Abbott