Donnelly Homestead – Part 2

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The Donnelly homestead is subject for these photographs, tonight. It’s the second photograph of the homestead I’ve posted in this blog.  The first photograph seemed to polarize reaction from bloggers.  Those viewing the photograph favourably were perhaps familiar with the homestead as landmark within a region they’ve frequented or travelled through; or, perhaps they could relate to winter’s brooding darkness. For others, the black and white image of the building and its textures were very dark and brought forth rejection of the image as something lacking the light and colour associated with Life and Living.

In taking the photograph, again, I’m on a return drive from Edmonton, my time more my own than time with immediate responsibilities and it allowed looking more at what could happen with this photograph. Where January’s photograph is taken near dusk, at day’s end, this photograph has more of spring’s growing light and is shot earlier in the day … about 3:00 p.m.; the light allows for more colour and more possibility with the well-lit subject. Taking the photograph is also about learning a new lens, a Canon 70-200 mm IS Mk II L series lens and using it with live view to sharpen focus (1/3 into the frame … nodal point) and to play with what could be accomplished with depth of field. Shooting close to the ground with this zoom lens compressed distance between the homestead and the trees behind it, a kilometre away. A day later, the fun has been working with different renderings of the photograph. Each rendering of the photograph evokes different response – seeing what’s possible has been some of the fun. Each photograph presented is something I’d be happy to print; yet, there are two that are favourites.

What about you?  Which rendering of this Donnelly homestead appeals to you or attracts you to it?  How would you talk about what is attracting you within the image?

Quotes to Inspire – (1) “In my photography, color and composition are inseparable. I see in color.” – William Albert Allard; (2) “When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!” ― Ted Grant

Listening to – U2’s Get on Your Boots (Justice Remix) from Artificial Horizon, Coldplay’s Cemeteries of London from Viva La Vida, Kings of Leon’s Crawl (first recommended by Nicole Kidman in an iTunes playlist … something she listened to on her daily drive out to the movie set of Australia); then it’s been All I Need from Radiohead’s In Rainbows album.

Along the Back Way Home

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Fairview Homestead - Along the Back Way Home

The as-the-crow flies, back way, return home from Grande Prairie to High Level, Alberta has a driver/photographer deviate from the GPS (Global Positioning Satellite) recommended route at Fairview and move north and east through the back country behind towns like Spirit River, Blue Sky, Berwyn, Grimshaw and Peace River. The route deposits you back on the GPS recommended route, north of Peace River and Dixonville at the corner upon which you’ll find the Weberville Community Hall, twenty minutes from Manning; you’ll chew-off some of the drive time and see land and animals that many will never see – my last trip had three moose standing on the side of the road as I drove by.

Beginning this deviated trek, ten kilometres north from Fairview you’ll find the homestead featured in this photograph on the east side of the road, a former home that is accorded reverence as a starting home for and reminder of the family that broke this land. Visual inspection of the homestead through my camera lens reveals that it was a home in stages.  It had a basic first shape and it received alteration and addition, no doubt to welcome the blessing of a family’s increase in population. Grain grows around the home to with a metre of the building and tree perimeter – care is taken to preserve memory and to utilize the land. The home had been a starting point and reminds of starting points.

Listening through most songs on Joseph Arthur’s Redemption’s Son album – songs standing out are In the Night, Evidence and Nation of Slaves;  my listen through reminds of Joseph Arthur’s tune of blessing sung by Michael Stipe and Joseph Arthur – In the Sun.

Curious Quotes to ponder – “You should never think without an image.” – Aristotle; “The soul can not think without a picture.” – Aristotle.

A House Does Not Make A Home

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Home and homesteads are the subject of this evening’s perusal through photographs. In the U2 canon, Paul Hewson (Bono), the younger of two siblings asserts lyrically that ‘a house does not make a home,’ something he’s needed his father (Bob Hewson – Catholic) to understand about their shared life, a life without a mother who’s passed on (when Bono was 16 years of age). His lyrics point to the heart of home life – the void Bono’s encountered and what should be there. Another song from the U2 canon references yearning for his mother (Iris Elizabeth Hewson – Protestant) and her example – there’s vertiable duality in his ‘I will follow‘ lyrics  – Bono surfaces his mother, here, as well as redemption through saviour and salvation. The essence that’s there, throughout these songs, is that much of what home is about revolves around the care and direction we receive from that parent who is our mother. Here, in tonight’s photographs, more than you’d expect, home is the key anchoring ingredient to Life on our frontier (yours too).

Listening to much of U2’s All That You Can’t Leave Behind album – New York (a secondary home-base for U2 and anchor), Grace (that awkward yet overcoming force/intention) and Kite (that song made gospel in Joey Ramone’s deathbed hearing).

Quote to Inspire (and to chuckle at) – “I shutter to think how many people are underexposed and lacking depth in this field.”