The Donnelly homestead is subject for these photographs, tonight. It’s the second photograph of the homestead I’ve posted in this blog. The first photograph seemed to polarize reaction from bloggers. Those viewing the photograph favourably were perhaps familiar with the homestead as landmark within a region they’ve frequented or travelled through; or, perhaps they could relate to winter’s brooding darkness. For others, the black and white image of the building and its textures were very dark and brought forth rejection of the image as something lacking the light and colour associated with Life and Living.
In taking the photograph, again, I’m on a return drive from Edmonton, my time more my own than time with immediate responsibilities and it allowed looking more at what could happen with this photograph. Where January’s photograph is taken near dusk, at day’s end, this photograph has more of spring’s growing light and is shot earlier in the day … about 3:00 p.m.; the light allows for more colour and more possibility with the well-lit subject. Taking the photograph is also about learning a new lens, a Canon 70-200 mm IS Mk II L series lens and using it with live view to sharpen focus (1/3 into the frame … nodal point) and to play with what could be accomplished with depth of field. Shooting close to the ground with this zoom lens compressed distance between the homestead and the trees behind it, a kilometre away. A day later, the fun has been working with different renderings of the photograph. Each rendering of the photograph evokes different response – seeing what’s possible has been some of the fun. Each photograph presented is something I’d be happy to print; yet, there are two that are favourites.
What about you? Which rendering of this Donnelly homestead appeals to you or attracts you to it? How would you talk about what is attracting you within the image?
Quotes to Inspire – (1) “In my photography, color and composition are inseparable. I see in color.” – William Albert Allard; (2) “When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!” ― Ted Grant
Listening to – U2’s Get on Your Boots (Justice Remix) from Artificial Horizon, Coldplay’s Cemeteries of London from Viva La Vida, Kings of Leon’s Crawl (first recommended by Nicole Kidman in an iTunes playlist … something she listened to on her daily drive out to the movie set of Australia); then it’s been All I Need from Radiohead’s In Rainbows album.
And all the life's delightful doses
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