Winter Psychedelic

Backlight, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Winter

Winter Psychedelic 1

Winter Psychedelic 2

Winter Psychedelic 3

Winter Psychedelic 4

Colour found and pulled from winter is subject of current photos. There’s a feel of the seventies as colour is approached – strong rich colours and contrasts in the darker images. The lighter images explore oversaturation and the aura surrounding subject. An icicle is shaped by heat and gravity. Another is shaped by wind’s push and pull. Both are lens for what they are in front of. Weeds, left behind, within the bleakness of a lacklustre winter field become source from which to pull colour and attention to shape and setting in an image that could be termed … ‘psychedelic.’

Listening to – iTunes set to start genius, starting at The Eagle’s Seven Bridges Road yields an energizing playlist – Eagles’ ‘Seven Bridges’ Road,’ Aerosmith’s ‘Back in the Saddle,’ The Black Crowes’ ‘ Twice as Hard,’ The Who’s ‘Magic Bus,’ Nazareth’s ‘Love Hurts,’ Bruce Springsteen’s ‘Pink Cadillac,’ The Rolling Stones’ ‘Can’t You Hear Me Knocking,’ Neil Young’s ‘Rockin In The Free World’ and The Kingsmen’s ‘Louie Louie.’

Quote to Inspire – “I also paint, draw and I’m into film and photography as well, and the same thing applies to all of them. You’re presenting this material to the general public and hoping that they’re going to ‘get’ what you’re doing. Some don’t, some do.” – Paul Kane

That Sedan & Professor Keating

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Vehicle, Vehicle Restoration, Winter

Sedan Along Path – Valleyview, Alberta 1

Sedan Along Path – Valleyview, Alberta 2

Sedan Among Trees – Valleyview, Alberta 1

Sedan Among Trees – Valleyview, Alberta 2

Away from home, tasks requiring completion fly me southward to Edmonton, Alberta, Friday, one week ago today. My Sunday is a day-long, northward return trek home with my Canon 60D.

In my first years as a teacher, an elder’s coaching presented the predicament of moving through or around brush as analogy for the challenge of dealing with Life’s obstacles. If moving through brush resulted in injury, the better judgment call was that of moving around the obstacle. The key was seeing the situation for what it was. The elder was promoting the path already carved out, the natural path; for him, the established easier route ought to be the path to take. Along the road home, east from Valleyview, Alberta a fifties’ four-door sedan sits, resting and rusting, its rear window absent. It’s placement in a farmer’s field positions it along a natural path that will take it forward through trees. No longer having power to move itself, though, this sedan sits along a path that could have been.

M. Scott Peck, Robert Frost and even the Dead Poets Society’s professor Keating would all promote the road less travelled as the path to take. Perhaps the elder talking to me all those years ago was establishing reality’s balance to such assertion – the road less travelled overcomes obstacles that no one else or, at least, few have encountered. Finding one’s own way throughout one’s Life, personal navigation, is the thing in either case – avoiding the obstacles or seeking the uncommon, unique yet obstacle-laden path. It’s interesting to be referencing the Dead Poets Society again within this photoblog while associating to photos of this vehicle.

Listening to – CKUA Online and the Friday Night Blues Party, Curtis Salgado’s ‘She Didn’t Cut Me Loose’ and Andy T and Nick Nixon Band’s ‘Drink Drank Drunk.’

Quote to Inspire – “I really don’t have any idea about photography, but I take pictures.” – Alex Majoli

Step In

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Ford F-100 – High Level, Ab 1

Ford F-100 – High Level, Ab 2

Ford F-100 – High Level, Ab 3

Ford F-100 – High Level, Ab 4

Ford F-100 – High Level, Ab 5

I’m not sure. But, this image’s perspective looking towards this 1953 Ford F-100 is that which likely is the perspective previous owners would have walking to it, something seen regularly through the Ford’s years of service. The image orients the eye to the driver’s door becoming the glimpse the owner/driver would take as he or she thinks through next actions and destination walking to this F-100. You could almost step into the image, open the driver’s door, start the engine and drive away.

Listening to – Leonard Cohen’s ‘Hallelujah,’ played on our Heintzman Grand Piano in vertical form by my daughter.

Quote to Inspire – “The true mystery of the world is the visible, not the invisible.” – Oscar Wilde

That Surfer Van

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Chevrolet Corvair 1 – Courtney, BC

Chevrolet Corvair 2 – Courtney, BC

A few years back a film featured Joe Pesci as homeless vagrant haunting the boiler room of a Harvard University library – seen by students a few times, more apparition than real … thought to be the ghost of Walt Whitman. A student, an honours student, loses his prize possession, what he thinks to be a flawless regurgitation of his economics professor’s thinking on the state of the world, to the homeless vagrant. Within the story an economy is established. The vagrant trades portions of the student’s thesis for meals and a place to sleep … and it’s winter. The place to sleep is within a Chevrolet Corvair, what commonly was thought of as the surfer van of the sixties. The first version of the Chevrolet Corvair presented here is a duplicate of the surfer van in which Joe Pesci lays his head down in that Harvard winter in the film ‘With Honours.’

Listening to – The Cult’s ‘She Sells Sanctuary,’ Duran Duran’s ‘Thank You,’ Babble’s ‘Tribe,’ Lyle Lovett performing Irving Berlin’s ‘Blue Skies,’ The Pretenders rendering of ‘Forever Young,’ Lindsey Buckingham’s ‘On the Wrong Side’ and Harry Warren with ‘Muchacha.’

Quote to Inspire – “Anyone can shoot chaos. But the most perceptive photographers can make compelling pictures out of uninteresting moments.” – Alex Tehrani

At the Ready

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Ford One Ton Tow Truck – McLure BC 1

Ford One Ton Tow Truck – McLure BC 11

Ford One Ton Tow Truck – McLure BC 10

Ford One Ton Tow Truck – McLure BC 9

Ford One Ton Tow Truck – McLure BC 8

Ford One Ton Tow Truck – McLure BC 7

Ford One Ton Tow Truck – McLure BC 6

Ford One Ton Tow Truck – McLure BC 5

Ford One Ton Tow Truck – McLure BC 4

Ford One Ton Tow Truck – McLure BC 3

Ford One Ton Tow Truck – McLure BC 2

A 1938 Ford one-ton tow truck sits, seemingly at the ready, gazing out to the highway. Yet, at the ready, looks a lot like ready to sell.

Static, the Ford’s paint flakes away and metal beneath oxidizes into rust, colourfully. Curves are the thing, in the shape and detail of the cab, in each window, throughout the length and nose of the hood, in the catch-all of the fenders and in the perfect circles of the lights; straight lines add contrast to these curves with the verticals and horizontals of the running boards, bumper and grill; and then there are the diagonals associated with the structure for leverage, towing and pulling other vehicles. There’s remarkable engineering, here, both in the original build of the Ford and in the impromptu innovation of the towing structure … someone has the knack for towing vehicles. The whole vehicle is architecture, engineering, shape and detail from a former time, a time that preceded me, a time that was my father’s – all pull my interest to this Ford. And, there’s anticipation of how it would drive and how it would ride … the finding of gears, the getting it to move and remain moving … there’d be the unique bounce and shift of weight as the truck moves over terrain … there’d be the rhythm of engine combustion idling and working, pacing out each mile … and there’d be the view from within while piloting this vehicle – all intrigue me.

Automobiles that have left the road have been set back on the road surface by this Ford. Remnants of collisions – damaged vehicles, damaged people and damaged egos, their aftermath has needed transfer to homes, autobody shops and junk yards, something this Ford has provided regularly. In extreme and extraordinary winter weather this Ford has been one to venture out on uncertain roads and perhaps there would be no safer place than in an outfitted Ford one-ton tow truck with a rested driver who understands people, the road and his machine. This Ford one-ton tow truck is for sale down around McLure, British Columbia; the first person with $2000 or so dollars takes it.

Listening to – Tom Cochrane’s ‘Big League’.

Quote to Inspire – “Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.” – Matt Stuart

No Through Road

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No Through Road 1

No Through Road 2

No Through Road 3

No Through Road 4

No Through Road 5

In Alberta’s northwest, a backroad highway connects the town of Grimshaw with the town of Fairview; halfway between the two this road runs north one kilometre from the connector into muskeg and bush, a place where a family has made their home. At this intersection, heart-shaped wreaths are attached to two signs – this one, ‘No Through Road’ leading into this homestead; and, another is attached to the stop sign as the road rejoins traffic along the connector highway. The words ‘no through road’ within a setting in which a farmer would have a tough go in producing crops or raising livestock provoke ideas about Life’s journey needing to be carved out, step following step, day-by-day with eyes upon one’s goal – our path being something we construct each day of our Life. Life becomes journey, Life holds endeavor and endeavor is about recognizing potential, engaging in work, and celebrating/acknowledging achievement.

Thinking through this No Through Road sign first surfaced ideas about settling and moving no further, recalling mediocrity, a term derived from medias (middle) and ocrus (mountain), settling having to do with the climb of a journey up a mountain and finding oneself getting comfortable at the halfway point so much so that no further movement along the climb is undertaken. The narrative within this image is not about mediocrity, however. Life’s endeavor or Life’s challenge is more significant, that act of choosing to plant yourself where you are, looking to what you can achieve, using all that you know – skills and abilities – to embrace Life’s challenge in order to add something into the world. That’s what goes on at the end of this road. The through road that is yet to come will associate to the Life or Lives beyond the present endeavor at this road’s end.

Wreaths tied to signs caused me to stop and look around; the wreaths are inviting and suggest love and care and concern for others; the wreaths also serve to landmark one family’s location on their portion of the frontier for others to find.

Listening to – The Cinematic Orchestra and ‘Ma Fleur’.

Quote to Inspire – “A tear contains an ocean. A photographer is aware of the tiny moments in a person’s life that reveal greater truths.” – Anonymous

Thelwell Ponies

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Fairview Horses, Fairview, Alberta 1

Fairview Horses, Fairview, Alberta 2

Fairview Horses, Fairview, Alberta 3

Fairview Horses, Fairview, Alberta 4

I am able to recall my first year of school and one of those Life-changing events, that of taking my father to the Edmonton International Airport – Mom, Grandma and me. Something new for me and my brothers, this same event was rejoinder for my father – he was getting back to the globetrotting that was so much of his career prior to the arrival of my two brothers and me. Business trips took Dad often to the United Kingdom to stay current with practices/methods in plastics development/technologies. Beyond the United Kingdom, Dad moved around the globe in a chemist’s technician’s capacity dealing with the technical side of plastics use; the customer was always right – if the plastic produced didn’t work for the customer, the company Dad worked for always solved the problem and worked to create the plastic needed by each customer-manufacturer. Dad’s globetrotting in the sixties, seventies, eighties and nineties had the ceremony of preparation and departure; and, homecoming also became ceremony – gifts for the family let us know that we were thought of even when he was away from us.

Horses – the images of horses, here, were photographed just north of Fairview, Alberta. Their shapes remind of a British cartoonist who drew so many cartoons of the British countryside – Norman Thelwell often drew images of ponies … cartoons that these photographs recall. Check out Norman Thelwell at http://www.thelwell.org.uk/ . One of the gifts my father brought back for me when I was twelve was a small paperback of Thelwell’s pony cartoons – something I can remember reading in my room on a rainy day in June in Edmonton.

Listening to – Los Lobos and ‘Two Janes.’

Quote to Inspire – “Ultimately photography is about who you are. It’s the truth in relation to yourself. And seeking truth becomes a habit.” – Leonard Freed

Erode & Gleam

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Plymouth Savoy – Beaverlodge, Alberta 1

Plymouth Savoy – Beaverlodge, Alberta 2

Plymouth Savoy – Beaverlodge, Alberta 3

Plymouth Savoy – Beaverlodge, Alberta 4

No longer gliding forward on each tire’s balloon cushion this vehicle slumps to the earth in resignation. Snow’s first fall dusts this Plymouth Savoy’s pitted hood, scars of gravel-sprayed journeys. Paint erodes, chrome still gleams. The vertical of trees’ up and down becomes contrast to rounder more human car curves.

Listening to – Lenka’s ‘The Show.’

Quote to Inspire – “I don’t believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.” – Sebastiao Salgado

Glass – Stained

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Stained Glass 1

Stained Glass 2

Stained Glass 3

Winter’s sun gleams passing through translucent glass, stained glass hung in our kitchen window to catch sunlight from the southern exposure of our home. The image, a macro shot, plays with depth of field – focus and blur – and colour and reveals some of the glass interior.

Listening to – Chilly Gonzales’ White Keys from the Solo Piano II album.

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

Gehenna, Ge-Hinnom & That Film

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Henday S-Curve – Edmonton, Alberta 1

Henday S-Curve – Edmonton, Alberta 2

Henday S-Curve – Edmonton, Alberta 3

A Sunday evening, alone – wife and daughter at fellowship within our Church care group. And, me … I’m dealing with the sore reality of a yet to be diagnosed stomach ailment, something beyond the jungle tummy that’s been making its way round the globe. My wife has brought me a DVD to watch tonight and I’ve found it to be something powerful, something to recommend and something I’m sure I will own – ‘Being Flynn’ with Robert Deniro and Paul Dano. The movie grapples well and quite realistically with open-your-eyes-wide issues of broken families, homelessness, what lives amount to in their totality and moving on with Life despite the muddles encountered. ‘Being Flynn’ is a narrative of making that quantum leap to put the mess behind you and about getting to that strong and compassionate state that underscores the ‘why’ in contributing to make a better world for coming generations. The film is personal commentary about family and families for each of us as much as it is social commentary about something more than societal malaise … it chronicles the downward spiral of human life discarded and disposed of, Gehenna’s trash heap, before one encounters death; Lives are lost while the world looks beyond the down and out. ‘Being Flynn’ is essay as much as it is narrative film.

The image presented here is an array of street lights that light Anthony Henday Drive in Edmonton – the S – Curve attracts my attention as does some of the roadway architecture as Gateway Boulevard meets Anthony Henday on Edmonton’s South side near Ellerslie Road.

Listening to – ‘Know My Mind’ by Bo Weitz, ‘It’s What I’m Thinking’ by Badly Drawn Boy and ‘Mother in Law,’ by Allen Toussaint.

Quote to Inspire – “What I did, anybody can do.” – Weegee