Christmas Lights – Town Hall, High Level 1Christmas Lights – Town Hall, High Level 2High Level Public School – Gym EntranceHigh Level Public School WalkwayLattice Work of Trees – High Level, AlbertaREW Memorial Pool – High Level, AlbertaSenior’s Centre – High Level, Alberta – 1Senior’s Centre – High Level, Alberta – 2
I have been intrigued to find success in creating night time images from handheld shots using wide open aperture and ISO 6400; stabilization must have been accounted for and become the forgiveness factor in this camera. Good!
Listening to – liking Martyn Joseph’s new album, ‘Sanctuary;’ enjoying the tribute to Robert F. Kennedy in ‘Bobby’ and the instrumental work in ‘Sanctuary’ that reminds of songs from Martyn’s album ‘Thunder and Rainbows.’
Quote to Consider – “You’ve got to push yourself harder. You’ve got to start looking for pictures nobody else could take. You’ve got to take the tools you have and probe deeper.” – William Albert Allard
Morning Walk – High Level, Alberta – Canada 1Morning Walk – High Level, Alberta – Canada 2Morning Walk – High Level, Alberta – Canada 3Morning Walk – High Level, Alberta – Canada 4Morning Walk – High Level, Alberta – Canada 5Morning Walk – High Level, Alberta – Canada 6Morning Walk – High Level, Alberta – Canada 7Morning Walk – High Level, Alberta – Canada 8Morning Walk – High Level, Alberta – Canada 9Morning Walk – High Level, Alberta – Canada 10
It is a colder time of year in January; often we’ll have two or three weeks where northern cold from the arctic pushes down over us and us into -40C temperatures. Many people who exercise like to be outdoors; but, colder temperatures anchor them to a gym or within their basements with activity involving free weights and a treadmill. Some will make it outside at regular hours when there are others around, perhaps after work or in the evening. Their endeavor may be no more than a walk, a solitary effort or a discrete, moveable meeting place for two friends to discuss their worlds. At this time of year, what’s common, regardless of the time of day, is that you’re usually walking outside, beyond your work hours in darkness. For me, I favour an early morning walk, to be outside listening to a podcast or music prior to the day’s priorities becoming priorities for the day. Included here are early morning images gathered while walking (in the dark).
Listening to – Dream Academy’s ‘Life in a Northern Town,’ The Cranberries ‘Dreams,’ Aerosmith’s ‘Walk this Way’ and the Steep Canyon Rangers’ ‘More Bad Weather On the Way.’
Quote to Consider – “Your photography is a record of your living, for anyone who really sees.” – Paul Strand
Trappers Shack Diner – Fort Vermilion, Ab – Canada 1Trappers Shack Diner – Fort Vermilion, Ab – Canada 2Trappers Shack Diner – Fort Vermilion, Ab – Canada 3Trappers Shack Diner – Fort Vermilion, Ab – Canada 4Trappers Shack Diner – Fort Vermilion, Ab – Canada 5Trappers Shack Diner – Fort Vermilion, Ab – Canada 6Trappers Shack Diner – Fort Vermilion, Ab – Canada 7Trappers Shack Diner – Fort Vermilion, Ab – Canada 8Trappers Shack Diner – Fort Vermilion, Ab – Canada 9
This day had begun with intention – to consider the state of this wordpress blog and consider what’s next; what does it become? For the longest while this blog has been memory’s placeholder, a responding point for photographs created. In the editing of each image, memory could be pulled forward to surface, the image associating to personal history and consideration, a starting point from which to journal. Today, though, the question was that of what does this blog next become. Is it now time to move the photoblog towards a Blurb book or perhaps a Mixbook, a hardcopy, something you need two hands to look at?
The day began with photoblog intention, investigating the integrity of photo files starting with the blog’s oldest photos. I was surprised to find that first photos I’d posted were surprisingly out of focus – the consequence of using Adobe Lightroom with presets alone; these images were created long before editing images in NiK Collection and Topaz software. I returned to original images and had a second go at editing. Along the way I rediscovered images that had been b-sides, those that had not been first choices for presentation in this blog.
The endeavor began in fueling my body in front of a computer screen – coffee, an omelette and raisin toast. The images for editing were four-year old photos from Fort Vermilion, Alberta (December, 2011). A previous century building was first edit, a building that had been re-purposed to serve as restaurant – The Trappers Shack Diner. And, while it was all the go four years back, it has, within these past two years, sat vacant. This blog has tended to do that, encourage recognition of beginnings and recognition of how and when change occurs, particularly slower moving changes – the aging barn photographed has collapsed, the rare find of a La Crete-bound forties, three-tonne REO Speedwagon cab and chassis has now been sold and removed from its Manning, Alberta farmer’s field, the forested land that was forest, is now cleared, a farmer’s field with next use in Rocky Lane, Alberta.
Time editing, today, has held music. A friend and minister recommended new tunes, an album by Mary Coughlan and Erik Visser, ‘Scars on the Calendar’ – jazzy, dark and resonant in lyric and tune. A second album that I’ve previously looked for was recommended and found today on iTunes, ‘Another Day, Another Time: Celebrating the Music of ‘Inside Llewyn Davis,’ a look at the sixties folk scene and the music associated with the movie, ‘Inside Llewyn Davis.’
Curious Quotes to Consider – “‘Religion and art,’ he says, ‘are almost the same thing anyway. Just different ways of taking a man out of himself, bringing him to the emotional pitch that we call ecstasy or rapture. They’re both a rejection of the material, common-sense world for one that’s illusory, yet somehow more important. Now it’s always when a man turns away from this common-sense world around him that he begins to create, when he looks into a void, and has to give it life and form.’” … Mrs. Bentley quoting her husband. Sinclair Ross, ‘As for Me and My House,’ p. 112; after re-reading this curious quote, the pull toward Carl Jung and his quote surfaced – “Who looks outside, dreams; who looks inside, awakens.” Jung’s quote is engraved on a dark metal plaque I have hanging in my office at school.
Listening to – musician and songwriter, Brian Houston’s ‘We don’t need religion,’ a protest song – ‘we could use the love of God’ (excerpted lyrics).
Dinosaur – Drumheller, Ab – Canada 1Dinosaur – Drumheller, Ab – Canada 2Dinosaur – Drumheller, Ab – Canada 3Dinosaur – Drumheller, Ab – Canada 4Dinosaur – Drumheller, Ab – Canada 5Dinosaur – Drumheller, Ab – Canada 6Dinosaur – Drumheller, Ab – Canada 7
I had a go at photographing remnants of long ago creatures, fossilized and in many cases fully intact, displayed to be discovered again by the would-be archeologist at The Royal Tyrell Museum of Palaeontology. The challenge then became that of presenting images that focused solely on the creature; that was accomplished with editing.
Quote to Consider/Inspire – “I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.” – Galen Rowell
Listening to – Bruce Springsteen’s ‘Santa Claus is Comin’ to Town,’ Over the Rhine’s ‘White Horse’ and ‘New Redemption Song,’ The Steep Mountain Rangers’ ‘Atheists Don’t Have No Songs,’ Martyn Joseph’s recently released ‘Bobby,’ ‘The Luxury of Despair,’ ‘Are You Ready’ and ‘Sanctuary,’ Deacon Blue’s ‘Bethlehem Begins,’ The Pogues’ ‘Fairytale of New York,’ Dustin Kensrue’s ‘This is War’ and Bruce Cockburn’s ‘Cry of a Tiny Babe.’
Merry Christmas, all – Take good care of your good selves.
Homestead in Late Fall – Fairview, Ab iiCanadian Geese – Flying South, Fairview, Alberta – CanadaHomestead in Late Fall – Fairview, Ab iHomestead in Fall – Fairview, Alberta – Canada 1Homestead in Fall – Fairview, Alberta – Canada 2Homestead in Fall – Fairview, Alberta – Canada 3
An audio-book calmed us, my wife and I, during a night drive north on Alberta’s highway 63. Moving past our Grassland pit stop, we turned left traveling northward to Fort McMurray. As we drove, a snow storm brewed until we were within a wall of big, heavy snow flakes. I backed off on the gas and turned our high-beams to low. I minded the road, scouting the snow track left by previous vehicles. I gave oncoming vehicles a wide berth. I placed our vehicle with care on this highway with sharp shoulders.
I pushed the first audio-cassette in.
A familiar, Canadian voice met our ears – Donald Sutherland began narrating our story. “Did he know? Had he guessed that I knew for certain what everyone else only suspected?” … “I found myself looking straight into the past. Sunday, October 28, 1956. A cabin, not ten miles from where I stood now.” … “This is the weekend when we’re closing the cabin for the season and my mother has been moving around in the other room, cleaning, but now the screen door snaps shut as she steps outside. It is now that I see my father. He is hurrying away from the cabin ….” (Part 1 – May Brightman, Chapter 1 – ‘The Red Fox’ by Anthony Hyde, 1986). The cabin is starting point for a narrative that moves the reader compellingly around the world, a journalistic detective story that weaves historical fiction into curious and intriguing questions of ‘what-if.’
The homestead in the photographs posted here is one I have photographed many times. The edit arrived at in this image has brought forward mind’s eye recollection of the family summer cabin that Robert Thorn, protagonist (and journalist) recalls, as well, in an October funeral for his mother. Anthony Hyde’s novel led us as listeners through the untangling of truth from lies and the consideration of possibilities and where their trajectories of reasoning would lead you – definitely the right book to listen to on a long, snowy drive into Alberta’s north.
Listening to – Bruce Springsteen’s ‘If I Should Fall Behind.’
Quote to Inspire/Consider – “The eye should learn to listen before it looks.” – Robert Frank
It was a Pontiac, the car my father taught me to drive – an olive green, two-door Pontiac Parisienne built for 1969 yet available to Dad in the fall of 1968. On St. Brendan’s field, hanging out with friends, I saw Dad drive it home – colour, class, chrome and shape. It had a 350 cubic inch engine, powerful enough to pass others easily on the open road; Dad said it had ‘Pep.’ There were seat belts for us all and an a.m. radio tuned to CBC 740, CKUA 580 or CFRN 1260 on the dial … and you dialed in best sound. With Dad, I learned to drive carefully, eloquently and with ease. There were wake-up calls and near misses and other drivers who spoke with their horns. On the highway, Dad said my foot was a little heavy … he said that with a smile. The transition was from driving with Dad to driving alone the way Dad would have me drive. There were times when the tie-rod end came off, when after ten years the regulator was jammed so full with dust and sand that the alternator couldn’t keep a current running through the electrical system on a slow idle and there was that time when a lifter clanged loudly after a drive with me at the wheel. Dad knew what to do and we kept the Pontiac running. My Dad, who made time for all this, did this for me, his son.
Parker J. Palmer speaks of something similar with his father; his father gave him, “… a sense of being at home in [his] own skin and on the face of the Earth.” William Stafford’s poem ‘Father’s Voice,’ resonates in similar fashion.
Father’s Voice
by William Stafford
“No need to get home early;
the car can see in the dark.”
He wanted me to be rich
the only way we could,
easy with what we had.
And always that was his gift,
given for me ever since,
easy gift, a wind
that keeps on blowing for flowers
or birds wherever I look.
World, I am your slow guest,
one of the common things
that move in the sun and have
close, reliable friends
in the earth, in the air, in the rock.
Listening to – Brubeck’s ‘Time Out’ and for a bit more fun, ‘Bru’s Boogie Woogie’ – tunes Dad would play on a Saturday night on his Heintzman grand piano in vertical form, a very bright sounding piano.
Looking Out from the Pilot’s Memorial – Yellowknife NT – Canada
Other images from the Kelby World Wide Photo Walk in Yellowknife, NT – Canada. My thanks goes out to Samantha Stuart who organized the event and the eleven other walkers who partook in the walk. Well done, all!
Listening to – U2’s ‘Lucifer’s Hands,’ Bruce Cockburn’s ‘Call It Democracy,’ U2 and the Dubliners’ ‘Ballad of Ronnie Drew’ and Coldplay’s ‘Oceans.’
Quote to Consider – Harvard psychologist and researcher Ellen Langer defines “mindfulness as the simple act of actively noticing things and notes its connection with increased health, competence and happiness …” (there’s something in such conceptualization for photographers).
Strewn Timber – Rocky Lane, Alberta – Canada ivStrewn Timber – Rocky Lane, Alberta – Canada iiStrewn Timber – Rocky Lane, Alberta – Canada iiiStrewn Timber – Rocky Lane, Alberta – Canada i
Timber, pushed down, lies strewn throughout a farmer’s field, a first step in clearing the land. Timber has also fallen across the structure of a homestead house yet has not crushed it. The house and a water-filled dugout suggest that a previous owner, another farmer, had initiated and abandoned a similar project in an earlier era. For now, timber will be gathered for burning; a winter or spring burn will reduce these trees and this homestead house to ashes, the land becoming ready for another use.
Quote to Consider – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus
Listening to – Ibarionex Perello’s ‘The Candid Frame’ – episode 238, an interview with Sara Jane Boyers, Jesse Cook’s ‘Ocean Blue,’ Shadowfax’s ‘Move the Clouds,’ Agnes Obel’s ‘Fivefold,’ U2’s ‘Song for Someone’ and Sigur Ros’ ‘Glosoli.’
The Place Where We Are Right
by Yehuda Amichai
From the place where we are right
flowers will never grow
in the Spring.
The place where we are right
is hard and trampled
like a yard.
But doubts and loves
dig up the world
like a mole, a plough.
And a whisper will be heard in the place
where the ruined
house once stood.
Nissan Pathfinders – my wife and I have owned and driven three of these sports utility vehicles in Northwestern Alberta. We used each to travel in and out of Wood Buffalo National Park on our bi-weekly grocery run, a distance of 200km one way. Most of the time, the Pathfinder was locked in true four wheel drive and careening forward, sliding on any angle but straight along slick, clay-mud, corduroy roads or perhaps creating a first track along snow laden roads. The joke at the time was that we could have filmed a Nissan Pathfinder commercial because of the treatment each Pathfinder received and because of the durability and handling found in its use. And, though the Pathfinder did always find its path, there were humbling times when it got stuck and had to be pulled out – six times in my last year in the park.
A few years ago, travelling with my camera among the backroads in and around Blue Hills, Alberta, I stumbled across an early fifties Pontiac, an old grey vehicle that had been parked among trees and other aging farm implements along the entrance to a Mennonite farm. I photographed the vehicle and did some research. The Pontiac was a sedan, possibly one intended only for Canadian markets – a 1953 Pontiac Pathfinder. A Pontiac buff, having driven my father’s 1969 Pontiac Parisienne through most of high school, I was surprised to find that Pontiac had had its own Pathfinder.
On Saturday, I drove past a service station two kilometres north from Manning, Alberta. An old, early fifties vehicle was displayed on the property, having sat on the site, ready for sale, through these past two years; but, the vehicle has always had a blue industrial shipping container placed next to it, something which has made it awkward to photograph from a stance of adjacent backgrounds and from sunlight never totally surrounding the entirety of the car properly. As I drove by I realized that the shipping container was no longer there and that the opportunity of a good photograph was possible. I captured these images and in researching the Pontiac found it to be another 1953 Pontiac Pathfinder. It was good to spend time photographing the car and then it’s been fun to edit the images, too – each a high dynamic range (HDR) shot.
Listening to – Walter Trout’s ‘Almost Gone,’ a voice that sounds so similar to the Who’s Roger Daltry singing ‘Won’t Get Fooled Again’ and ‘Baba O’Reilly;’ the song accompanies this rusting relic well.
Quotes to Consider – (1) “I’ve never taken a picture I’ve intended. They’re always better or worse.” – Diane Arbus. (2) “Some pictures are tentative forays without your even knowing it. They become methods. It’s important to take bad pictures. It’s the bad ones that have to do with what you’ve never done before. They can make you recognize something you hadn’t seen in a way that will make you recognize it when you see it again.” – Diane Arbus
MacKenzie River Bridge – Fort Providence, NT – Canada iMacKenzie River Bridge – Fort Providence, NT – Canada iiMacKenzie River Bridge – Fort Providence, NT – Canada iii
Perhaps twenty years ago, Chris Short, an art specialist from Newfoundland, slowed the pace of my thought when she asserted that between High Level and Edmonton, Alberta (750km), an artist could easily spend as many as three days to gather and respond to terrain and landscape in drawing and painting (and, then, you could repeat this task/vocation seasonally, too). Another friend coined an expression Chris would understand. In response to seeing fresh landscape and terrain, that friend would interrupt travel asking to … “Stop. Let me feast my eyes.” The call was to stop in our current proceedings and to take note with awe and wonder of something beautiful, right there, in front of us.
For the Yellowknife Photo Walk getting to destination would mean focusing on the drive and returning to many photographic opportunities encountered along the way at a future date. A similar conundrum confronted me in getting to my first Photo Walk in Fort St. John, British Columbia in 2011. In both cases, while opportunities for photos were available, my eyes and imagination would only be able to scout the scene and return to them at a later date. I would know where to return for future photographs, a treasure of sorts. Travel to Fort St. John had presented incredible autumn landscapes, a morning well-lit by sun with impending, dark winter clouds moving off in the distance; farmers, at that time, were completing their harvest, some still combining fields on either side of the highway between Rycroft and Fort St. John. In the same way, travel to and from Yellowknife presented many opportunities for images – the bridge among the terrain in the Rae Edzo area in the morning’s golden hour will be something to return for as will bison feeding on the warmer, sunlit side of the highway in the afternoon. Then, there was this bridge that crosses the MacKenzie River at Fort Providence. The river, at this point, spans almost two kilometres. Driving across this two lane bridge is a breathtaking experience. I stopped and in my friend’s words, I feasted my eyes. These images are the result.
Listening to – U2’s ‘Every Breaking Wave,’ John Mayer’s ‘The Age of Worry,’ Maroon 5’s ‘Lucky Strike,’ Coldplay’s ‘Us Against the World,’ Ed Sheeran’s ‘Little Bird’ and Snow Patrol’s ‘This Isn’t Everything You Are.’
Quotes to Consider – “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus; “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place …. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt
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