Summer – cattail shapes feature as photographic interest alone and in clusters. More an architectural entity, the cattails found seemed always to have their skins split and fuzzy cotton interior bursting forth. Not until August were full cylindrical (hot dog) shapes to be found, grown-in, intact, new.
Listening to – ‘Soft Place in My Heart’ by Buddy Holly & Bob Montgomery (1955, Wichitaw Falls, Texas).
Quote to Inspire – “A roll of film costs $6.00 – a roll of history is priceless.” – Anonymous
No longer gliding forward on each tire’s balloon cushion this vehicle slumps to the earth in resignation. Snow’s first fall dusts this Plymouth Savoy’s pitted hood, scars of gravel-sprayed journeys. Paint erodes, chrome still gleams. The vertical of trees’ up and down becomes contrast to rounder more human car curves.
Listening to – Lenka’s ‘The Show.’
Quote to Inspire – “I don’t believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.” – Sebastiao Salgado
Winter’s sun gleams passing through translucent glass, stained glass hung in our kitchen window to catch sunlight from the southern exposure of our home. The image, a macro shot, plays with depth of field – focus and blur – and colour and reveals some of the glass interior.
Listening to – Chilly Gonzales’ White Keys from the Solo Piano II album.
Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar
New Year’s Day – in Edmonton and its surrounding region the daylight hours of 2013 are sun-filled against a backdrop of blue sky. I’m out, looking around at the world with my camera, making my way from Edmonton’s west end, through its University area and Whyte Avenue. My wife, daughter and son are at my brother’s home reading … and there’s some baking going on.
I have some of the day with my camera.
The Edmonton Clinic at the University of Alberta reveals itself to be something eye-catching when complete – a longish curve of glass that will stretch for a city block in length and upwards about eight stories; the building will be about reflection as much as the glass permits a looking in on all that’s going on. But, the photo is not for today; the construction is still in progress and from the best angle impedes what is likely the best shot.
The day does hold its share of shots as I move to the Molson Brewery site that’s being dismantled. Then, it’s out to St. Albert to Edmonton’s northwest. My wife has recalled our seeing grain elevators as we drove into St. Albert last summer for a huge farmer’s market and she recommends searching for them. I have a look and discover that the grain elevators are part of a heritage museum in St. Albert. The elevators are behind chain-link fence, yet I can still photograph them.
I move from St. Albert west towards Spruce Grove. I use an elasticized, nylon tow rope to pull out someone in a silver, Dodge Dakota whose slid into a country ditch with the snow. On this road are many old farms and farm structures to photograph. But, at this time of day with an upcoming get family together this part of the day is about scouting visually for possible shots … for next time.
Listening to – Paul Gross and the Due South soundtrack.
Quote to Inspire – “My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry
Glowing green against the copper-lit reflection of city lights upon clouds, an image of Edmonton’s Muttart Conservatory moments after the world has shifted from 2012 into 2013. Other images are from the metallic, spheres structure/sculpture from the Southeast end of Edmonton’s Quesnel Bridge.
Listening to – Cheng Yu’s ‘Purple Bamboo’ and ‘Pipa 2’, Dust Devil’s ‘Liquid Lounge,’ and Alexander Kogan’s ‘Two Guitars’.
Quote to Inspire – “For me, photography has become a way of attempting to make sense of the strange world that I see around me. I don’t ever expect to achieve that understanding, but the fact that I am trying comforts me.” – Mikhael Subotzky
An image of the Scotford Refinery near Fort Saskatchewan, one of the last day-lit images shot at dusk looking east towards Edmonton after a good day of looking for and finding images.
Listening to – Simple Minds’ ‘Alive and Kicking.’
Quote to Inspire – “The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street.” – Robert Doisneau
In a day that’s been bright, yet overcast, the sun shines through broken cloud as it moves towards the horizon in late afternoon, shining directly on two Bison grazing at Astotin Lake in Elk Island National Park, images inspired by Sidney Blake’s discussion of animal/nature photography and by her extraordinary black and white images of Bison in winter.
Listening to – The Von Bondies with ‘C’mon C’mon’.
Quote to Inspire – “When people ask me what equipment I use – I tell them my eyes.” – Anonymous
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.
Here’s an excerpt:
4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 27,000 views in 2012. If each view were a film, this blog would power 6 Film Festivals
2012 – we will soon close-out 2012 and all that has been our photography through this year. Many of you have made your way to wordpress along a similar path, catalyzed by the prospect of a photo-a-day improving how we approach photography and taking that daily step of opening and closing a camera shutter, editing a photo and then loading the image (most times with comment) into your wordpress blog. I am in awe of the immensity of this endeavor and grateful to be in receipt of that recursive back and forth of dialogue, something that has created synergy and momentum in each of us returning to our wordpress blog with new images each day. Very good schtuff!
Each of you has been example to me. Each of you has captured images of Life being lived – medias res. Your photos contain mood, capture moment, find humour. I am indebted to each of you for those images of yours that stay with me, that I think about through the day and week. With likes, comments and encouragement, you’ve nudged me forward, further and further with photography this year and I have pushed the envelope in big ways. For all this, I am grateful … thank you for your part in what my 2012 has been.
Take good care of your good, good selves … and enjoy the season as best you can – Merry Christmas.
Former Field Anchor – the photo presented here is another fence post found around Sangudo, Alberta. Again, the play has been in find ways to represent this image.
Listening to – Bruce Springsteen’s Santa Claus Is Coming To Town, John Lennon and Yoko Ono’s Happy Christmas (War is Over), Brenda Lee’s Rockin’ Around the Christmas Tree, Chubby Checker & Bobby Rydell’s Jingle Bell Rock and Perry Como’s Home for the Holidays.
Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt
This farmhouse image is one that I connect to moments we’ve all had – that ethereal, restless dream state when dreaming’s hallucination can draw forth what seems other-worldly connection. For me, I recall Mr. Lockwood who upon renting Thrushcross Grange ventured out on a winter walk to meet and greet his landlord, a man by the name of Heathcliff. The story, set in the late 1700s – early 1800s, sees the newly installed Mr. Lockwood walking to the property of his new landlord, a home with a name – Wuthering Heights. A snow storm brews up and makes it necessary for Mr. Lockwood to stay the night in his landlord’s home.
A place is made for him in what seems is a book cupboard or closet.
He reads a pen and ink commentary set forth in the margins of books within this sleeping closet; print books, the only source of paper available to another character, Catherine Earnshaw, are the place where Catherine journals about and considers her life – a journal that in tone and availability serves as confidante for the teen who as estate owner’s daughter is without ready access to peers her age at the Wuthering Heights farm estate. Mr. Lockwood can’t sleep – he reads and reads and reads about Catherine and Heathcliff … until in that ethereal, restless dream state he enters into dream hallucination, a state in which he encounters a young Catherine who within the snow storm outside knocks at ‘his’ window asking to be let in. The farmhouse in this image meets well many of the essential elements of what my mind imagines that Wuthering Heights could be. This house seems ready for all that Emily Bronte’s novel, Wuthering Heights, might hold. And, there’s more to that story ….
Listening to – Maria Dunn’s God Bless Us Everyone, Michael Hoppe’s Land of Serenity, Bill Douglas’ Irish Lullaby, Grant McAskill’s Bitter Season, Catherine Anne McFee’s I See Winter and Paul Brady’s Help Me Believe.
Quote to Inspire – “I want the viewers to be moved into the lives of the people that they are looking at, the visual experience is incredibly emotional.” Paul Fusco
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