If you’ve been around the internet in the past five years, consideration of what comprises a perfect average day has surfaced as a means of designing one’s day so that key features in one’s day are found and recognized, so that Life-long goals are actualized and so that people recognize and master control over what happens within their days rather than being mere do-bodies, going from bed to work and back again with little awareness of time, values, meaning and effort, all of which are invested in each day. For me, what to do about photography and pursuing each next, best picture has been the question of the day … through many months. Photography is an activity that you make time for, an activity that you fit into your day, an activity that must, in precedence, rank equally to other activities in your day if you’re to find successes with it. It’s about photographing things you like to photograph, things you’re interested in. It’s about photographing things you don’t normally have access to in your day-to-day existence. It’s about capturing unique qualities in your subject that you and others may perhaps never find again. And, it’s about recognizing the beauty in things and photographing them. In Susan Sontag terms photography is about appropriating and making the thing photographed, yours. Photography is not an activity easily engaged in. Often the timeframe from image capture through to print and presentation is a separation of tasks that involves days, weeks, months and as I’m still finding, it may involve years. It is work and it is cumulative work – seeing more and more of what the image can become. It is an endeavor engaged in primarily because the print outcome is reward; what is produced is a kind of manna for the viewer to feast upon. In the subjects photographed, while there are seasons and changes we pass through, what’s also beginning to surface as more photographs are created is the commonality or mean of existence, the fundamentals that we need to live and thrive. And, I note my good fortune in not being fully exposed to lives lived in the absence of these basic ingredients of Life.
The photographs presented here are the other photographs, the b-side images that were not ones selected to tackle consideration of a single theme or idea or subject. What’s interesting, though, is the repetition of what is subject within photographs – it’s beginning to reveal commonality among our human needs.
Listening to Young the Giant’s Cough Syrup, (a second night’s acclimatization to the tune), Ulrich Schnauss’ Passing By (from Elizabethtown Soundtrack – vol. 2), the Propellerheads’ Take California, Tricky’s Hell Is Around the Corner, Supreme Beings of Pleasure’s Strangelove Addiction, Moby’s Porcelain and the Gotan Project’s Santa Maria (Del Buen Ayre).
Quote to Inspire – “Photography, like alcohol, should only be allowed to those who can do without it.” – Walter Sickert
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L'occhio ritaglia il soggetto, e l'apparecchio deve solo fare il suo lavoro, che consiste nell'imprimere sulla pellicola la decisione dell'occhio
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