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  • Photographs – Among Family
  • Sophisticated, Subtle, Substantial
  • The Beholding Eye
  • Meticulous, Careful u0026amp; Slow
  • A Minuscule Moment in a Darku0026nbsp;Landscape
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In My Back Pocket – Photography

  • Layover – Edmonton Dominates

    January 28th, 2017
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    Eskimos vs Alouettes – Edmonton, Ab Canada 1
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    Eskimos vs Alouettes – Edmonton, Ab Canada 2
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    54-40 , Half-time, Edmonton Eskimos versus Alouettes 1
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    54-40 , Half-time, Edmonton Eskimos versus Alouettes 2
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    Eskimos vs Alouettes – Edmonton, Ab Canada 7
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    Eskimos vs Alouettes – Edmonton, Ab Canada 8
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    Eskimos vs Alouettes – Edmonton, Ab Canada 10
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    Eskimos vs Alouettes – Edmonton, Ab Canada 11
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    Eskimos vs Alouettes – Edmonton, Ab Canada 12

    Thursday, 11 August 2016 – the Edmonton Eskimos dominate the Montreal Alouettes in a Canadian Football League (CFL) game, winning 23 – 12. Despite my playing halfback thirty-plus years ago, and enjoying team and gameplay, this was the first CFL game I had attended. A big thank you goes out to my youngest brother for getting me out to this game during an unintended Edmonton layover. Canadian band 54-40 offered a half-time performance – ‘Ocean Pearl,’ ‘She La’ and ‘Nice to Luv You.’ Camera-wise my Olympus OM-D E-M5 Mk II (micro four thirds) impresses with its image accuracy and photos taken from seats a third of the way up into the stadium.

    Quote to Consider – “If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.” – Garry Winogrand

    Listening to – an ‘On Being with Krista Tippett,’ podcast interview with Maria Popova, ‘Cartographer of Meaning in a Digital Age;’ Susanna Kearsley’s ‘A Desperate Fortune;’ ‘Born to Run,’ an unabridged autobiography by Bruce Springsteen; and Bruce Springsteen’s ‘Nebraska’ and ‘Ghost of Tom Joad’ albums.

  • Pitch Black – Church at Buðir

    December 23rd, 2016
    Black Church at Buðir, Iceland - 1
    Black Church at Buðir, Iceland – 1
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    Black Church at Buðir, Iceland – 2
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    Black Church at Buðir, Iceland – 3
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    Black Church at Buðir, Iceland – 4

    The Black Church at Buðir (in Iceland) is a striking, black, wooden structure with white door and windows. Black pitch (or tar) preserves the church from the weather and has done so for most of a century at a time. This same black pitch is used to preserve the hulls of wooden sailing vessels against rot. The aphorism pitch black describing darkest of nights derives from this same black pitch. The church began serving parishioners in 1703. The rebuilding of the church occurred in 1847. A woman petitioned her King for permission to do so after the hamlet of Buðir encountered a decline in trade. Steinunn Larusdottir won her King’s consent to rebuild the church.

    My curiosity about this church stirs. What would Sunday’s service be like for a parishioner when the church was first built? What would the order of service have been? How would the parishioner come to know God? How would he or she meet the people within the narrative of old and new testaments? Was the church the place to meet in the hamlet of Buðir for fellowship through each week? A broader curiosity, involving centuries perhaps, is how Viking heritage / culture came to resolve and coalesce with Christianity.

    Quotes to Consider – ‘Prayers are tools not for doing or getting, but for being and becoming.’ – Eugene Peterson, Montana-based Pastor, author-translator, translating the bible himself into what would become ‘The Message Bible,’ the Bible in current, everyday, layman’s language.

    Listening to – an unabridged audiobook memoir by Bruce Springsteen entitled, ‘Born to Run;’ current songs include ‘My Debts Is Paid’ (Brian Houston), ‘When One Door Closes’ (Carrie Newcomer), ’24 Frames’ (Jason Isbell), ’78 Eatonwood Drive’ (Garrett Viggers & a Thin Places Band) and ‘Hope’ (Sarah Masen).

  • Morning Light – Athabasca Reflections

    December 18th, 2016
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    Before dawn, out with my camera, capturing reflections along the Athabasca River as it travels through Jasper National Park (July, 2016).

    Quote to Consider – ‘Light makes photography. Embrace light. Admire it. Love it. But, above all, know it for all you are worth, and you will know the key to photography.’ – George Eastman

    Listening to – ‘Singing Is The Most Companionable of Arts,’ an ‘On Being with Krista Tippett’ podcast interviewing Alice Parker. “The voice is a part of us much as our physical appearance is, and the customs that we have, the way we use our bodies … so we each have a sound. And we communicate emotional states through that sound that are impossible to get at any other medium. It’s deep. Sound gives us what is behind the surface. Sight gives us the surface (excerpt, On Being, 8 December 2016).”

  • Basics, Practice – Seeing More

    December 18th, 2016
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    In my photography I am back to basics. I am working the fundamentals of post-processing in Adobe Lightroom 5. Haste in producing a photograph is taking back seat to broader consideration of what can happen with each image. Post-processing holds choices that I would also make using the Nik Collection. The resulting photograph, though, does not degrade with each edit.

    B-side images contain surprises – they often hold gold. Post-processing becomes a means of mining for that gold. It becomes a means of re-discovering what you saw and now see. It is practice. It is also a kind of meditation, a practice of seeing more. I am tied in with Mitchell Kanashkevich for post-processing instruction with Adobe Lightroom 5. There is more to understand / discover – yet, I am getting somewhere.

    Images – Reynisfjara Black Sand Beach, Halsanefshellir Cave and Dyrolaey Arch – South Coast, Iceland.

    Quote to Consider – ‘Personally, I am always ready to learn, although I do not always like being taught.’ – Winston Churchill

    Listening to – ‘Truth, Beauty, Banjo,’ an ‘On Being with Krista Tippett’ interview with Bela Fleck and Abigail Washburn, presented as podcast.

  • Forty Sorties

    September 10th, 2016
    AVRO Lancaster - Nanton, Alberta 1
    AVRO Lancaster – Nanton, Alberta 1
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    AVRO Lancaster – Nanton, Alberta 2
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    AVRO Lancaster – Nanton, Alberta 3
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    AVRO Lancaster – Nanton, Alberta 10
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    AVRO Lancaster – Nanton, Alberta 12
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    AVRO Lancaster – Nanton, Alberta 13

    I heard a lot about the AVRO Lancaster and the RCAF around our kitchen table. As an adolescent during the seventies, I was making sense of the Second World War. I was grappling with facts coming to me. Twenty years before I was born, Canada fought a war in Europe. My good-natured uncle, who now farmed with his family, in central Alberta had been a bomber pilot. He had done so before marrying my aunt and starting a family. Our families exchanged visits through each year. They would come to our home for Christmas and Easter. We would see them every other month or so at their farm. We would spend the better part of an afternoon and evening together in each visit. Sometimes a comment or question about piloting a Lancaster would come and I would listen to narrative. I would try to work out what a Lancaster was and what the adults were referring to. My curiosity would stir and I’d wait for the drive home to confirm or ask about what I’d heard.

    Those conversations evolved into dinner table fodder. Around the table I could ask questions and listen to answers. Extrapolation, implication – I gathered understanding of my pilot uncle and the Lancaster. What was it like to fly forty sorties in a flight stream to Berlin, Kiel and the Ruhr Valley in War? What kind of task was it to lay mines in enemy waters? My uncle and his crew would need to abandon three Lancaster Bombers in the war – none of the crew were lost, all parachuting to safety each time. My father would point me to an AVRO Lancaster book in the Coles bookstore. He and I would assemble a model of the Lancaster together at our kitchen table. I continue to piece this narrative together decades beyond those kitchen table discussions.

    Much later on, my uncle re-certified as a pilot. He and a friend purchased and had a single engine, Cessna 172 that had crashed rebuilt. The plane became alternate transport within Alberta and later around North America. He and my aunt flew to Cuba for vacations. He enjoyed flight. His family gave him opportunities to fly them to different destinations. On one flight I got to ride-along. One fall evening, we dropped off my cousin one-hundred kilometres away. It was my first venture flying in a single engine plane. It took a minute-or-two to find my confidence in this mode of transport – it came, I could trust it. The flight only took twenty minutes.

    After landing, taking off again and returning to the air, my uncle invited me to fly his Cessna. My hands took the control. My feet explored the workings of the rudder pedals. My uncle spoke about yaw, pitch and roll and how each worked. I was working to manage the attitude of the plane as we returned to his farm. He had me keep my eye on the horizon as the way to maintain level flight. As we flew, my uncle completed paperwork detailing the route we’d taken. I asked about flying the Lancaster. He said it handled like a heavy truck. With the release of its payload the Lancaster became more buoyant, with noticeable lift. Though lighter it did not pick up any agility. That may have been in my second year of University. Implications associated with the Lancaster’s role in the war were yet to surface.

    This past winter I watched BBC One’s ‘Bomber Boys.’ The AVRO Lancaster and the men that flew them are the subject of this documentary. Ewan McGregor hosts the documentary. In it, Ewan’s brother Colin, a Royal Air Force pilot, trains to fly a functional AVRO Lancaster. The documentary spurred my curiosity, again. Over the years, I had heard about an AVRO Lancaster located near Calgary, Alberta.

    Nanton, Alberta is home to ‘Bomber Command Museum.’ Its chief artifact is a functioning AVRO Lancaster. This past August, I had time between the completion of a conference and some tasks before my return northward home. I arrived in Nanton on 20 August 2016. I arrived as Nanton’s Bomber Command Museum was celebrating its 30th Anniversary. Their Lancaster was outside its hangar. That day I would see the Lanc Crew start all four Merlin engines and before the crowd the Lancaster would move forward 20 feet under its own power. I was able to get a sense for the bomber – its size, the length and depth of its bomb bay, its shape and sound. I also worked to understand the Lancaster through the lens of my camera. The images posted here are of the Lancaster at Nanton’s Bomber Command Museum.

    My investigation of what would have been my uncle’s Lancaster and war experience continues. Len Deighton offers a dramatization of a final mission of an RAF Lancaster Bomber. It occurs in the skies and on the ground, in Britain and in Germany. I have it as audio-book on my iPod, listening to it as I cycle to and from our local airport.

    I am still at a distance from my uncle’s story. I know that flight engaged my uncle. It brought him challenge and satisfaction. It suited his temperament. For me, the Lancaster is a means to understand that my uncle brought a hand to shaping the world we know. For me, his narrative with the Lancaster helps me understand service, one man’s for another, and that my uncle served our country and protected its freedom. A Flight Lieutenant in the RCAF 428 ‘Ghost Squadron,’ commissioned in 1941, his commendation reflects this well – “His willingness and the cheerful manner in which he has carried out his duties has been a source of inspiration for the younger crews of the squadron. For the completion of a most satisfactory tour of operations and for the support he has given the squadron, I recommend the non-immediate award of the Distinguished Flying Cross.” He received his DFC in 1949.

    Well done, Sir. Thank you.

    P.S.: My cousin and his wife were able to take my uncle to Nanton in his later years; he took great pride in showing them ‘his’ plane.

    Quotes to Consider / Inspire: (1) “In my view you cannot claim to have seen something until you have photographed it.” – Emile Zola; and, (2) “The price of anything is the amount of life you exchange for it.” – Henry David Thoreau.

    Listening to: Len Deighton’s ‘Bomber.’

  • Drawn to Edit

    August 26th, 2016
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    Grain Trucks – Rimbey, Alberta 1
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    Grain Trucks – Rimbey, Alberta 2
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    Grain Trucks – Rimbey, Alberta 3
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    Grain Trucks – Rimbey, Alberta 4

    My computer has sat dormant through six weeks. Now, summer’s hiatus concludes. The computer’s card reader accepts an SD card and I upload a first batch of images into Lightroom. I attend to those images pulling me to edit them. I begin work with new and old editing tools and wander the path of image creation, a kind of play, a kind of exploration – seeing what can happen with each edit. Colour, structure, light and shadow – four images, vintage grain trucks, images from a farming heritage museum in central Alberta.

    Quote to Consider/Inspire – “If you want to learn what someone fears losing, watch what they photograph.” – Anonymous

    Listening to Sigur Ros, their live concert performance entitled ‘Inni’ – Svefn-g-englar, Glósóli, Ný batterí, Fljótavík, Við spilum endalaust, Hoppípolla, Með blóðnasir, Inní mér syngur vitleysingur, and, E-Bow.

  • Morning Images

    June 29th, 2016

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    Enjoying spring’s weather and colour in these morning images along 20 kilometres from High Level to our airport and back.

    Quote to Consider/Inspire – “The purpose of art is washing the dust of daily life off our souls.” – Pablo Picasso

    Listening to – Bruce Springsteen’s ‘Born in the U.S.A. (Live Acoustic Version)’ from The Bridge School Concerts – 25th Anniversary Edition,’ Peter Gabriel’s ‘Shaking the Tree’ and Jason Isbell’s ‘Speed Trap Town.’

  • Tech Stillness

    May 22nd, 2016
    Rusting Relic - GMC - Nampa, Alberta
    Rusting Relic – GMC – Nampa, Alberta
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    Rusting Relics – Nampa, Alberta 3
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    Rusting Relics – Nampa, Alberta 4
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    Rusting Relics – Nampa, Alberta 5

    I returned to my computer late last evening. I confirmed that one of two family iPod Touch operating system updates was complete. My daughter returned home from an evening with friends – I had been waiting up for her. My day had held some writing – a proofread of my son’s resumé. An afternoon’s work would set him up for the world of work in a summer break between university terms.

    Completing the proofread, I started on the iPod updates in late afternoon. I needed to allow time for download and installation. The wait recalled the conceptualization and practice of a technology sabbath. In the practice you would turn off all devices for a full day. You would power down all iPods, smartphones, computers, televisions from sundown on Saturday. On Sunday you would power them up after sundown on Sunday.

    Sabbath is about this – gathering stillness, taking rest, gratitude for blessings, encountering others without interruption. Connection with family and friends occurs – seeing them, hearing them, enjoying them.

    Without sabbath from technology we multi-task on several fronts. We occupy our waiting with other tasks or pursuits made possible by technology. The person on the computer looks from computer screen to smartphone and back again. Breaks at work, while taken with others, can become periods of silence among co-workers, all who stare into their smart phone. Life fills with tech busy-ness. So, for me, I ought to engage in and lead my family in a technology Sabbath … then I return to the computer and the iPods. The update is complete. On the computer I find image edits I have yet to post – rusting relics, images from a month ago in my return drive from Edmonton to High Level.

    Listening to – Pico Ayer’s ‘The Art of Stillness’ and Krista Tippett’s ‘Becoming Wise – An Inquiry into the Mystery and Art of Living.’

    Quote to Consider – “The question is not what you look at, but what you see.” – Henry Thoreau

  • Surface and Stir

    May 7th, 2016

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    Today, my daughter dances refining skills at a dance workshop. My wife has my truck and gathers bottles in a Church-youth bottle-drive. Our week’s sermon explored the intricacy and direct assertion of faith being tied to works – within my week there has been my action and my shortfall. Much of Northern Alberta burns, consumed in wildfire; we’ve donated money to the Red Cross and gently-used clothing to the 80,000 Fort McMurray evacuees. Today, I am chauffeur, more behind the scenes and needed, as needed. Time in-waiting provides opportunity to edit images and is welcome respite … the activity fits the day. Images – a farmer’s field alongside a highway north from Valleyview serves as resting site for older vehicles, those from a few generations ago … used parts, ready for use – for structure or as donor car. For me, each vehicle associates to former lives in memory. What memories stir and surface for you?

    Listening to – Dream Academy’s ‘The Love Parade,’ The Beatles’ ‘Twist and Shout,’ Brian Houston’s ‘Next to Me,’ Nilsson’s ‘Jump into the Fire,’ Bruce Springsteen’s ‘Radio Nowhere,’ Link Wray and the Wraymen’s ‘Rumble’ and Tim Armstrong’s ‘Into Action.’

    Quote to Consider/Inspire – “I wish more people felt that photography was an adventure the same as Life itself and felt that their individual feelings were worth expressing. To me, that makes photography more exciting.” – Harry Callahan

  • Wildfire Held

    May 5th, 2016

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    Leaving school at day’s end yesterday, billows of white and tan smoke filled the blue sky south from High Level. Product at the Norbord strand-board plant burned. An order for evacuation of residents nearest the plant saw RCMP moving home to home asking people to leave the area. Residents were able to return home at noon today. They were to remain on immediate alert in case the currently held 3 hectare wildfire threatened with a change in weather conditions. Firefighters, slinging-helicopters and a water-bomber team all fought yesterday’s blaze from late afternoon until late in the evening.

    Listening to – Sleeping At Last’s version of ‘The Safety Dance,’ Chris Garneau’s ‘The Leaving Song,’ Matthew Perryman-Jones’ ‘O Theo,’ Peter Bradley Adams’ ‘Be Still My Heart,’ One Republic’s ‘Ordinary Human,’ Lily and Madeleine’s ‘Things I’ll Later Lose’ and Ross Copperman’s ‘Holding On and Letting Go.’

    Quote to Consider – ‘All photographs are accurate. None of them is the truth.’ – Richard Avedon

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