Northern Lights – Aurora Borealis, High Level, Alberta 1Northern Lights – Aurora Borealis, High Level, Alberta 2Northern Lights – Aurora Borealis, High Level, Alberta 3
A successful capture and rendering of the Aurora Borealis on an evening’s walk a month ago – surprised to find that my Olympus camera is this forgiving with a handheld shot – ISO 8000, f/4 and 1/3 of a second.
Words to Inspire / Consider – “The more ridiculous you look while taking a photo, the better that photo will probably be. Photographers can’t be afraid to get into strange and awkward positions to get the shot they’re after.” — Pei Ketron
Listening to: Junip’s ‘Line of Fire,’ The Tragically Hip’s ‘Poets’ and ‘Scared’ and Springsteen’s ‘American Skin (41 Shots)’ done by Jen Chapin & Rosetta Trio.
High Level Bridge – EdmontonAlberta Legislature Building – 1Alberta Legislature Building – 2Alberta Legislature Building – 3Edmonton Sunrise – 1Edmonton Sunrise – 2
Christmas, in the first year of my second degree at the University of Alberta, saw the fall term close. The first evening of break found me riding my mountain bike out to a friend’s home in Edmonton’s west end. And, on a snowy, Friday evening we cycled back to this bridge, the High Level bridge, crossing it, then stopping for refreshment down below in the Kinsmen park.
These are night shots, from two different sojourns in Edmonton this fall.
The second is a photograph intended, first found in a year ago winter drive across Edmonton to my brother’s home at Christmas. A clear view to the Alberta Legislature building looking across the fountain walkway, a photograph taken near 99 Avenue where it intersects with 108 Street. The construction of the Alberta Legislature and the High Level bridge occurs along a common timeline – the Legislature between 1907 and 1913 and the bridge between 1910 and 1913.
I’ve seen photographs of the bridge construction that coincide with the legislature’s construction from the South bank of the North Saskatchewan River, from a point that might be close to where the University’s Humanities building now resides; I would like to find an equivalent shot, but much of the landscape is obscured by vegetation – you’d, perhaps, get the dome of the legislature building looking across the top of the High Level bridge; you’d have to work to find elements for a photo.
There are also shots of an Edmonton sunrise from the south side of the Groat Road bridge.
Listening to: U2’s ‘Songs of Experience’ album, Rhiannon Giddens album – ‘Freedom Highway,’ Ezio Bosso’s ‘Music for Weather Elements,’ Stuart McLean’s ‘Vinyl Café – the Unreleased Stories’ and Carrie Newcomer’s ‘The Beautiful Not Yet.’ Barbara Brown Taylor’s ‘Learning to Walk in the Dark’ has had some insights – a good listen. Sebastion Barry’s ‘The Secret Scripture’ has found its way into my listening – a story of Lives and memory; it contains a poignant quote -‘There is seldom a difficulty with religion where there is friendship.’
Quotes to Inspire / Consider: “The purpose of art is washing the dust of daily life off our souls.” – Pablo Picasso; “Normality is a paved road: it’s comfortable to walk, but no flowers grow.” – Vincent Van Gogh
Creek near Sunshine Village – Banff, Alberta 2Vermilion Lakes – Banff, Alberta 1Banff Springs Hotel – Banff, AlbertaVermilion Lakes – Banff, Alberta 2Bow River Bridge – Banff, AlbertaBack Country Highway – Bragg Creek, AlbertaCreek near Sunshine Village – Banff, Alberta 1Vermilion Lakes – Banff, Alberta 3
Planning for class complete, the weekly, notification to students’ parents e-mailed home – it is Sunday’s end. My wife has been planning her week, too. I have taken her out to lunch today. Yesterday, her birthday, she brought to culmination weeks of planning; she organized a friend’s 50th birthday, a spectacular evening drawing together many people. She did well in bringing the event off.
Evening, now, allows my wife and I to settle into a Netflix series. Then there’s time for my wife to read and me a look back through summer photos. Photos, here, are summer images. They are those shot after hours in Canada’s Banff National Park, during a five day conference. Tonight, I’m looking at editing possibilities for the images. I could have photographed the Banff Springs Hotel from higher elevation. Doing so would have avoided branches within the image. I could also have used a telephoto lens to bring the viewer closer (more into the photo). I’ll have a go at it again with this new intention.
I met a photographer at the Banff Farmer’s market. She had photographed first snowfalls – landscapes of trees, snow and unfrozen water; pristine mountain landscapes. Winter images may also be an intention for me. I’ll have to work on that possibility.
Listening to – Cloud Cult’s ‘You Were Born;’ there’s an ‘On Being with Krista Tippett,’ podcast interview with Cloud Cult – the song’s origin pulls at your heart.
Quote to Consider/Inspire: “Art replaces the light that is lost when the day fades, the moment passes, the evanescent extraordinary makes its quicksilver. Art tries to capture that which we know leaves us, as we move in and out of each other’s lives, as we all must eventually leave this earth. Great artists know that shadow, work always against the dying light, but always knowing that the day brings new light and that the ocean which washes away all traces on the sand leaves us a new canvas with each wave.” – Elizabeth Alexander
Foothill’s Wheat – Rimbey, Alberta 1Foothill’s Wheat – Rimbey, Alberta 2Foothill’s Wheat – Rimbey, Alberta 3Foothill’s Wheat – Rimbey, Alberta 4Manning – CanolaNampa – Grain Truck 1Nampa – Grain Truck 2Spruce Grove – Canola
A few days drive from home, I stop my truck … my eyes have found something. I walk this scene, allowing my eyes to question ‘What is it that is here?’ I set camera upon tripod. I look and frame what I see – ‘click.’ Light’s point of origin directs golden light to and around the landscape it is falling upon – ‘click.’ Light’s absence, its shade and shadow and depth – at sunset, shadows are growing long – ‘click.’ My eyes are finding passage of time – ‘click.’ I’ve recognized something in the landscape and quality of light. I am recalling something – ‘click.’ I manage the machine, my camera, working aperture, shutter speed and ISO – ‘click.’ I am exposure bracketing to seven shots at one-step intervals – ‘click, click, click, click, click, click and click.’ HDR shots are possible – ‘click.’ My intent is not only to capture and hold this moment in memory – ‘click.’ It is to recast reality with the image produced – ‘click.’ Wheat fields that blanket rolling foothills are drawing my imagination to this scene – ‘click.’ Appreciation for what I see builds – ‘click.’ A long-ago memory loosens, … ‘click’ … connecting me to what I now see for the first time as an adult – ‘click.’ A sense of something familiar grows – ‘click.’ My mind resides and works equally in another place – ‘click.’ It anticipates the other side of download, edit and image production, ‘Can I bring the edited image produced close to what I now see?’ ‘Click.’ Weeks pass. I make time to edit images. I remove the SD card from my camera and download it onto an external hard drive. A Lightroom edit begins. In the edit, the surprise of the extraordinary occurs; what my eyes and camera captured weeks ago is now re-seen and more fully seen in the image that has been created. Good.
Images – Foothills Wheat Crop, Manning Canola, Nampa Grain Truck and Spruce Grove Canola.
Quote to Consider/Inspire: “Look for LEICA patterns; Look for lines, edges, intersections, contrast and angles in the shapes, light and shadows of the global and local elements of a photo to create a harmonious composition,” John Kosmopoulos.
Listening to: Molly Tuttle & John Mailander’s ‘Another Side, Tell Me,’ ‘Morning Morgantown,’ ‘Moonshiner,’ ‘I’m Over You’ and ‘Red Prairie Dawn;’ Spencer Elliot’s ‘Torque.’
Beginning Southward – Iceland 1Beginning Southward – Iceland 2Beginning Southward – Iceland 3Beginning Southward – Iceland 4Cloudwork, Þjóðvegur, Southern Region – Iceland 1Cloudwork, Þjóðvegur, Southern Region – Iceland 2Lighthouse at Dyrhólaey Arch, Iceland 1Lighthouse at Dyrhólaey Arch, Iceland 2Lighthouse at Dyrhólaey Arch, Iceland 3Lighthouse at Dyrhólaey Arch, Iceland 4Lighthouse at Dyrhólaey Arch, Iceland 5Lighthouse at Dyrhólaey Arch, Iceland 6Lighthouse at Dyrhólaey Arch, Iceland 7Lighthouse at Dyrhólaey Arch, Iceland 8Lighthouse at Dyrhólaey Arch, Iceland 9Lighthouse at Dyrhólaey Arch, Iceland 10Lighthouse at Dyrhólaey Arch, Iceland 11Lighthouse at Dyrhólaey Arch, Iceland 12
I was in Iceland a year ago. The time was opportunity to move within and over unexplored terrain, alone. I would respond to it all, feasting my eyes through my camera lens, always working to understand the visual narrative of the land, its weather and people.
The windward-leeward interaction of mountain weather is a visible dynamic in Iceland. Atlantic clouds push into mountains producing rainy, spitting drizzle along their path. On the lee side they roll down, over mountains becoming a moving cloud blanket that dissipates, evaporating in its encounter with sunlight. Iceland’s cloud-work is extraordinary in its shift and shape, its play of light and shadow, its depths and in its interaction with the island. It is mountain weather, weather that can change radically within the space of a few moments. What was seen is revealed, here, as high dynamic range HDR images.
The lighthouse grounds at the Dyrhólaey Arch serve as orienting point for most images. From this crag black, volcanic sand beaches are visible. The Atlantic Ocean shimmers and rolls in. Mist and rain shroud distant islands. And, rays of sunlight stream through cloud and reflect upon the ocean. Inland, mountain snow melts exposing rock, sand and dirt. Lighthouse access is found driving up the side of this mountain outcrop along a steep, muddy, one-track gravel road, a series of switchbacks without road barriers. Poor weather needs a careful driver’s eye to prevent an unfortunate tumble off this crag. With my smaller SUV (a 2006 Ford Escape), the climb and descent were exhilarating as was greeting opposing traffic.
Quote to Consider / Inspire: “I never tried to revolutionize photography; I just do what I do and keep my fingers crossed that people will like it.” – David Bailey
Listening to – two ‘On Being with Krista Tippett’ interviews/podcasts: ‘Carlo Rovelli – All Reality Is Interaction’ and ‘Pádraig Ó Tuama – Belonging Creates and Undoes Us Both;’ ‘The Candid Frame podcast with Ursula Tocik;’ and, Ólafur Arnalds, Atli Örvarsson & SinfoniaNord perform ‘Öldurót,’ a remembrance in music, recalling Iceland.
Victoria, British Columbia – 24 September 2016, 1Victoria, British Columbia – 24 September 2016, 2Victoria, British Columbia – 24 September 2016, 3Victoria, British Columbia – 24 September 2016, 4Victoria, British Columbia – 24 September 2016, 5Victoria, British Columbia – 24 September 2016, 6Victoria, British Columbia – 24 September 2016, 7Victoria, British Columbia – 24 September 2016, 8Victoria, British Columbia – 24 September 2016, 9Victoria, British Columbia – 24 September 2016, 10Victoria, British Columbia – 24 September 2016, 11Victoria, British Columbia – 24 September 2016, 12Victoria, British Columbia – 24 September 2016, 13Victoria, British Columbia – 24 September 2016, 14Victoria, British Columbia – 24 September 2016, 15Victoria, British Columbia – 24 September 2016, 16Victoria, British Columbia – 24 September 2016, 17Victoria, British Columbia – 24 September 2016, 18
Opportunity surfaced – we would have a Saturday in late September to ourselves on Vancouver Island. It would be two hours, our drive from Qualicum Beach to Victoria, and, it would mean two hours at the end of our day in return. But, it would allow us an afternoon among our favourite, family summer haunts.
Victoria’s Inner Harbour Causeway would open-out and hold our curiosity. We would walk and chat and tease. We engaged street theater performers and watched artists paint or draw. A person’s caricature would be created, a sculptor would carve in wood. We would people watch. My camera, following my eye, would move along harbour water finding boats and ships, old and new, moving and moored. Up from the causeway were Victoria streets and buildings. Green domes highlighted the British Columbia Legislature. The Fairmont Empress Hotel would command its view of the harbour – we had honeymooned here, within a room often provided to the Queen … all those years ago.
We walked from the harbour up Government Street. We would sift through ‘Out of Ireland’ imports – tartans and tweeds, quotes and blessings, jewels and people … almost a Cork jacket for me, there. We would cross back to Rogers’ Chocolates, each of us picking-out one or two, favourite Victoria Creams. Munro’s book store would hold us for hours. Literature, always current, from all parts of the globe would intrigue. You would find a book you thought someone would write at Munro’s. My wife would investigate current novels and favourite authors. As teacher, she would thumb through newest children’s books. As always we would empty this favourite book store, taking with us bags of books. With bags in tow we’d move next door, to Mom’s favourite coffee shop; we would sit down to tea and coffee, scones and macaroons at Murchie’s.
This day would become blessing, interruption within a difficult week – this outing would celebrate my wife’s birthday. And, we would remember Mom, Dad, brothers, grandparents, cousins, uncles, aunts, family friends and our times in Victoria.
Images – from that day in Victoria, 24 September 2016; also note that Justin and Sophie Trudeau welcomed Will and Kate on their Royal Visit to Canada (we’d happened upon this event) – hence images of the Canadian Forces, in their welcome of the Royal couple.
Quote to Consider / Inspire: “To the complaint, ‘There are no people in these photographs,’ I respond, there are always two people: the photographer and the viewer.” – Ansel Adams
Listening to – Ólafur Arnalds, Atli Örvarsson & SinfoniaNord’s ‘Öldurót’ from their ‘Island Songs’ album, Brian Finnegan’s ‘Belfast’ from his ‘The Ravishing Genius of Bones’ album, The Six Parts Seven’s ‘What You Love You Must Love Now,’ Mooncake’s ‘Turquoise,’ Simon Steadman and TT Magruber’s ‘Sunshower’ and ‘Miss You’ by Trentemøller. Martyn Joseph’s ‘Sanctuary’ and Hedzoleh Sounds’ ‘Hearts Ne Kotoko’ have also featured in this morning’s listening.
MIrrored Building – Edmonton, Alberta 1alberta-legislature-edmonton-alberta-2alberta-legislature-edmonton-alberta-3alberta-legislature-edmonton-alberta-4architectural-festival-installation-edmonton-albertacn-tower-edmonton-albertaedmonton-skyline-from-north-eastedmonton-skyline-from-under-saskatchewan-driveedmonton-skyline-from-westgibson-building-edmonton-albertagrant-mcewan-university-entrancehotel-cutaway-edmonton-albertamirrored-building-edmonton-alberta-1mirrored-building-edmonton-alberta-2mirrored-building-edmonton-alberta-3walterdale-home-edmonton-alberta
We were in Edmonton and only days into our summer break when I seized the opportunity to cycle along Edmonton’s River Valley Bike trails. These trails were ones I road between terms at University thirty years ago. Then, I road a Kuwahara, chromoly steel-framed mountain bike. I bought it after my 1986 convocation and completion of my first degree. Now I road a new, Giant Hybrid Roam I. It replaced my weathered, well-ridden, fifteen-year-old, yellow Specialized HR (HardRock) Comp mountain bike. I donated it to Goodwill and bought the Giant Roam I.
The trail I remember had been a quick-paced, two-hour ride. The route covered upwards of forty kilometres. Now, I encountered the River Valley’s up and down on each side of the North Saskatchewan River. It passed by the Riverside Golf Course, through Rundle Park, out to the Strathcona Science Centre, then back along Ada Boulevard to Concordia College. From there, it moved past the Dawson Bridge, under the City Centre, past the Alberta Legislature, across the High Level Bridge, alongside the Pitch-and Putt behind the Kinsmen Field House, under Saskatchewan Drive toward the James MacDonald Bridge, then the Low Level Bridge and finally up a rigorous climb from under the St. Joseph Seminary out of the River Valley and then through Forest Heights Park to McNally High School where my truck waited.
Where I had completed this trek in two hours, thirty years ago, this well-worn path was taking me upwards of three and a half hours to complete. Sections of the once familiar route now suffered neglect – cracks and frost-heaves made the trail uneven. Hard-core, cycle-til-you-drop Edmonton cyclists had taken to spray painting cracks with bright paint to remind and to warn other cyclists of bumps along the trail. Other parts of the cycling trail were being restored. In one case a cycling bridge beneath the Shaw Centre was being dismantled and replaced. A detour was needed around this construction site – a ten minute, hard climb out of the valley with travel along the edge of the city centre core. Cycling time extended. Detours added delay.
Stopping to gather photographs slowed my cycling circuit. I was searching-out images associating to memories of early morning cycling in the Edmonton River Valley. Other images took-in and experimented with Edmonton architecture. Composition in some photographs now seems hasty. Cycling’s faster pace has seemed, at this later editing date, to have limited my awareness of all (or other) composition choices. Images that I photograph while walking hold different consideration. Walking into the scene gathers perception for what an image can become. Good consideration for how to frame a shot can occur. Three days of early summer cycling gathered these images.
Listening to – Keith Jarrett’s concert album, ‘The Köln Concert’ from 24 January 1975 – enjoying this as a former piano player.
Quote to Consider / Inspire: “Adequate photographers use their sight, good photographers use their senses, and great photographers use their souls.” – A. J. Compton
Summer images remind of other photos yet to edit and look back through. With our Ford F-150 we pulled our Tracer Ultra-lite southward from High Level, camping around Alberta – Edmonton, Pigeon Lake, Gull Lake, Hinton, Jasper, Banff, Nanton and Red Deer. We saw cousins and family. We enjoyed an afternoon, with my father in assistive care – out among the flower gardens. We explored the regions we camped in in a more settled way, always having a familiar, yet temporary, home to return to at day’s end. We got out to the Calgary Stampede and my daughter got me on a sky-lift tram – a first for us both. My daughter attended dance camp. I cycled in Jasper National park along highways and upon cycling / hiking trails – the Maligne Lake canyon and trails 4 & 7. I cycled in Banff National park and up to the Johnson Canyon. I attended a conference with our trailer.
Quote to Consider – “It is always the instantaneous reaction to oneself that produces a photograph.” – Robert Frank
Listening to – The Candid Frame podcast and an interview with Andrea Francolini, an Australian sport yachting / sailing photographer and his charitable work in Northern Pakistan setting up and supporting a school – ‘My First School.’
Alberta Legislature Building – Edmonton, Alberta Canada 1Alberta Legislature Building – Edmonton, Alberta Canada 2Alberta Legislature Building – Edmonton, Alberta Canada 3
Summer had begun. I left my truck at a Ford dealership for service and cycled eastward within Edmonton’s river valley. The morning featured billowing clouds against a bright blue sky. Rain and sun would feature throughout the day. I gathered in the world that met me with my camera. Here, the Alberta Legislature building sits in quiet summer morning repose.
Quote to Consider – “Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them.” – Elliot Erwitt
Listening to – Wardruna’s ‘Runaljod Raganarok’ album; if you are into the ‘Vikings’ mini-series, Wardruna provides the opening and closing soundscape, a song entitled ‘Völuspá.’ ‘Raido’ and ‘Odal’ are songs of interest.
A summer image, looks west from Baseline Road at 17th Street to Edmonton’s skyline; it appears as silhouette. To the left and right are various petroleum-based industries – the road is known also as ‘Refinery Row.’
Quote to Consider – “Just put on the lens and go.” – Miroslav Tichy
Listening to – Bruce Springsteen’s ‘Open All Night,’ as first rendered on his Nebraska album – a rockin’ boogie on an electric guitar and the voice of Bruce, those two instruments, nothing else; the song is quite different from piano and band boogie as it is rendered on his ‘Live in Dublin’ performance. Also, listening to ‘The Candid Frame: A Photography Podcast’ and Ibarionex Perello’s interview of Stacey Pearsall and the subject of Military Journalism and the Veterans’ Portrait Program.
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