The juxtaposition of ‘No Exit’ against a landscape backdrop seems more an entry into the wilds from which one may not return. And, I note that the image does possess a surreal quality that recalls portions of the memory work accomplished by Jonas and ‘the Giver’ within Lois Lowry’s novel, ‘The Giver;’ this image could serve as cautionary waypoint toward the destination of home in the novel. The novel considers the costs of conformity in a future time. The narrative is one filtering out characters, drawing down to one who has the ability to comprehend, receive and appreciate the collective’s memory found in former times and former ways. This ‘No Exit’ image is taken on an early spring day close to the Rochfort Bridge, a kilometre long train trestle equidistant to Sangudo and Mayerthorpe, Alberta.
Listening to: a preview song, Martyn Joseph singing Bruce Springsteen’s ‘Walk Like a Man,’ a tribute to several songs of Bruce Springsteen.
Quote to Inspire – “A representational photograph says, ‘This is what Vienna looked like.’ An interpretational photograph goes one better and says, ‘This is what Vienna was like. This is how I felt about it.” ― David duChemin, Within the Frame: The Journey of Photographic Vision
Alberta Reflection – Grande Prairie 1Alberta Reflection – Grande Prairie 2Alberta Reflection – Grande Prairie 3Alberta’s Big Sky – 1Alberta’s Big Sky – 2Along Northern Roads – Grande Cache, AlbertaHDR – Subject Revisited 1HDR – Subject Revisited 2Trestle Bridge – Grande Cache, AlbertaWet Rock – Banff, AlbertaWooded Reflection – Jasper, Alberta 1Wooded Reflection – Jasper, Alberta 2Wooded Reflection – Jasper, Alberta 3
The following text is excerpt, core invitation to a cousin to interact with me through my photo blog and exposes intentions for the blog and posting.
“My photoblog’s URL is http://www.lumensborealis.com , written from the point of pseudonym, also most often written at day’s end … a mind saturated, releasing the day; sometimes this can seem very close to the poignant remark made by an Auschwitz inmate in Schindler’s List … ‘I had a complete thought, today.’ Sometimes my posts are good and flow and cohere. But, I’m also editing what I write to limit consequence along parameters suggested by William Stafford in his book, ‘Crossing Unmarked Snow:’
1. The things you do not have to say make you rich.
2. Saying the things you do not have to say weakens your talk.
3. Hearing the things you do not need to hear dulls your hearing.
4. The things you know before you hear them, those are you and this is the reason you’re in the world.
A compelling set of assertions, for any of us, that aims at honourable and integrated Life … a good thing – it’s how I’m aiming to write the blog. Still, in my reading of it there often is opportunity to add more Art within my writing.
The Photoblog – Photography is what the photoblog is about – a photo-a-day kind of thing as intention and as means to grapple with photography and enhance skills; but, at almost two years in I’m only on post 271 and not beyond a year’s 365 posts. The blog is also about responding to each photo or set of photos as starting point to engage the rabbit trail of memory associating to family and times.” And, it often leads my thought to a set of Rimbey farms and my cousins, there.
Listening to – the Candid Frame with Ibarionex Perello in an interview with Will Jax about his Juke Joint photography in the French Quarter of New Orleans; part of the discussion that intrigued was the matter of consent, of giving back, contributing – all parts of what grants access within the exchange that is photography.
Quote to Inspire – “You yourself are unique–you have ways of seeing your world that are unlike those of anyone else–so find ways to more faithfully express that, and your style will emerge.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom
Buttertown Homestead – Fort Vermilion, AlbertaSunset Above the Peace River – Fort Vermilion, AlbertaStore Shed – St. Louis Catholic Church – Fort Vermilion, AlbertaDerelict Vehicle – A Former Time – Buttertown, Fort Vermilion, Alberta
A weeklong endeavor involving our junior high students saw Alberta’s Trickster Theater group work with them to create and perform a handful of short dramas dealing with human rights around the world. Students engaged in this learning by doing, many came out from shells they’d been cloistered into through our long, long winter; all enjoyed the fun of team performance. My role was to collect images for presentation within an Animoto slideshow. In pre-screening the slideshow the phrase photo manipulation was used favourably to refer to presenting an image in new and interesting ways to draw the viewer to the action or happening within the image or to draw the viewer into the image’s feeling, mood or atmosphere. Saturation and desaturation, focus, detail and blur, tinting, vignette and cropping – all are manipulations of the photograph allowing amplification of image narrative or feeling, mood and atmosphere. The images presented here have each received photo manipulation, the editing that follows image capture and moves them to rendering.
Listening to – Tyler Bates’ ‘Pamplona’ and ‘Ventura,’ Tyrone Wells’ ‘Time of Our Lives,’ and Rascal Flatts’ ‘My Wish.’
Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith
Day’s end reveals a world of colour within a longer, spring sunset. Russet orange dominates the backdrop for new spring buds and their companion, a century old homestead home in Buttertown across the river from Fort Vermilion, Alberta. Out-of doors movement occurs easily and remains novelty following a seemingly never-ending winter that saw so much darkness and snow – so good to be outside and in the world.
Listening to – Chris Whitley’s ‘Big Sky Country.’ The playlist has also held the Ozark Mountain Daredevils and ‘If You Wanna Get to Heaven,’ and the Rolling Stones with ‘Can’t You Hear Me Knocking.’
Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that it is just a trick.” – Christopher Anderson
Peace River Sunset – Fort Vermilion, Alberta 1Peace River Sunset – Fort Vermilion, Alberta 2
Sunday evening, on my own, at Fort Vermilion’s boat launch I witnessed the sun drop below the horizon and the dusky, rich colours and lengthening shadows produced – day’s end in the land of the Midnight Sun. The event recalls (and was perhaps inspired by) redjim99’s poem, his 200th, on his ‘notyethere’ wordpress blog, ‘The Road at Sunset’ and his discussion of the illusion of horizon; accurate and cleanly worked – it is worth checking out.
Poet and fellow photo blogger, Jim from ‘notyethere’ blog highlights the truism that there will be other sunsets – found, seen, discovered and relished. In this instance, I chose to pull the car off the road between Whitecourt and Valleyview, Alberta and capture the sunset. Check out http://notyethere.wordpress.com/ .
Listening to – ‘Across the River’ by Peter Gabriel.
Quote to Inspire – “I guess I’ve shot about 40,000 negatives and of these I have about 800 pictures I like.” – Harry Callahan
Country Road Sunset – Mayerthorpe, AlbertaFarm Silo Silhouette – Mayerthorpe, Alberta
Wednesday’s travel took me from my Calgary, Camera Store stop northward on my return drive to High Level. Around dinner-time, between Mayerthorpe and Whitecourt the cloud-work and evolving sunset on the southwest of the highway were a spectacular sight among a huge and open northern Alberta sky, land less frequently frequented, something quite different from the frenetic congestion of people and land encountered between Edmonton and Calgary, an area still held in grey bleakness of winter. It was good to be traveling home in familiar North Country.
Listening to – Collective Soul and ‘Shine’, and, Sigur Ros and ‘E-bow.’
Quote to Inspire – “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see .” – Dorothea Lange
1 Buttertown Home – Fort Vermilion, Alberta 22 Buttertown Home – Fort Vermilion, Alberta 13 Farm Buildings – Guy, Alberta 14 Farm Buildings – Guy, Alberta 35 Farm Buildings – Guy, Alberta 46 Farming Buildings – Nampa, Alberta 27 Farming Buildings – Nampa, Alberta 18 Ford & Mercury Trucks 19 Ford & Mercury Trucks 210 Icicle – Tompkins Landing 111 Icicle – Tompkins Landing 212 Icicle – Tompkins Landing 313 Icicle – Tompkins Landing 414 Icicle – Tompkins Landing 515 Icicle – Tompkins Landing 616 Black and White – Cattails, High Level, Alberta17 Former Highway Construction Vehicles 118 Former Highway Construction Vehicles 219 Bus Lanes at Night – High Level, Alberta
A cluster of B-side photos remain – Fort Vermilion’s former times Buttertown homes, winter farming scenes (equipment and buildings, deposited in their last left locations, ‘medias res’), icicle lens edits and former MacKenzie highway construction vehicles. It’s this winter’s tail-end, a time to close winter out … and get-on with spring.
Listening to – Edie Brickell & the New Bohemians’ ‘What I am,’ U2’s ‘All Because of You,’ Cat Stevens’ ‘Morning Has Broken,’ Depeche Mode’s ‘Policy of Truth,’ T. Rex’s ‘Bang a Gong,’ Wang Chung’s ‘Dance Hall Days’ and Neil Young’s ‘Cinnamon Girl.’
Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous
At sunset, on a lake north from Dixonville, Alberta, on the west side of a highway’s curve, a beaver has swum towards me to determine whether or not I’m animate, part of the setting or active within its setting. When my movement becomes large and noticeable, the beaver slaps its tail on the water and dives, swimming from what had been its present location to another where line of sight on me, the potential predator, can be had.
Listening to – much of Dave Matthews and Tim Reynolds’ Live at Radio City Music Hall; the songs standing out this morning have been ‘Bartender’ (as possible prayer), ‘Save Me’ (for its allusion), ‘Crash into Me’ (intimate lovers’ dialogue), ‘Sister’ (I have a sister-in-law) and ‘Lie in Our Graves’ (for its shared fun).
Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec
For a second time, a Peace River, Alberta sunset arrests my attention. This photo is an image exposed incorrectly, but one that has been shot as a RAW file; editing is able to rescue the image returning it to Life and intention – a sunset shot. Earlier this fall on a day when we (my family and me) had been to Peace River for a day’s outing, the day’s return journey began at sunset; we in our vehicle making the long five kilometre climb westward out of the Peace valley and enjoying an array, scatter and stir of cloud work – hues deepening, then diminishing. A sight to have caught as a photo, this sunset … but just as easily enjoyed by each of us for what it was; there will be other sunsets (we do live in Alberta). As an entity, the immediate follow-up to sunset is dusk, light that softens as it leaves, light that colours as it diminishes – in photographic terms it de-saturates (withdraws colour). As an entity, dusk is intermediary between the stark, factual reality of daylight and that part of Life that occurs in the unseen. As an entity, dusk seems to be a visual reminder of transience – at sunrise dusk is a part of how we enter the day; at sunset dusk moves us from our day into night. The day’s movement is a part of our forward Life movement reminding us of our impermanence.
Listening to – Snow Patrol’s ‘Please Just Take These Photos,’ The Eagles’ ‘Seven Bridges Road,’ Don Henley’s ‘Sunset Grill,’ The Cars’ ‘Good Times Roll,’ Cheap Trick’s ‘Speak Now or Forever Hold Your Peace,’ The Verve’s ‘Bittersweet Symphony,’ and U2’s ‘Crumbs From Your Table.’
Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata
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