Journal – Page 51 – In My Back Pocket

Recalled to Life – Reflection and Reminiscence

January 9th, 2012

Candlelight 1

Candlelight 2

Candlelight 3

Candlelight 4

Candlelight 5

Candlelight 6

Candlelight 7

With one key element of impressionism being that of concentrating upon a general impression produced by a scene or object, my mother was attracted to the beauty of this style of painting most certainly because with flowers and humans the style strove to capture a resonant moment in its use of primal colour and miniscule strokes, all in a painting style that worked to simulate reflected light.

In the prints of impressionist painters, my mother was attracted primarily to Claude Monet and some works of Auguste Renoir; subtlely as she collected and displayed these works she pointed to the core message of still life – that beauty has duration; living beauty resonates for a time, then diminishes and is no more. And, this theme carries over to her love of flowers – my mother was happy and most at home among her flowers, nurturing and pruning flowers and entertaining others among her gardens’ flowers.

Most, if not all prints she adorned her home with had flowers as their subject; and, I wonder, on the one hand, if these were winter purchases (in remembrance of the beauty of flowers) or as years went on if she used such prints to express life’s stages as parallel to where she and Dad were in the older ages of their life development. Among all her prints, one is a still life of a flower that still retains beauty but is beginning to wilt; the flower, a cut stem, resides in a glass vase filled with water. It is not a picture that one would readily display upon a wall because there’s an awkwardness of the beauty diminishing that disturbs. The flower requires grace to see it through its disturbing diminishment. Mom was teaching about Life with these prints, quite subtlely.

What is ingenious in this print is the play of light reflected within the glass vase. The connection to the photographs I present here is somewhat adjacent; the light reflected in the glass vase got me started on the play of light reflected on and moving within glass and I have photographed candlelight among glass.

Listening to The Valley by Sarah Masen, a reference to Psalm 23 (a psalm of David and place of solace for my grandfather).

Quote to Inspire – “Technique is to me merely a language and as I see life more and more clearly, growing older, I have but one intention, to make my language as clear and simple and sincere as humanly possible.” ~ Robert Henri, The Art Spirit
A Moody Change in Winter Weather

January 8th, 2012

Bus Lanes & Fog 1

Bus Lanes & Fog 2

Bus Lanes & Fog 3

Bus Lanes & Fog 4

HLPS Cafeteria Entrance

Playground Equipment – Winter

Hoarfrosted Tree – Parking Lot

HLPS Gymnasium Entrance

HLPS Main Entrance 1

HLPS Main Entrance 2

On Thursday evening, the temperature in High Level, Alberta dropped from -10C to -20C+. The moisture in the air transitioned to noticeable fog and then crystallized on physical objects producing a beautiful array of hoarfrost on trees, buildings and fences throughout the town. I went for my evening walk, walking a counter clockwise, reverse 6 km circuit through High Level, returning home to collect my Canon 60D and Manfrotto Tripod. The variation in subjects is limited – bus lane light standards between High Level Public School and Florence MacDougall Community School (showing the play of light against fog), a hoarfrosted tree in parking lot to the west, three entrance images to High Level Public School and the school’s playground equipment. In all images, a change in the weather has altered the landscape, creating new possibilities for photographs.

Composition for photographs has been on my mind and while there are many rules or principles to guide angle of view, subject and lighting, the thing I’ve been reminded of is that composition is about ‘finding’ the strongest way of seeing the subject. Here, Angela Patterson of the Ditch Divas would remind me that while there are technical considerations, it is also important to get to the point of taking the picture … not to over-think the opportunity in front of you … likely because it’s impermanent.

Listening to Impermanent Things by Peter Himmelman from his Stage Diving album; (thank you to Stocki for this Rhythms of Redemption recommendation … all those years ago).

Quote to Inspire – “Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.” ~ Susan Sontag, On Photography

Bloggers and image viewers – Thank you for stopping by and recommending this site to friends and colleagues. Cheers!
Images from the Journey Home

January 6th, 2012
Homestead 1

Homestead 2

Homestead 3

Homestead 4

Homestead 5

Homestead 6

Farm Building – Nampa

Older Farm Vehicles

Peace River – South

Peace River – South 2

S-Curve – Light Streak 1

S-Curve – Light Streak 2

S-Curve – Light Streak 3

S-Curve – Light Streak 4

S-Curve – Light Streak 5

On Monday, January 2, 2012, my daughter and I drove from Edmonton and returned to High Level, concluding our Christmas visit with family. Opportunities for photographs were available throughout the drive; and, as with any travel that combines photography with moving towards a destination the choice to stop and investigate possible shots always presents the trade-off of time lost moving toward your destination. You can move directly there and be assured of an arrival time. Or, you can look around laterally at, toward or within the places you are traveling through and investigate them through the lens of your camera. A friend who paints from Cornerbrook, Newfoundland has recommended taking as many as three days to make this 800 km journey and to stop frequently and as needed to take-in all that the landscape offers. For me, while on the south side of Valleyview, I chose to note the possibilities and to this end I’m grateful for my daughter who was able to write down possible subjects, their location and information about quality and direction of light. On the north side of Valleyview, I began to feel more at ease with stopping and taking my Canon 60D out. The images gathered are of an old homestead near Donnelly, two older trucks on a farm near Nampa and then images captured on the south hill leading into Peace River – the road’s S-curve winding along the hill and a western exposure of the Peace River.

Quotes to Inspire (I’ve been working my way through a few of John O’Donohue’s Greenbelt lectures and have looked round the web for quotes):
- “Inspiration is always a surprising visitor.” ― John O’Donohue, Anam Cara: A Book of Celtic Wisdom
- “I would love to live like a river flows, carried by the surprise of its own unfolding.” ― John O’Donohue
- “One of the deepest longings of the human soul is to be seen.” ― John O’Donohue
- “Beauty is the illumination of your soul.” ― John O’Donohue, Anam Cara: A Book of Celtic Wisdom
- “The duty of privilege is absolute integrity” ― John O’Donohue
Listening to Lay My Burden Down by Alison Krauss from the movie Get Low; Jerry Douglas adds Dobro to much of the soundtrack (I enjoy this movie – there’s much of ‘life’ in it).
Homestead – Donnelly, Alberta

January 6th, 2012

Homestead

Here is a black and white photograph of a homestead between Donnelly and Peace River, Alberta – an image receiving attention from bloggers; structure, design and texture attract.

My intention for this photograph initially has been the exterior; but, with photographs of homes and recollection that families inhabit homes the photograph becomes something relating to that business that William Shakespeare points to … ‘all the world [being] a stage [even those floors and rooms of home] … and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts ….

Home is where we start our lives and move through our first parts … right?

Listening to Moses from Coldplay’s Live 2003 CD/DVD.

Quote to Inspire: “Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.” — Edward Steichen
Edmonton – A Brief Photowalk in a Place I Want to Photograph

January 5th, 2012

Edmonton Architecture 1

Edmonton Architecture 2

Edmonton Architecture 3

Edmonton Architecture 4

Edmonton Architecture 5

Edmonton Architecture 4

Edmonton Architecture 7

Edmonton Architecture 8

Edmonton Signage

Edmonton Architecture 9

Edmonton Architecture 10

Edmonton Architecture 11

Edmonton Architecture 12

Edmonton Architecture 13

Saskatchewan Drive toward Hub Mall

Saskatchewan Drive toward the University’s Arts Building

High Level Bridge Rail Deck

High Level Bridge Rail Deck 2

High Level Bridge – Exit Ramp

High Level Bridge – Exit Ramp 2

High Level Bridge – Rail Exit

31 December 2011 – My daughter and I took my son back to Edmonton to return him to his University of Alberta dorm at Lister Hall on December 30, 2011. The trip allowed for vehicle maintenance at West Edmonton Hyundai, two festive meals with my father, brothers and our families; it allowed my daughter four days with her favourite cousin and for me, time with my son, father and our extended family. At different times on December 31^st, I was able to break away from the day’s agenda and photograph Edmonton architecture – not quite a full and satisfying photowalk, but something to whet my appetite for photographing downtown Edmonton.

Edmonton’s High Level bridge is the subject of the first set of shots. At the bridge, while waiting for my son, before a morning family meal out, I was able to photograph the railway deck leading onto the bridge from the south. I was intrigued by the leading lines of the road and walkway leading from the bridge on its south side. The bridge’s rail deck is secure from people who would like to walk along it – good! And, I am interested in the photograph of the rail deck taken by the Edmonton Photowalk group led by Darlene Hildebrandt on October 1, 2011. In returning from the bridge to my vehicle, to go and retrieve my son, I was also able to photograph Edmonton’s Saskatchewan drive as it leads past the University of Alberta’s Arts building and Hub Mall – a memorable place from my past at the University of Alberta. I met W.O. Mitchell between these buildings late on a Saturday afternoon in the fall of 1981 after a 12-string guitar lesson at Hub Mall’s Guitar Classique and guided him to the South entrance of the University’s Arts building for a talk he would provide to Canadian literature students.

Later, in the late afternoon of December 31^st, I was able to briefly photograph some of Edmonton’s architecture – new and old, buildings close to the Boardwalk and EPSB’s Centre High school. I was caught up in the older architecture and advertising painted onto exterior walls as well as the reflective dynamic of newer building’s mirrored exteriors. The Edmonton I grew up in has become something more incredible and futuristic, something only dreamt of by former Mayors. The final shot (the first shot in the series) is at the east end of the Edmonton downtown core, a older building dating back to perhaps the forties or thirties, a pie-shaped building of four stories, reminiscent of a former age, something my mother and her brothers would have grown up in. I like the brickwork and lighting of this picture and hope to return to photograph this building in a variety of ways.

Quote to Inspire: “I am not interested in color for color’s sake and light for light’s sake. I am interested in them as a means of expression (Robert Henri ~ ‘The Art Spirit’).”

Listening to Unraveling, by Liz Longley on Hot Loose Wire; a song with shared connection and reminiscence – a family member beset with Alzheimer’s ( for Liz this was her grandmother; for me this is my father, the originating photographer in the family I grew up in).
28 December 2010 – Look Back Photos (Edmonton’s Low Level Bridge and Skyline)

December 28th, 2011

Low Level Bridge 1

Low Level Bridge 2

Low Level Bridge 3

Low Level Bridge 4

Low Level Bridge 5

Low Level Bridge 6

Low Level Bridge 7

Edmonton Skyline 1

Edmonton Skyline 2

Edmonton Skyline 3

Edmonton Skyline 4

Edmonton Skyline 5

Edmonton Skyline 6

Edmonton Queen 1

One year ago today my intention for photography in coming to Edmonton over Christmas was to capture sense of place. In any visit I had previously made to Edmonton through the years, I spent time on Whyte Avenue looking through Art shops for images of Edmonton – drawings, paintings and photographs. These shops would contain images of the High Level bridge, the train station on 103rd Street, many images of Old Strathcona (Whyte Avenue) and its various happenings, the Hotel MacDonald, the Alberta Legislature and the Edmonton Skyline – all representing a home I’d grown up in, all representing memory and a desire to revisit former times. In late afternoon on December 28, 2010, I parked my vehicle close to the Low Level Bridge and got down onto the ice of the North Saskatchewan River with tripod and Canon 30D and began clicking away using my Sigma 10-20mm lens.

In an hour and a half I had rounded up forty-nine images of my own, new photographic memories of Edmonton – the Low Level Bridge, the Hotel MacDonald, the Edmonton Skyline. I’d also encountered a disciplined martial artist training against trees, the welcoming smile of a female long distance runner and two University students who thought I’d fall through the ice along the river’s edge … go figure.

Listening to – Beggars & Buskers, by Eric Angus Whyte on the Luddite Sons album (thanks to Stocki for this recommendation on his Soul Surmise blog).

Quote to Inspire – “The key to seeing the world’s soul, and in the process wakening one’s own, is to get over the confusion by which we think that fact is real and imagination an illusion. It is the other way around.” ~ Thomas Moore ‘Original Self’
Christmas Eve – A Kitchen in Readiness for Celebrating Christmas

December 26th, 2011

Wine Bottles – Reflection 1

Wine Bottles – Cluster 2

Wine Bottles – Cluster 3

Wine Bottles – Cluster 4

Wine Bottles – Cluster 5

Roaster in Readiness 1

Roaster in Readiness 2

Roaster in Readiness 3

Wine Bottles – Cluster 1

Quail’s Gate 1

Quail’s Gate 2

Quail’s Gate 3

24 December 2011 – On the afternoon preceding Christmas eve, in scrubbing our kitchen floor, my wife and I moved several wine bottles from the floor to our kitchen counter. Later, a ham cooked in an old, well-used roasting pot (in my wife’s family through generations), became the mainstay of our Christmas eve meal (part of the tradition coming through her family). After singing hymns at a Church service and coming home from time with friends in fellowship, I found myself with an abundance of time and the opportunity to photograph our kitchen in readiness for Christmas. I worked with reflection, light reflected in glass, shallow depth of field and adding accuracy to focal points through the use of the Canon 60D’s live-view mode (I put my glasses on for this). The wine bottles remained in a cluster on the kitchen counter top where the ham roaster was set out in readiness for cooking the Christmas turkey. Both became subjects in tonight’s photographs and a variety of colours and moods were explored.

On my mind this Christmas, the words – “Be still, and know that I am God … (Psalm 46:10);” these words confront you at the High Level Christian Fellowship Church from the wall surrounding the pulpit. For me, so long away from Church, practice and walk, it surfaces the idea that it’s alright to rest, to ease up on the reigns of one’s life that can be held so tightly and remove my focus from the doing and busy-ness of Life; amazingly, so much has been provided for in the lives of my family and me … and I am thankful.

My hope for each of you is that you are able to find the rest that this Christmas time affords.

Merry Christmas, all!
On My Mind – Intended Practice for Photography

December 25th, 2011

Saint Nick – Black and White Amongst Bobbles

Christmas Star – Silhouetted against Colourful Bokeh

Little Toy Train

Snowman Against Bokeh

Ballerina – Black and White

Hello Kitty

Christmas Eskimo

Colourful – Saint Nick

23 December 2011

With photography, because assets are invested in capturing images, it is likely a good thing to create a system of ‘intended practice’ so that time and resources are not wasted. While image capture can occur anywhere within any environment, determining what images to capture within available time requires good understanding, judgment and planning. These develop noting how success occurred with previous images. Beyond this, such discernment also develops recognizing what possibilities were available within unsuccessful images.

Some photographs are best considered first photographs, images that are test shots or scouting shots, images that allow you to understand the subject and its environment and possibilities for future shots. Working with such photographs acquaints you with what else is possible and becomes your intention for subsequent photographs. Subsequent photographs can be approached directly – “I will go to the site/subject and try such and such.” Or, subsequent photographs can be approached indirectly, returning to the site/subject in the mindset that “If I’m there again I will take advantage of the situation to create this result.”

Because the timeline between initial, scouting photographs and subsequent photographs can be great, record keeping regarding intentions is needed. The record considers the initial photograph – what was happening with light, composition, camera angle and camera settings. And, the record considers intention – what you intend for the image now that you’ve edited it, thought about it and recognized its other possibilities; the record notes conditions that would be present were subsequent shots to be attempted. In both cases, whatever the image is about holds something that draws you back; this is the other important variable about the subject that needs to be articulated and noted. It is the quality you want to be revealed in subsequent photographs.

While gathering intentions for upcoming photographs does require record keeping, being able to seize the opportunity for that photograph needs to be immediately available, something more than returning to a notebook. A map of the region to be photographed is a good collecting point for intentions in upcoming photographs; a map can be hung on a wall and sticky notes containing brief notes can be attached to it in terms of intended/upcoming photographs. The sticky note can contain information about the upcoming photographs and can point you back to your notebook for intentions.

Snap shots are images taken when someone stands up, clicks the shutter and most likely repeats with little or no intention. Photography, on the other hand, is about seeing and understanding the world through the camera lens with intention. In the next few days I will most likely hang a map of our municipal district on my study wall and use a moleskin and sticky notes to articulate what I would like to see happen in those photographs I take that are beyond the initial scouting photographs.

I M A G E S – Trinkets and bobbles upon our Christmas tree are today’s colourful subject; ‘bokeh’ is explored.
While Waiting – A Still-Life Image

December 23rd, 2011

Still Life – While Waiting

22 December 2011

I’ve been to Edmonton and back quite quickly in the last two days – through a snow storm on the way down and upon slick roads on the way back. I’ve brought my son home from University.

The image I present is one taken, standing in line waiting to pay for items needed in the long, upcoming night drive homeward. It reminds me that the concept of a subject’s duration is the core feature of still-life paintings and photographs. Perhaps this image taken ‘while-waiting’ adds a new aspect to the concept of still-life. This image is a while-waiting shot – one that gives me something to do while our cashier scans each item of the customers ahead of me in queue. This shot precedes eight hours of driving, a time I would spend with my son listening to music, listening to a few of his ideas and a shared joke or two. And, through those times that he slept I’ve been able to make good headway in digesting a couple of lectures presented by John O’Donohue.
Daylight Winter Images

December 23rd, 2011

Sledding Hill

Sledders’ Silhouette

Firepit Embers 1

Firepit Embers 2

Firepit Embers 3

20 December 2011 – daylight, winter images around High Level, Alberta; we’re nearly at 60 degrees North. So, sunrise happens quite late (9:00 a.m.) and sunset happens quite early (3:30 p.m.). Daylight is diminished and there’s more dusk at this time of year. The day’s images have been about lines, texture, atmosphere and colour – children sledding in silhouette and a fire burning down to coals.