I’m liking these cattails and the lengthening curves of the snow in which they are set.
Listening to – Tim Reynolds fret a number from the Live at Radio City concert with Dave Matthews, ‘You Are My Sanity’; then it’s Dave Matthews and Tim Reynolds with a Neil Young tune, ‘Down by the River.’
Quote to Inspire – “I really don’t have any idea about photography, but I take pictures.” – Alex Majoli
Cable – Tompkins Landing, Alberta 1Ice Bridge, Tompkins Landing, Alberta 1Ice Bridge, Tompkins Landing, Alberta 2
Cable has been wound upon one of two huge snow-covered spools used to pull the Edmonton Queen ferry up and out from the Peace River at Tompkins’ Landing, Alberta. The first image, a macro shot explores light, colour and texture of cable on the spool. The other two images are of the Tompkin’s Landing ice bridge – one kilometre in length, crossing the Peace River – a solid structure between December and March, capable of holding a transport truck weighing 60 tons.
Listening to – Coldplay from the Mylo Xyloto 2012 tour beginning with ‘Major Minus,’ then ‘Yellow,’ ‘Princess of China,’ ‘Up in Flames,’ ‘Clocks’ and ‘Charlie Brown.’
Quote to Inspire – “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin
Alberta Skies – High Level, Alberta 1Alberta Skies – High Level, Alberta 2Alberta Skies – High Level, Alberta 3Alberta Skies – High Level, Alberta 4
In Spring wind skims over sun-warmed snow, blowing and lifting moisture laden air sky high. A blue sky day can become cloud-ridden in hours. Alberta skies feature in images along the southward drive to Edmonton in Spring.
Listening to – Coldplay’s ‘Mylo Xyloto,’ ‘Hurts Like Heaven,’ and ‘In My Place.’
Quote to Inspire – “I’m very open to any visual conceits and any possibilities at my disposal to be better explain to people the ideas I’m exploring.” – Tim Hetherington
1 Buttertown Home – Fort Vermilion, Alberta 22 Buttertown Home – Fort Vermilion, Alberta 13 Farm Buildings – Guy, Alberta 14 Farm Buildings – Guy, Alberta 35 Farm Buildings – Guy, Alberta 46 Farming Buildings – Nampa, Alberta 27 Farming Buildings – Nampa, Alberta 18 Ford & Mercury Trucks 19 Ford & Mercury Trucks 210 Icicle – Tompkins Landing 111 Icicle – Tompkins Landing 212 Icicle – Tompkins Landing 313 Icicle – Tompkins Landing 414 Icicle – Tompkins Landing 515 Icicle – Tompkins Landing 616 Black and White – Cattails, High Level, Alberta17 Former Highway Construction Vehicles 118 Former Highway Construction Vehicles 219 Bus Lanes at Night – High Level, Alberta
A cluster of B-side photos remain – Fort Vermilion’s former times Buttertown homes, winter farming scenes (equipment and buildings, deposited in their last left locations, ‘medias res’), icicle lens edits and former MacKenzie highway construction vehicles. It’s this winter’s tail-end, a time to close winter out … and get-on with spring.
Listening to – Edie Brickell & the New Bohemians’ ‘What I am,’ U2’s ‘All Because of You,’ Cat Stevens’ ‘Morning Has Broken,’ Depeche Mode’s ‘Policy of Truth,’ T. Rex’s ‘Bang a Gong,’ Wang Chung’s ‘Dance Hall Days’ and Neil Young’s ‘Cinnamon Girl.’
Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous
Colour found and pulled from winter is subject of current photos. There’s a feel of the seventies as colour is approached – strong rich colours and contrasts in the darker images. The lighter images explore oversaturation and the aura surrounding subject. An icicle is shaped by heat and gravity. Another is shaped by wind’s push and pull. Both are lens for what they are in front of. Weeds, left behind, within the bleakness of a lacklustre winter field become source from which to pull colour and attention to shape and setting in an image that could be termed … ‘psychedelic.’
Listening to – iTunes set to start genius, starting at The Eagle’s Seven Bridges Road yields an energizing playlist – Eagles’ ‘Seven Bridges’ Road,’ Aerosmith’s ‘Back in the Saddle,’ The Black Crowes’ ‘ Twice as Hard,’ The Who’s ‘Magic Bus,’ Nazareth’s ‘Love Hurts,’ Bruce Springsteen’s ‘Pink Cadillac,’ The Rolling Stones’ ‘Can’t You Hear Me Knocking,’ Neil Young’s ‘Rockin In The Free World’ and The Kingsmen’s ‘Louie Louie.’
Quote to Inspire – “I also paint, draw and I’m into film and photography as well, and the same thing applies to all of them. You’re presenting this material to the general public and hoping that they’re going to ‘get’ what you’re doing. Some don’t, some do.” – Paul Kane
Cattails – High Level, Alberta 1Cattails – High Level, Alberta 2
That day – not in Church, in the first warmth of spring’s sun; snow, hip-deep … all your weight, leaning forward, shifting snow, inches at a time … to these snow-surrounded cattails. A beautiful, sunny spring Sunday with my Canon 60D.
Listening to – Alice in Chains’ ‘Heaven Beside You,’ Amiina’s ‘Rugla,’ and Angus and Julia Stone’s ‘Big Jet Plane.’
Quote to Inspire – “A good photograph is knowing where to stand.” – Ansel Adams
Icicle Lens – Tompkins Landing, Alberta 1Icicle Lens – Tompkins Landing, Alberta 2
At Tompkins Landing on the Peace River snow on cable anchors that hold the Queen of Edmonton Ferry in place high upon the river bank has with sun’s springtime intensity begun to melt and produce icicles. With macro lens it was possible to capture colour within each icicle lens as well as elements of structure within the icicle.
Listening to – Jack Johnson and ‘Banana Pancakes.’
“Still images can be moving and moving images can be still. Both meet within soundscapes.” – Chien-Chi Chang
At sunset, on a lake north from Dixonville, Alberta, on the west side of a highway’s curve, a beaver has swum towards me to determine whether or not I’m animate, part of the setting or active within its setting. When my movement becomes large and noticeable, the beaver slaps its tail on the water and dives, swimming from what had been its present location to another where line of sight on me, the potential predator, can be had.
Listening to – much of Dave Matthews and Tim Reynolds’ Live at Radio City Music Hall; the songs standing out this morning have been ‘Bartender’ (as possible prayer), ‘Save Me’ (for its allusion), ‘Crash into Me’ (intimate lovers’ dialogue), ‘Sister’ (I have a sister-in-law) and ‘Lie in Our Graves’ (for its shared fun).
Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec
1 Former Farm Buildings – Guy, Alberta 12 Chevrolet and GMC3 Former Farm Buildings – Guy, Alberta 2
5 Former Vehicles of the Road6 Former Farm Buildings – Guy, Alberta 37 Former Vehicles of the Highway
Away from its cities, out in Alberta’s hinterland Alberta’s land is a great, huge space, with landscapes and regions that vary substantially in terrain and vegetation from North to South and from West to East. Its strength – strength of economy, strength of resource and solid quality of Life – seem most apparent in and around its cities. As you move through Alberta’s distances, you discover those places where people have made a living with very little; they got their start, weathered the years and gathered strength, resources and capital. Often my photography celebrates these first places trying to understand intent for how the place was used and how and why it was left. The photographs memorialize former first Alberta days, reminders of the youth-filled strength and initiative to make a go of it in a sometimes unyielding land.
Listening to – Penguin Café Orchestra’s Volume 2 – ‘Air a Danser,’ ‘Yodel 1,’ ‘Telephone and Rubber Band,’ ‘Cutting Branches For a Temporary Shelter,’ ‘Pythagoras’s Trousers,’ ‘Numbers 1-4,’ ‘Yodel 2,’ ‘Salty Bean Fumble,’ ‘Paul’s Dance,’ ‘The Ecstacy of Dancing Fleas,’ ‘Walk Don’t Run,’ ‘Flux,’ ‘Simon’s Dream,’ ‘Harmonic Necklace,’ and ‘Steady State.’
Quote to Inspire – “During the work, you have to be sure that you haven’t left any holes, that you’ve captured everything, because afterwards it will be too late.” – Henri Cartier-Bresson
For a second time, a Peace River, Alberta sunset arrests my attention. This photo is an image exposed incorrectly, but one that has been shot as a RAW file; editing is able to rescue the image returning it to Life and intention – a sunset shot. Earlier this fall on a day when we (my family and me) had been to Peace River for a day’s outing, the day’s return journey began at sunset; we in our vehicle making the long five kilometre climb westward out of the Peace valley and enjoying an array, scatter and stir of cloud work – hues deepening, then diminishing. A sight to have caught as a photo, this sunset … but just as easily enjoyed by each of us for what it was; there will be other sunsets (we do live in Alberta). As an entity, the immediate follow-up to sunset is dusk, light that softens as it leaves, light that colours as it diminishes – in photographic terms it de-saturates (withdraws colour). As an entity, dusk is intermediary between the stark, factual reality of daylight and that part of Life that occurs in the unseen. As an entity, dusk seems to be a visual reminder of transience – at sunrise dusk is a part of how we enter the day; at sunset dusk moves us from our day into night. The day’s movement is a part of our forward Life movement reminding us of our impermanence.
Listening to – Snow Patrol’s ‘Please Just Take These Photos,’ The Eagles’ ‘Seven Bridges Road,’ Don Henley’s ‘Sunset Grill,’ The Cars’ ‘Good Times Roll,’ Cheap Trick’s ‘Speak Now or Forever Hold Your Peace,’ The Verve’s ‘Bittersweet Symphony,’ and U2’s ‘Crumbs From Your Table.’
Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata
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