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Photographs – Among Family
Sophisticated, Subtle, Substantial
The Beholding Eye
Meticulous, Careful u0026amp; Slow
A Minuscule Moment in a Darku0026nbsp;Landscape
Journal
lumensborealis.com/2011/12/04/the-art-of-bringing-your-mind-home/

In My Back Pocket – Photography

Tag: west edmonton

Only Time Will Tell … Transformation

January 11th, 2012

1953 Ford F-100 Pickup – 1

1953 Ford F-100 Pickup – 2

1953 Ford F-100 Pickup – 3

1953 Ford F-100 Pickup – 4

1953 Ford F-100 Pickup – 5

1953 Ford F-100 Pickup – 6

1953 Ford F-100 Pickup – 7

1953 Ford F-100 Pickup – 8

1953 Ford F-100 Pickup – 9

1953 Ford F-100 Pickup – 10

1953 Ford F-100 Pickup – 11

1953 Ford F-100 Pickup – 12

1953 Ford F-100 Pickup – 13

1953 Ford F-100 Pickup – 14

On November 9, 2011, I drove from High Level to Vulcan, Alberta to participate in Bill Brandley’s introductory photography workshop for Career and Technology Studies teachers in Alberta. Icey roads between Valleyview and Edmonton brought traffic to a standstill and motel rooms were not to be found. Hundreds of transport trucks lined roadsides, it being safer to stop with a valuable load than to risk loss in an accident. With several accidents (and perhaps fatalities) the department of highways closed the road until it could be sanded. I travelled through the night, a journey that should have taken me eight hours stretching to twelve with many portions of the highway being navigable only at 50 km/h. I made it to Edmonton safely at 6:00 a.m. having started at 5:45 p.m. the night before. I got a motel room in West Edmonton, slept into the afternoon and carried on.

Along the way to Vulcan, south of Calgary I came upon what looked to be an old service station and while there were no gas pumps in the yard, there was a 1940 Plymouth, four door with ‘4 Sale’ in the front driver’s side window. I stopped in. Our school is doing a dinner theatre production of ‘Grease’ and this vehicle when restored (by our metal worker, now shop teacher) would, no doubt, recall the film version of Grease with John Travolta and Olivia Newton John and the era it depicts. I introduced myself to Dean, a mechanic and owner of Deanz, a vehicle restorations shop and asked if I might photograph his 1940 Plymouth as a means to interest school staff in this vehicle and dinner theatre prop. In Dean I encountered a ‘master’ of many trades, each skill allowing him great independence in taking on restoration projects. Our discussion led to a tour through his shop, a look at a mid-sixties Mercury Meteor he was in the midst of restoring, his friend’s 62 B-series Plymouth Valiant and a late 60’s Plymouth Roadrunner – his own, brown and white … in remarkable, glossy, mint condition. Our discussion next considered the possibility of a project car. I told Dean about my father’s 1969 Pontiac Parisienne (a 2-door with a 350ci V8) and that my brother and I might be interested in halving costs of a restoration.

That was two months ago.

Well … within one twenty-four hour period (from Monday to Tuesday this week) I’ve had a call from Dean and an e-mail from Bill Brandley – Dean with photographs of a 1968 Pontiac Parisienne fastback and Bill with an invitation to participate in the follow-up, advanced, CTS Photography course. Since then, I’ve let the news of the Pontiac and the photography course sit in the back of my mind. A couple of days have gone by. I’m letting the information ferment with regard to a decision about whether or not to dig-in to either project. With this as context, last evening, I went out to photograph a vehicle, here in High Level, that awaits restoration.

It cannot be an easy thing to appreciate the yesteryear beauty of vehicles and to own a ‘rusting relic’ and have to wait until circumstances come together to allow for its restoration. In my walks down one of the main roads of the High Level industrial park I’ve been able to capture images of trains, train engines, the lumber mill and curiosities on either side of the road. One such find has been this truck which I believe to be a 1953 Ford F-100. It sits on an industrial lot with some of the town’s street light standards and a shed big enough to hold two or three John Deere tractors. This F-100 pickup sports a faded, retro mint green colour; some initial prep work has been completed towards its restoration. But, the vehicle has been sitting still and minor rust has been forming.

What it will become and what will become of it … only time will tell. But, this I know – transformations have always been something I have been interested in – often the physical transformation of ‘things’ becoming metaphor for the work of transformation in our subtle lives.

Quote to Inspire – “The more I advance, the more I regret what little I know …” Claude Monet

Listening to Born by Over the Rhine on the Drunkard’s Prayer album (another song with an element of Redemption … thank you Stocki)

Born
(Bergquist/Detweiler)
recording: Drunkard’s Prayer

I was born to laugh
I learned to laugh through my tears
I was born to love
I’m gonna learn to love without fear

Pour me a glass of wine
Talk deep into the night
Who knows what we’ll find

Intuition, deja vu
The Holy Ghost haunting you
Whatever you got
I don’t mind

Put your elbows on the table
I’ll listen long as I am able
There’s nowhere I’d rather be

Secret fears, the supernatural
Thank God for this new laughter
Thank God the joke’s on me

We’ve seen the landfill rainbow
We’ve seen the junkyard of love
Baby it’s no place for you and me

I was born to laugh
I learned to laugh through my tears
I was born to love
I’m gonna learn to love without fear

Bloggers, Image Viewers and those of you who Stumble here – thank you for stopping by; thank you for your comments and encouragement. Take care …
Edmonton – A Brief Photowalk in a Place I Want to Photograph

January 5th, 2012

Edmonton Architecture 1

Edmonton Architecture 2

Edmonton Architecture 3

Edmonton Architecture 4

Edmonton Architecture 5

Edmonton Architecture 4

Edmonton Architecture 7

Edmonton Architecture 8

Edmonton Signage

Edmonton Architecture 9

Edmonton Architecture 10

Edmonton Architecture 11

Edmonton Architecture 12

Edmonton Architecture 13

Saskatchewan Drive toward Hub Mall

Saskatchewan Drive toward the University’s Arts Building

High Level Bridge Rail Deck

High Level Bridge Rail Deck 2

High Level Bridge – Exit Ramp

High Level Bridge – Exit Ramp 2

High Level Bridge – Rail Exit

31 December 2011 – My daughter and I took my son back to Edmonton to return him to his University of Alberta dorm at Lister Hall on December 30, 2011. The trip allowed for vehicle maintenance at West Edmonton Hyundai, two festive meals with my father, brothers and our families; it allowed my daughter four days with her favourite cousin and for me, time with my son, father and our extended family. At different times on December 31^st, I was able to break away from the day’s agenda and photograph Edmonton architecture – not quite a full and satisfying photowalk, but something to whet my appetite for photographing downtown Edmonton.

Edmonton’s High Level bridge is the subject of the first set of shots. At the bridge, while waiting for my son, before a morning family meal out, I was able to photograph the railway deck leading onto the bridge from the south. I was intrigued by the leading lines of the road and walkway leading from the bridge on its south side. The bridge’s rail deck is secure from people who would like to walk along it – good! And, I am interested in the photograph of the rail deck taken by the Edmonton Photowalk group led by Darlene Hildebrandt on October 1, 2011. In returning from the bridge to my vehicle, to go and retrieve my son, I was also able to photograph Edmonton’s Saskatchewan drive as it leads past the University of Alberta’s Arts building and Hub Mall – a memorable place from my past at the University of Alberta. I met W.O. Mitchell between these buildings late on a Saturday afternoon in the fall of 1981 after a 12-string guitar lesson at Hub Mall’s Guitar Classique and guided him to the South entrance of the University’s Arts building for a talk he would provide to Canadian literature students.

Later, in the late afternoon of December 31^st, I was able to briefly photograph some of Edmonton’s architecture – new and old, buildings close to the Boardwalk and EPSB’s Centre High school. I was caught up in the older architecture and advertising painted onto exterior walls as well as the reflective dynamic of newer building’s mirrored exteriors. The Edmonton I grew up in has become something more incredible and futuristic, something only dreamt of by former Mayors. The final shot (the first shot in the series) is at the east end of the Edmonton downtown core, a older building dating back to perhaps the forties or thirties, a pie-shaped building of four stories, reminiscent of a former age, something my mother and her brothers would have grown up in. I like the brickwork and lighting of this picture and hope to return to photograph this building in a variety of ways.

Quote to Inspire: “I am not interested in color for color’s sake and light for light’s sake. I am interested in them as a means of expression (Robert Henri ~ ‘The Art Spirit’).”

Listening to Unraveling, by Liz Longley on Hot Loose Wire; a song with shared connection and reminiscence – a family member beset with Alzheimer’s ( for Liz this was her grandmother; for me this is my father, the originating photographer in the family I grew up in).

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