One technical aspect of William Faulkner’s novel, The Sound and The Fury, is that one narrative is investigated through active eyes of four different people associated with the story. The story receives telling from the perspective of and with the perceptive capability of each character grappling with what occurs as the narrative unfolds. Something similar occurs with perception when editing one photograph and altering minor elements of brightness, saturation and hue – what is seen and what one experiences in response to each configuration is different.

This evening, I’m looking back to a Friday in June, 2011.  It’s after school and a Show and Shine is being held in High Level, Alberta in the Norpine Auto Industrial Supply Retailer parking lot. I’ve got my Canon 30D with me as I depart from school and drive past these pristine vehicles – vintage and current – that someone has enhanced with different rims and tires, that someone has restored and painted, that someone has taken the time to find and connect with memories of a former time. I pull ahead, past Norpine, turning in at the High Level Home Hardware store and park my 2000 GMC Sierra, there. The next three-quarters of an hour is spent photographing cars and trucks from different angles to find good and best shots.

I dialogue with vehicle owners, unleashing  narratives associated with each vehicle we look to. Former students, in their first jobs following high school, show me their acquisitions – a Chrysler 300M and a GMC Sierra half-ton, both decked out with rims, fat tires and glossy shine. There’s room in our dialogue to sort through how I used to present cars in my post-high school days at Waterloo Mercury in Edmonton and what could be achieved with different McGuiar’s waxes for paint and a bottle of brake fluid for tires. I share with them that Autoglym Waxes are what I use these days and that Queen Elizabeth II has given royal warrant to the company because the waxes are used on Royal vehicles; while Hondas and Toyotas use the wax, so to does Aston Martin.

Mounted on my Canon 30D is a Sigma 10-20 mm wide angle lens … with it there’s the opportunity to distort vehicle form in terms of lines and curves … to add the wow factor. One vehicle I come across is this late fifties Ford half-ton painted bittersweet orange and waxed to full gleam to reflect June’s late afternoon sun, clouds and sky.  Editing reveals this image in different ways … see which you enjoy best.

Listening to Over the Rhine and Within Without from their Discount Fireworks album; then it’s on to Mindy Smith singing One More Moment from her album with the same name. Later, it’s on to Babylon II by David Gray from the White Ladder album.

Quote to Inspire – “Photography is an immediate reaction, drawing a meditation.” – Henri Cartier Bresson