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Witness Early

Cattails – Near Fort Vermilion Turnoff

Homestead – Fort Vermilion, Alberta 1

Homestead – Fort Vermilion, Alberta 2

Homestead – Fort Vermilion, Alberta 3

Peace River – Fort Vermilion, Alberta

Peace River Beaver – Fort Vermilion, Alberta 1

Peace River Beaver – Fort Vermilion, Alberta 2

Peace River Beaver – Fort Vermilion, Alberta 3

Peace River Sunrise – Fort Vermilion, Alberta

Up, earlier than sunrise, traveling, from High Level to Fort Vermilion … early, early morning to witness all that comprises sunrise – the Peace River looking east from Fort Vermilion at the newly risen sun, a beaver marking territory, a Buttertown homestead and cattails coloured in spring splendor.

Listening to – Robbie Robertson’s ‘Sweet Fire of Love,’ Lucinda William’s ‘Concrete and Barbed Wire,’ Melissa McClelland’s ‘Brake,’ Bryan Ferry’s ‘Just Like Tom Thumb’s Blues’ and Ryan Adams’ ‘Hotel Chelsea Nights.’

Quote to Inspire – “Taking an image, freezing a moment, reveals how rich reality truly is.” – Anonymous

Photos’ Manipulation

Buttertown Homestead – Fort Vermilion, Alberta

Sunset Above the Peace River – Fort Vermilion, Alberta

Store Shed – St. Louis Catholic Church – Fort Vermilion, Alberta

Derelict Vehicle – A Former Time – Buttertown, Fort Vermilion, Alberta

A weeklong endeavor involving our junior high students saw Alberta’s Trickster Theater group work with them to create and perform a handful of short dramas dealing with human rights around the world. Students engaged in this learning by doing, many came out from shells they’d been cloistered into through our long, long winter; all enjoyed the fun of team performance. My role was to collect images for presentation within an Animoto slideshow. In pre-screening the slideshow the phrase photo manipulation was used favourably to refer to presenting an image in new and interesting ways to draw the viewer to the action or happening within the image or to draw the viewer into the image’s feeling, mood or atmosphere. Saturation and desaturation, focus, detail and blur, tinting, vignette and cropping – all are manipulations of the photograph allowing amplification of image narrative or feeling, mood and atmosphere. The images presented here have each received photo manipulation, the editing that follows image capture and moves them to rendering.

Listening to – Tyler Bates’ ‘Pamplona’ and ‘Ventura,’ Tyrone Wells’ ‘Time of Our Lives,’ and Rascal Flatts’ ‘My Wish.’

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Russet World

Russet Buds – Buttertown, Alberta

Day’s end reveals a world of colour within a longer, spring sunset. Russet orange dominates the backdrop for new spring buds and their companion, a century old homestead home in Buttertown across the river from Fort Vermilion, Alberta. Out-of doors movement occurs easily and remains novelty following a seemingly never-ending winter that saw so much darkness and snow – so good to be outside and in the world.

Listening to – Chris Whitley’s ‘Big Sky Country.’ The playlist has also held the Ozark Mountain Daredevils and ‘If You Wanna Get to Heaven,’ and the Rolling Stones with ‘Can’t You Hear Me Knocking.’

Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that it is just a trick.” – Christopher Anderson

Along that Road – Repeat

Along the Road – Woking, Alberta

Barn – Fort Saskatchewan, Alberta 1

Barn – Fort Saskatchewan, Alberta 2

Canadian National Bridge – Edmonton, Alberta

Grain Shed – Manning, Alberta 1

Grain Shed – Manning, Alberta 2

Grain Shed – Manning, Alberta 3

Grain Shed – Near Figure 8 Lake, Alberta

Train Trestle – Sangudo, Alberta

Alone, along the road, driving home, structures from a former time and world that Alberta was age and erode with the seasons. Cared about structures are kept for their continued functionality, others for their memorial’s sake, to remember people and their time. Other structures, uncared for, decay and become derelict, awaiting demise. Each informs of their former time – what was then and what was on the go and what it was like being there (and then). Halt the car, grab camera and tripod, look around … repeat … all the way home. Snow melts. Spring takes hold.

Listening to – Joshua Redman’s ‘Stop this Train,’ and Sigur Ros’ ‘Svefn-G-Englar’ and ‘Glosoli.’

Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata

Sideline Shot

CN Caboose – Edmonton, Alberta

City of Edmonton Skyline

Cab & Chassis – Sangudo, Alberta

Barn – Fort Saskatchewan, Alberta

Sometimes a fence, sometimes physical distance, sometimes a line to be respected and not crossed – in each case a barrier stands between the subject and your camera. When you cannot interact directly with your photo’s subject, you shoot from the sidelines … and can still get the shot. You see the situation for what it is and work with what ‘is’. Each of these photos were shot from the sidelines – the CN caboose, the Fort Saskatchewan barn, the city of Edmonton Skyline and the windshields of the truck cabs.

Listening to – Ben E. King’s ‘Stand by Me’ and Toby Keith’s ‘Red Solo Cup.’

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Winter Constant

Farm – Rimbey, Alberta 2

Farm – Rimbey, Alberta

Field Entrance – Woking, Alberta

Former Farm – Notikewan, Alberta

Peace River – Dunvegan, Alberta 1

Peace River – Dunvegan, Alberta 2

Peace River – Dunvegan, Alberta 3

Peace River – Dunvegan, Alberta 4

Grain Elevator – Sexsmith, Alberta 1

Grain Elevator – Sexsmith, Alberta 2

In a spring that needs to take hold more firmly, winter drags on, a guest overstaying its welcome. Winter continues as constant in and around Alberta and features in photos – farms dusted with snow, grain elevators and Harvestor Silos providing colour against the snow, the Peace River melting through ice … covered with snow. Each are presented here.

Listening to – Francesca Battistelli’s ‘This is the Stuff’ and JJ Heller’s ‘What Love Really Means.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

“Treasure, Jim … Treasure”

Rusting Relics – Manning, Alberta

Treasure is a term coined twice this week – in one instance within a John Le Carre novel it is taken to mean the secret that if possessed would turn the tables on your enemy (as in Control’s discussion with Jim Prideaux regarding ‘treasure’ before embarking to Budapest, ‘Tinker, Tailor, Soldier, Spy’); in a second instance within Robert Louis Stevenson’s novel, ‘Treasure Island,’ it refers to the ill-gotten gains that in the getting you seem to have a right to – but irony can play disasterously with you, here. Beyond this, treasure, if possessed, puts you to advantage and gives you power. It is taken to mean something that guarantees a future free from want. A second, perhaps more poignant irony is that treasure once in one’s possession requires care so that no one takes it away … work is involved. Here, within this image, the term treasure can be taken to mean the opportunity of possibility, the rusting relic that has potential in its restoration, in its possession and use. As a photographer, the treasure is perhaps in the image and the narrative that surrounds the image. Point of connection – I learned to drive in a 1969 GMC half-ton pick-up (transmission – three-the-tree-standard), similar to the white GMC cab three vehicles from the right of the image and the GMC on the left.

Listening to – Johnny Cash’s ‘Gods Gonna Cut You Down,’ a song first heard on Steve Stockman’s Rhythm and Soul broadcast, as rendered by the Five Blind Boys of Alabama.

Quote to Inspire – “… the most grandiose result of the photographic enterprise is to give us the sense that we hold the whole world in our heads – as an anthology of images.” – Susan Sontag, ‘On Photography’

North Country Cloud-work

Country Road Sunset – Mayerthorpe, Alberta

Farm Silo Silhouette – Mayerthorpe, Alberta

Wednesday’s travel took me from my Calgary, Camera Store stop northward on my return drive to High Level. Around dinner-time, between Mayerthorpe and Whitecourt the cloud-work and evolving sunset on the southwest of the highway were a spectacular sight among a huge and open northern Alberta sky, land less frequently frequented, something quite different from the frenetic congestion of people and land encountered between Edmonton and Calgary, an area still held in grey bleakness of winter. It was good to be traveling home in familiar North Country.

Listening to – Collective Soul and ‘Shine’, and, Sigur Ros and ‘E-bow.’

Quote to Inspire – “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see .” – Dorothea Lange

Winter’s Tail-end …

1 Buttertown Home – Fort Vermilion, Alberta 2

2 Buttertown Home – Fort Vermilion, Alberta 1

3 Farm Buildings – Guy, Alberta 1

4 Farm Buildings – Guy, Alberta 3

5 Farm Buildings – Guy, Alberta 4

6 Farming Buildings – Nampa, Alberta 2

7 Farming Buildings – Nampa, Alberta 1

8 Ford & Mercury Trucks 1

9 Ford & Mercury Trucks 2

10 Icicle – Tompkins Landing 1

11 Icicle – Tompkins Landing 2

12 Icicle – Tompkins Landing 3

13 Icicle – Tompkins Landing 4

14 Icicle – Tompkins Landing 5

15 Icicle – Tompkins Landing 6

16 Black and White – Cattails, High Level, Alberta

17 Former Highway Construction Vehicles 1

18 Former Highway Construction Vehicles 2

19 Bus Lanes at Night – High Level, Alberta

A cluster of B-side photos remain – Fort Vermilion’s former times Buttertown homes, winter farming scenes (equipment and buildings, deposited in their last left locations, ‘medias res’), icicle lens edits and former MacKenzie highway construction vehicles. It’s this winter’s tail-end, a time to close winter out … and get-on with spring.

Listening to – Edie Brickell & the New Bohemians’ ‘What I am,’ U2’s ‘All Because of You,’ Cat Stevens’ ‘Morning Has Broken,’ Depeche Mode’s ‘Policy of Truth,’ T. Rex’s ‘Bang a Gong,’ Wang Chung’s ‘Dance Hall Days’ and Neil Young’s ‘Cinnamon Girl.’

Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous

Winter Psychedelic

Winter Psychedelic 1

Winter Psychedelic 2

Winter Psychedelic 3

Winter Psychedelic 4

Colour found and pulled from winter is subject of current photos. There’s a feel of the seventies as colour is approached – strong rich colours and contrasts in the darker images. The lighter images explore oversaturation and the aura surrounding subject. An icicle is shaped by heat and gravity. Another is shaped by wind’s push and pull. Both are lens for what they are in front of. Weeds, left behind, within the bleakness of a lacklustre winter field become source from which to pull colour and attention to shape and setting in an image that could be termed … ‘psychedelic.’

Listening to – iTunes set to start genius, starting at The Eagle’s Seven Bridges Road yields an energizing playlist – Eagles’ ‘Seven Bridges’ Road,’ Aerosmith’s ‘Back in the Saddle,’ The Black Crowes’ ‘ Twice as Hard,’ The Who’s ‘Magic Bus,’ Nazareth’s ‘Love Hurts,’ Bruce Springsteen’s ‘Pink Cadillac,’ The Rolling Stones’ ‘Can’t You Hear Me Knocking,’ Neil Young’s ‘Rockin In The Free World’ and The Kingsmen’s ‘Louie Louie.’

Quote to Inspire – “I also paint, draw and I’m into film and photography as well, and the same thing applies to all of them. You’re presenting this material to the general public and hoping that they’re going to ‘get’ what you’re doing. Some don’t, some do.” – Paul Kane

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In My Back Pocket – Photography